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analytical interpretation of film
analytical interpretation of film
analyzing film techniques
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To view the film Donnie Darko is to constantly ask one important question, “What if?” From the beginning, the audience wonders, “what will happen if Donnie doesn’t take his meds?” (Or maybe, from the very beginning, “what if a car drove over poor Donnie sleeping the middle of the road?”). At the inciting incident, we wonder “what if Frank hadn’t called Donnie out of bed?” (Would we even have a movie?) As Act II begins, the audience must ask, “what if the school hadn’t closed down?” (Would Donnie and Gretchen ever had a chance to fall in love?) Later on we’re invited to ask, “what if Dr. Monnitoff and Karen Pomeroy were really given the freedom that they need to help Donnie?” (What if Donnie never had burned down Jim Cunningham’s house, exposing his kiddie porn dungeon? What if Sparkle Motion hadn’t impressed the Star Search scout? What if Jim’s trial hadn’t forced Kitty to hand over chaperone duties to Rose? What if Elizabeth hadn’t gotten into Harvard? What if Frank hadn’t gone on a beer run? What if Karen Pomeroy had written something less poetic than “Cellar Door” on her chalkboard? And so on…) These pivotal moments represent the causal links that form the narrative structure of the film—the choices that Donnie makes (or are made in his behalf) that propel him towards his goal. If one were to diagram the story on a flow diagram, we would see how each pivotal point moves the story from one clear direction to another. We would also see that at one of these pivotal points, the decision tree grows a funny little branch that somehow finds its way back up to the beginning of the diagram—essentially creating a whole new universe of possibilities. It is this “multiverse” concept that has blown more than its fair share of minds in the y... ... middle of paper ... ... better for having experienced Donnie Darko, even if it never happened. Works Cited Campbell, Joseph, and Bill Moyers. "Myths-Dreams-Symbols: Dreams and Myth." Myths-Dreams-Symbols- The Psychology of Dreams. Web. 31 Jan. 2011. Cowgill, Linda J. Secrets of Screenplay Structure: How to Recognize and Emulate the Structural Frameworks of Great Films. Los Angeles, CA: Lone Eagle Pub., 1999. Print. Donnie Darko. Dir. Richard Kelly. Perf. Jake Gyllenhaal. Newmarket Films, 2001. DVD. Huggins, Nik, and Mark Salter. "Directors Spotlight Interview: Richard Kelly, Writer & Director of Donnie Darko." Future Movies. 10 Apr. 2003. Web. 30 Jan. 2011. McKee, Robert. Story: Substance, Structure, Style and the Principles of Screenwriting. New York: Regan, 1997. Print. Tobias, Scott. "The New Cult Canon: Donnie Darko." The A.V. Club. The Onion, 21 Feb. 2008. Web. 30 Jan. 2011.
The film Donnie Darko focuses on promoting hard thinking. The main character, Donnie Darko, is a teenage boy who suffers from delusions and sleepwalking. He avoids his own death by help from a man in a bunny suit. Who also informs Donnie that the world will end. Fear and loneliness is shown throughout the movie and is embodied as being controlled by fear, preying on the fear of others, and fear of tragedy .
There have been countless numbers of films produced and directed in the past decade that could be labeled as weird or bizarre, however, one of the most head-scratching and unusual films to hit the big screen in the past decade was Donnie Darko (2001), directed by Richard Kelly. The film depicts a troubled adolescent named Donnie (Jake Gyllenhaal), who after surviving a near death experience, finds himself at the center of numerous acts of violence and vandalism in his community, possibly due to his growing insanity. Arguably, one of the highlights of the film, if not the main highlight, occurs during Donnie’s first day back at school since his close brush with death. This dreamlike and hyper amplified school-entrance montage that Kelly takes the viewer through has a major contribution to the film in its entirety because it gives a much deeper meaning to the film in terms of the audio-visual style.
