In Langston Hughes’s poem, Harlem, he questions what happens to a “dream deferred” and he lists multiple possibilities that all involve a dream going away (Hughes, Harlem). This poem seems to define Hughes’s life of not wanting to see his own dreams pass him by despite moving from place to place due to his parents’ separation and economic struggles (Otfinoski). Beyond that, Hughes faced racism that could have gotten in the way of his own goals, but instead of letting this deter him, he used it as fuel to pursue a literary career. During the 20th century, Hughes’s worldview was greatly impacted by the Civil Rights Movement and the effects of the World War I, which caused his poetry to revolve around racial discrimination against African Americans. James Mercer Langston Hughes was born on February 1, 1902, in Joplin, Missouri (Otfinoski). His mother wrote poetry and his father wanted to be a lawyer, but he was rejected by an all-white examination board to take a bar exam (Otfinoski). When he was young, his parents separated and his father moved to Mexico to escape the racism, so Hughes “wandered from place to place” with his mother and grandmother (Otfinoski). His grandmother’s second husband, Hughes’s grandfather, Charles Harold Langston, was a committed abolitionist and Virginia’s first black congressman (Otfinoski). As Hughes grew up, his grandmother enrolled him at Harrison Street School, where he encountered his first experience with white people, and it taught him “not to hate all white people” (Otfinoski). Hughes tried to achieve his goal throughout high school and college, until he finally stumbled upon a major turning point in his life when he met a poet, Vachel Lindsay, as a “tall, black busboy” (Otfinoski). Hughes made... ... middle of paper ... ...4>. - - -. "I, Too, Sing America." Poets.org. Academy of American Poets, 2014. Poets.org. Web. 25 Mar. 2014. . - - -. "Will V-Day Be Me-Day Too?" Poets.org. Academy of American Poets, 2014. Poets.org. Web. 18 Mar. 2014. . Johnson, Karen Joy. "African Americans in the 20th century." American History Online. New York: Facts on File, 2011. Facts On File. Web. 18 Mar. 2014. . "Langston Hughes." Poetry Foundation. Poetry Foundation. Web. 18 Mar. 2014. . Otfinoski, Steven. "Hughes, Langston." American History Online. New York: Facts On File, 1994. Facts On File. Web. 18 Mar. 2014. .
Langston Hughes was born on February 1st, 1902 in Joplin, Missouri. He started education at Lincoln University in Pennsylvania. He went on to write and publish his first work, a poem called, “The Negro Speaks of Rivers” in Crisis magazine. He then continued his education at Columbia University in New York in 1921. He then lived for sometime in Paris and after returning to the United States, he worked in Washington D.C. as a busboy. Later after that, Vachel Lindsay discovered Hughes literary talents. Hughes talents did not only exist in poetry, he also expanded his talent into music, play writing, and short stories, for example the “Simple” stories. His most prominent work however was written and published during the Harlem Renaissance a time where many other African-American authors were showcasing their work and being published. Hughes however, stood above the rest with his multiple talents and work which spread across the board. The white society of America at the time of the Harlem Renaissance and years after began to label him as a radical. Hughes remained extremely prolific to the very end of his life. Hughes published over forty books, including a series of children’s books. However, if you add his translations and his many anthologies of black writing, the amount of books he has published would double. He remained a controversial figure, having been considered a dangerous radical in the 1940s. Hughes was now, as he retained his lifelong commitment to racial integration, rejected by 1960s radicals considered to be a part of the problem, rather than part of the solution. However, that would not stop Hughes from being recognized as one of the important black a...
James Mercer Langston Hughes was born in Joplin, Missouri, on February 1, 1902, to James Nathaniel Hughes, a lawyer and businessman, and Carrie Mercer (Langston) Hughes, a teacher. The couple separated shortly thereafter. James Hughes was, by his son’s account, a cold man who hated blacks (and hated himself for being one), feeling that most of them deserved their ill fortune because of what he considered their ignorance and laziness. Langston’s youthful visits to him there, although sometimes for extended periods, were strained and painful. He attended Columbia University in 1921-22, and when he died he, left everything to three elderly women who had cared for him in his last illness, and Langston was not even mentioned in his will.
“Harlem” by Langston Hughes is a poem that talks about what happens when we postpones our dreams. The poem is made up of a series of similes and it ends with a metaphor. The objective of the poem is to get us to think about what happens to a dream that is put off, postponed; what happens when we create our very own shelve of dreams? The “dream” refers to a goal in life, not the dreams we have while sleeping, but our deepest desires. There are many ways to understand this poem; it varies from person to person. Some may see this poem as talking about just dreams in general. Others may see it as African-American’s dreams.
