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critical analysis of thomas more's utopia
Thomas more s utopia as social model
thomas more utopia context
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The goal of education is to learn, and in this process of learning and being educated there are some greater goals that are served. Education in Thomas More’s Utopia seems to cater to a larger goal, which is to create virtuous persons and citizens, as they are responsible for attaining a flourishing human community. In Shakespeare’s The Tempest there seems to be an underlying idea of a connection between education and a sense of social control. The idea of instilling among his subjects a sense of obedience and influencing their knowledge through education, in order to bring about a feeling of belonging to a nation is prevalent in The Tempest. On one hand, education serves the purpose of creating citizens of a flourishing society and on the other it serves the purpose of creating the idea of citizenship for people of a preexisting nation.
The play begins with Prospero having a set lesson plan for his island. He also makes sure that the nobles (Alonzo, Sebastian, and Antonio) who were against him will not be forgotten and thus creating a sense of fear and authoritativeness right at the start. Most of The Tempest has to do with the re-education of the central characters by Prospero. Prospero used magic and other liberal art ideas (music, festivities etc) to control the locals of the island. These methods are a part of his larger educational plan. Given these methods, Prospero has a dilemma – a choice between studying liberal arts and effective management. “And Prospero the prime duke, being so reputed/ In dignity, and for the liberal / Without a parallel; those being all my study,/ The government I cast upon my brother,/ And to my state grew stranger, being transported/ And rapt in secret studies.” (I, ii, 72-77) Instead of giving ...
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...teacher is always right and accepting this at the soonest made the students’ life of learning pleasurable or one that was like that of Caliban, learning out of fear and hence being rebellious. Each idea lacks certain aspects and therefore there is no perfect idea, and if there were a perfect idea, according to Plato, it would be education itself. Willingness to learn seems to be the way in which we can move towards the ideal form of education and be filled with Utopian virtue.
Works Cited
Macaulay, T. B. "Minute by the Hon'ble T. B. Macaulay, dated the 2nd February 1835." Selections from Educational Records, Part I (1781-1839) (1920/65): 107-117.
More, Sir Thomas. Utopia. Ed. Robert M. Adams. Trans. Robert M. Adams. 2nd Edition. New York: W. W. Norton & Company, 1992.
Shakespeare, William. The Tempest. Ed. Stephen Orgel. New York: Oxford University Press, 1987.
J. Hector St. John de Crevecoeur, Letters from an American Farmer (Chatto & Windus, 1904)
Fielding, Henry. Tom Jones. 1749. Ed. John Bender and Simon Stern. New York: Oxford, 1996.
The Tempest presents the character of Prospero the usurped duke of Milan. In the beginning Prospero’s character can be described as foul, spiteful, and selfish. This can be seen in various scenes in acts one and two of the play where he treats the people around him as his servants especially the fateful Ariel who reminded him of his promise only to be threatened of imprisonment. He’s selfish in the sense that he would do anything to accomplish his goal of executing his plan. Like a master puppeteer he is manipulative and deceptive. He even manipulates his daughter to fit according to his scheme. However, all of his foul characteristics left him as his plan nears its end. It is as if the shedding of his clothes represented his change is personality and attitude. After Prospero discarded his staff, drowned his magic book, and wore his duke garments he became more responsible and sympathetic. Instead of exacting revenge on the king of Naples a...
More, Sir Thomas. Utopia. 1516. . Norton Anthology of English Literature. 7th ed. 2 vols. New York: Norton, 2000, 1: 1765-1771.
Rahv, Philip. "The Unfuture of Utopia." George Orwell. Ed. Harold Bloom. New York: Chelsea House, 1986. 102-105.