What would you do if a six-foot tall bunny rabbit named Frank came, and said that the world will end in exactly 28 days, 6 hours, 42 minutes, and 12 seconds. In the movie Donnie Darko directed by Richard Kelly. The main protagonist Donald Darko, also known as Donnie. Is sent on a mental journey through space and time, all while trying to figure out exactly what happens at the end of the countdown. After watching this film for the first time, it left me with many unanswered questions. I felt as though this movie was one that forced you to use your own interpretation, and imagination. It made me think about otherworldly possibilities, ideas, and if the concepts of time travel were actually possible. I turned to the novel How to Read Literature
Donnie Darko is a 2001 dark psychological drama that revolves around the main character, Donnie Darko, after he survives a freak accident. The film follows him as he tries to understand his delusions of the world ending and a man dressed in a bunny suit called Frank. His delusions and hallucinations lead him to kill people and even set someones house on fire all because he is following the directions of Frank. At the end of the movie he goes back in time through a metal orb he hallucinates and seems to lets himself get killed by the airplane that crashes into his house that caused the freak accident.
Another interesting deleted scene is also in Donnie's Consoler's office. This is when the Consoler tells Donnie the medication she has been prescribing him where nothing more than Placebo's, which are pills made of water. This means Donnie is not crazy, and anything he thought he visualized is really from the parallel world.
Knelman, Martin. "Ben Affleck Changes Argo Postscript for Ken Taylor." The Star. N.p., 19 Sept. 2012. Web. 10 Dec. 2013.
The sequence that portrays the central meaning in Donnie Darko is disclosed in the montage, consisting of scenes throughout the movie being shown in reverse. During the montage the jet engine from Mrs. Darko’s plane is seen crashing through the sky. Normally an engine would crash into the ground, but it travels through a surreal portal, which is a sign of divine intervention. It is now known that the engine's destination is towards Donnie's bedroom, as indicated in the beginning and ending of the film. The ensuing shots are taken from scenes that occurred earlier in the movie, filmed in reverse, indicating that Donnie is traveling back into time. As the montage progresses, Donnie reads the letter that he has written to Roberta Sparrow. He says, "I can breathe a sigh of relief...
Barsam, Richard Meran., and Dave Monahan. Looking at Movies: An Introduction to Film. 4th ed. New York: W.W. Norton &, 2010. Print.
Identify specific elements of a motion picture that film studios look for in a successful movie.
Every film has elements of good and evil, two opposing forces with a decisive winner. Order and chaos works in a different manner; protagonist and antagonist can play the part of order and chaos while remaining either good or evil. However, it is not only the character that acts according to the principles of order and chaos, external elements such as history and social ideologies craft character perceptions of a disaster or paradigm shift. There are many examples of order and chaos being used to define what is "good" and other times defining what is "bad". Classic examples in Hollywood cinema of order and chaos in films are Bonnie and Clyde and Gun Crazy, where the protagonists play both sides of good and evil elements while staying true to the elements of order and chaos. The purpose of this essay is to explore elements of order and chaos in Bonnie and Clyde and Gun Crazy by analyzing: the lead couples and social-historical contexts.
Wilson, K. (2005). Introduction to Sigmund Freud’s Theory on Dreams. Retrieved November 4, 2013, from http://dreams.insomnium.co.uk/dream-theory/introduction-freud-theory-on-dreams
Twenty-eight days…six hours…forty-two minutes…twelve seconds, that is when the world will end. The movie Donnie Darko, Frank tells Donnie that the world will end in just a short time. Throughout the movie, different literary devices are experimented to give the movie a deeper meaning. This provides the audience with a hidden message that gathers the viewer’s attention while keeping them entertained. Donnie Darko is a movie that has imagery, symbolism, and foreshadowing and by merging these devices creates a film that holds their audience’s attention.
The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
Movies are a great version of storytelling because they make stories more relatable and memorable. Storytelling is one of the most powerful capabilities humans possess. It can be used to motivate, dominate, and influence people. The scope and power of storytelling has grown immensely from its roots in stories told over the campfire. It now covers every dimension of human emotion and endeavor. This makes stories incredibly relatable and influential in that one can relate to the emotions that are being depicted and can, if wanted to, be influenced by the decision the character made. Before movies were invented, people relied on speaking and “the written word” to hear stories. Each person visualized the story’s characters, sets, and actions differently. Moviemakers have moved a step further in the way of storytelling. They take it upon themselves to physically set up the sets, give faces to the characters, and sh...