It’s no secret that inequality and racial discriminations were high back in the 1920’s and 1930’s. Langston Hughes was able to use his work to counterattack this way of thinking in America. He not only led a movement, but also set an example for others to follow. In the poems I stated above, you can tell the Harlem Renaissance influences on his
Poems, Poets, Poetry: An Introduction and Anthology. 3rd ed. Ed. Helen Vendler. Boston: Bedford/St. Martin’s,
Harlem, An Analysis of a Langston Hughes Poem. The short but inspirational poem "Harlem" by Langston Hughes addresses what happens to aspirations that are postponed or lost. The brief, mind provoking questions posed throughout the poem allow the readers to reflect on the effects of delaying our dreams. In addition, the questions give indications about Hughes' views on deferred dreams.
Hughes, a.k.a. Langston, a.k.a. “The Negro Speaks of Rivers.” The Bedford Introduction to Literature. Ed.
When reading the literature of Langston Hughes, I cant help but feeling energetically charged and inspired. Equality, freedom, empowerment, renaissance, justice and perseverance, are just a taste of the subject matter Hughes offers. He amplifies his voice and beliefs through his works which are firmly rooted in race pride and race feeling. Hughes committed himself both to writing and to writing mainly about African Americans. His early love for the “wonderful world of books” was sparked by loneliness and parental neglect. He would soon lose himself in the works of Walt Whitman, Paul Laurence, Carl Sandburg and other literary greats which would lead to enhancing his ever so growing style and grace of oeuvre. Such talent, character, and willpower could only come from one’s life experiences. Hughes had allot to owe to influences such as his grandmother and great uncle John Mercer Langston - a famous African American abolitionist. These influential individuals helped mold Hughes, and their affect shines brightly through his literary works of art.
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
Langston Hughes was the second child of schoolteacher Carrie (Caroline) Mercer Langston and James Nathaniel Hughes. He grew up in a series of Midwestern small towns in Missouri. Hughes's father left his family and later divorced Carrie, going to Cuba, and then Mexico, seeking to escape the enduring racism in the United States (“Biography of Langston Hughes”). His grandmother raised him until he was thirteen (as his father had left him and his mother at a young age) when he moved to Lincoln, Illinois, to live with his mother and her husband. They, later, settled in Cleveland, Ohio.
Langston Hughes was probably the most well-known literary force during the Harlem Renaissance. He was one of the first known black artists to stress a need for his contemporaries to embrace the black jazz culture of the 1920s, as well as the cultural roots in Africa and not-so-distant memory of enslavement in the United States. In formal aspects, Hughes was innovative in that other writers of the Harlem Renaissance stuck with existing literary conventions, while Hughes wrote several poems and stories inspired by the improvised, oral traditions of black culture (Baym, 2221). Proud of his cultural identity, but saddened and angry about racial injustice, the content of much of Hughes’ work is filled with conflict between simply doing as one is told as a black member of society and standing up for injustice and being proud of one’s identity. This relates to a common theme in many of Hughes’ poems: that dignity is something that has to be fought for by those who are held back by segregation, poverty, and racial bigotry.
Rampersad, Arnold. "Hughes, Langston (1902–1967)." African American Writers. Ed. Valerie Smith. 2nd ed. Vol. 1. New York: Charles Scribner's Sons, 2001. 367-78. Gale Virtual Reference Library. Web. 8 Apr. 2014. .
Langston Hughes is one of the most famous poets of the Harlem Renaissance. He was born in Mississippi in 1902 and later moved to Ohio where he attended Central High School. When Hughes graduated high school he went to Mexico to visit his father and while crossing the Mississippi River he was inspired to write “The Negro Speaks of Rivers”, which was his first published poem when he was eighteen years old. When Hughes returned to the United States in 1924 the Harlem Renaissance was in “full swing”. In 1925 at the age of twenty-three Hughes received an award for his poem “The Weary Blues”, Hughes was famous for incorporating blues and jazz rhymes into his poetry, which is what he did in his poem “The Weary Blues”. Hughes was at a banquet where he received an award for his poem “The Weary Blues” and was asked by a man named Carl Van Vechten if he had enough poems to make a book. Hughes said yes and Van Vechten promised that he would find Hughes ...
Analysis of Dream Deferred by Langston Hughes Dreams are the driving force of America today. Every person has some sort of dreams and goals. Although in life everyone has dreams and goals, there are obviously more struggles for some ethnic groups than for others. The poem, "Dream Deferred," by Langston Hughes, is one man's expression of his dreams during a difficult time period. As a black man in a time period where African-Americans were considered an inferior group of people, dreams and goals would have been difficult to realize.
Langston Hughes was an activist for the African-American community and made significant artistic contributions to the Harlem Renaissance throughout his career. In one of his most famous poems, “Harlem [Dream Deferred]”, he addresses the limitations and oppression of African Americans after the Great Depression. Many African Americans dreamed of equality, but often times that dream became neglected and pushed aside. In his poem, Hughes responds to a question about a deferred dream with a series of vivid similes, inquiring what happens to a constantly ignored dream.