Through The Tempest play, William Shakespeare weaves together a tale that is characterized by anti-colonialist sentiments. Prospero - the deposed Milan Duke - adopts a colonialist mentality by treating his colleagues as slaves who have no rights. Characters who suffer mistreatment under Prospero include: Ariel - the spirit creature; Ferdinand - the Naples Prince; and Caliban - Sycorax’s son. Prospero possesses much magical power which he uses to oppress his compatriots. Consequently, Prospero is portrayed as a colonial tyrant who abuses his immense power. Anti-colonialism feelings are especially evident through the actions, utterances and disposition and of Caliban, Miranda, Ferdinand and Ariel. To illustrate, Caliban berates Prospero for the former’s forced labor. Likewise, Ariel protests Prospero’s reluctance to release the former as earlier agreed. Miranda also expresses her dissatisfaction with Prospero’s unfair imprisonment of Ferdinand. Similarly, Ferdinand appears to challenge Prospero’s authority by briefly stopping dragging timber so as to flirt and chat with Miranda. The foregoing four characters exhibit conduct that highlights their displeasure with Prospero’s colonial-style authority over them. From the preceding expose, it can thus be concluded that Shakespeare’s The Tempest play is about anti-colonialism based on its depiction of Caliban, Miranda, Ferdinand and Ariel’s opposition to Prospero’s oppressive authority.
Marius, Richard. "Utopia as Mirror for a Life and Times." 1995. http://www.humanities.ualberta.ca/emls/iemls/conf/texts/marius.html (14 Oct. 1998).
Shakespeare's play, The Tempest tells the story of a father, Prospero, who must let go of his daughter; who brings his enemies under his power only to release them; and who in turn finally relinquishes his sway over his world - including his power over nature itself. The Tempest contains elements ripe for tragedy: Prospero is a controlling figure bent on taking revenge for the wrongs done to him, and in his fury he has the potential to destroy not only his enemies, but his own humanity and his daughter's future.
In Thomas More’s Utopia, an ideal society is presented, and several of this society’s different institutions are detailed. I will compare More’s version of an ideal society with Marx’s vision of what a conflict free communist society would be. I will examine the societal system as a whole focusing on the hierarchy of Utopia, the process of production, distribution of resources, and money.
More, Sir Thomas. Utopia: A New Translation, Backgrounds, Criticism. Ed. and trans. Robert M. Adams. Toronto: W. W. Norton & Company, Inc., 1988.
"Book 2: Of Their Traffic." Utopia by Thomas More. N.p., n.d. Web. 23 Apr. 2014. .
The Tempest, like any text, is a product of its context. It is constructed in relation to moral or ethical concerns of 17th century European Jacobean society. The resolution of conflict appears 'natural' or an inevitable consequence if regarded in relation to the concerns of its context. The resolution of conflict in this play incorporates Prospero being returned to his 'rightful' or natural position as Duke of Milan, his daughter Miranda getting married to Ferdinand, and the party returning to Milan leaving the island to the 'monster', Caliban. The resolution is a consequence of the concerns of the time, including the idea of the divine right of kings, courtly love, and colonisation.
Early thought processes concerning education laid the groundwork for the modern philosophy of education, including university structures and frameworks. What our ancients have advocated is said to be the cause of every century’s success in continually gaining knowledge. But Plato and Aristotle had very different opinions when it came to the education branch of life.
The play, The Tempest, by William Shakespeare is a very cleverly thought out piece of work. Shakespeare very deliberately inter-relates several different forms of power during the course of the play. There is political power, shown through the plethora of political characters and their schemes, while at the same time parodied by the comic characters. The power of magic and love, and its ability to reunite and absolve also plays a major role in the play. Throughout the play, Prospero, the main character, takes great advantage of his power and authority, both properly and improperly. The epiphany of this however, is realized at the end of the play.
Sir Tomas More’s Utopia indirectly criticizes fifteen hundredth European catholic society of corruption, violence, poverty and of inequality. As a lord chancellor to Henry VIII, Thomas More was well aware of these problems and wrote a satire to propose his awareness in a carful manner, as we can see his hesitation to publish the book on his letter to Peter Giles especially when he described his “two minds” (More, 8). To criticize the problems of his times on a safe platform, he created a fictional character Raphael Hythloday, who is wise and knowledgeable of new places from the sailing experience with Amerigo Vespucci. This not only reflects the times in which people stepped out their voyages to the New World but also provides a foil to the European society—the