Fantasia is remarkably crafted masterpiece and is one of the most unique videos in Disney History. The intense music and intriguing animation makes this film extremely interesting. The movements of the characters are fascinatingly coordinated with the sounds of the music. As you watch the film, every act is put together to perfection. The imaginable variety of animation and mysterious music is boldly noticeable. The scenes in this film can be analyzed in many different ways according to your imagination. In my opinion, this is about good and evil or hell and heaven. The two scenes that relate to this motto are: "A Night on Bald Mountain," and "Ave Maria." As the animation evolves itself by good and evil, so does the music. These two scenes from Fantasia are prime examples of how you can create a story without using dialogue. This movie is one of a kind and set a great example for different things to happen in the future. The music and animation of "A Night on Bald Mountain" and "Ave Maria" are connected in a various amount of ways.
In the first scene, "A Night on Bold Mountain," the music is a powerful and furious style of music. Bold Mountain is the meeting place for Satin and his worshipers. It is the place of darkness and evilness where the bad creatures and objects come and angrily dance around the mountain under Satin's control. The characters are very scarce and sick looking which in my mind reminds me of hell. There are skeletons, ghosts, and all different kinds of monsters. They used fire to make it intimidating and also mysterious blue flames. All different types of shapes were designed in the flames of the fire. Suddenly, a loud, crashing bell constantly rings and this kills and flees them away. They all begin to fly away into a small dark town. Everyone disappears and the only one left is the large winged monster. His body gets sucked in by the mountain and he vanishes. This scene represents hell or evil. The music and animation is perfectly connected to this and it puts a great picture into your mind. The loud and suspenseful music brings a scarce and evil mood to this scene. The music is very soft paced and grows louder. There are moments where the tone is calm and very creepy. It also sounds like striking of symbols as the furious creatures dance around the mountain.
Film analysis with a critical eye can give the viewer how animation giant Disney uses literary element to relay key messages to the audience. Walt Disney’s “The Princess and the Frog” is a perfect example how different literary theories like ‘the Marxist theory’ and ‘Archetypal theory’ can be embedded in the simplest of the fairy tales. The different literary elements in the movie, shows a person how characters like ‘the banker’ and the setting of the houses helps to portray the socio-economic differences in New Orleans at that time. Applying ‘the Marxist theory’ and ‘the Archetypal theory’ to the plot, characters and the setting, shows how movies can be a medium to confront social issues and to prove that all fairy tales are of the same base.
The music correlates to the images because the slow-playing violin and soft-playing woodwinds complement the nefarious activities shown; therefore, molding a creepy and ominous tone in order to demonstrate the credulous attitudes of the audience. When thinking of demonic activities, the soul of an individual is automatically frightened, which is what the composer manipulates in the opening scene. Fenton takes advantage of this and incorporates melodic dark music to further intensify the fear of the “so-called” villain, Abigail Williams, in the
believe the film is saying, and what effect music has had on projecting the films overall message.
All the low-pitched instruments could be classed as Autumn & Winter -because it is the most bitter and drastic time of the year. Both ‘Dance Macabre’ and ‘Night on the Bare Mountain’ have one thing in common this is that both pieces describe the ‘Dance Of Death’. Dance Macabre was based on folklore in around the 14 &15th century.
First of all, diegetic sounds and ambient sound effects are integral in creating tension and apprehension in the film, as “ …sound plays a critical role in determining how audiences react to images.” (p.234) At the background of the opening shot the audience hears the distant roll of thunder; gradually its sound increases and reaches its maximum, causing fear of impending jeopardy. As the tension escalates, the volume of the sound rises, we hear the roaring of dancers’ drums, and its sound is intentionally exaggerated, the tempo of music speeds up as well as the dance of the indigenous performers of the ritual sacrifice to gods. The alteration of volume and tempo of the sound heightens suspense and makes the audience anticipate with anxiety the forthcoming shots.
Mr. Kenneth Muir, in his introduction to the play - which does not, by the way, interpret it simply from this point of view - aptly describes the cumulative effect of the imagery: "The contrast between light and darkness [suggested by the imagery] is part of a general antithesis between good and evil, devils and angels, evil and grace, hell and heaven . . . (67-68)
A fairytale is a fictional fantasy fable that passes through generations of children as source of interest to them. Though used for the intent of entertainment, fairytales often indirectly advocate a moral or message to readers (whom are usually children), in hopes that they will grow up to apply these ethics and lead a righteous life. This criteria, however, often originates from the occurrence of a magical transformation; it is this paranormality that introduces the characters of the story to a side of life far from what they have grown to know and learn to adapt to the dramatic amend in their life. This is evident in the characters in world-renowned tales such as The Little Mermaid, Aladdin and Beauty and the Beast.
The commonly used saying, “they lived happily ever after,” originates from early fairy tales. Fairy tales are stories that feature fanciful characters that convey a moral to teach children lessons and values that they will keep for the rest of their lives. The original story of “Cinderella” by the Grimm Brothers and the later Disney version Cinderella (1950) are both descriptions of a legendary fairy tale of a kind and gentle girl who overcomes the rancor of her stepmother and stepsisters and ultimately finds a happy ending. Although both stories have the same plot, the overall messages that they deliver are different.
According to Giroux (1996), animated movies are a part of children’s culture. Children’s culture consists of entertainment, artifacts, myths, etc. that are based around the notion of what it means to be a child. Animated movies, particularly Disney films, encourages the child’s imagination and fantasy to be enhanced, creates a drive within them to go on adventures and helps them develop an aura of innocence. Animated films are “teaching machines” (Giroux, 1996, p. 66). Disney films teach children about specific roles, values and ideals and also take them through the world of enchantment. It helps them to understand who they are and what it means to be a part of the society and an adult environment (Giroux, 1996). Disney characters are a reflection
It is said that this book is considered as one of the most famous horror novels, if not the most famous one. The Gothic descriptions in the novel are very prominent at the beginning. The portrayal of the countryside of Transylvania, of the ruined Dracula Castle, etc, all provide the effect of horror in the sense of spooky and gloomy atmosphere, which you can obtain close at hand. Everything is so obvious. The originally beautiful scenes are changed by the writer¡¯s magnification of some specific details which provide certain effect on the readers. All of the above reminds how one¡¯s personal feelings can alter their attitudes towards what they see or what they experience. Sometimes when you are sad, everything look so depressing. It is like the whole world is against you. The sunset could be a fantastic scene when you are filled with joy but an extra source of sorrow when you are not in the mood. Harker is separated from her lovely fianc¨¦e to meet some foreign count in the exotic and unknown eastern world.
During battle During the battle there are a number of dark chords or discordant which are loud and repeating. Together with this and battle sounds this makes the audience feel the violence and emotions of the battle. Dracula’s return As Dracula returns to the church the music rhythm stops. This makes it sound like someone’s heat has stopped beating.
If a girl was going to search for her Prince Charming, the first place she should look is in the world of animation. Animation has probably been around since the beginning of time. Although, the artwork that originally resembled animation was only one or two cels, animation today is made up of hundreds or thousands of cels.
This opening scene is set in a battle field. The scary thunder and lightening is an example of pathetic fallacy; the weather reflects the aggressive atmosphere and vicious characters. An evil atmosphere is established and the witches, too, are instantly established as evil.
As stated by Emerson, beauty cannot be found unless carried within one’s self first. In the novel by Alice Walker, “The Color Purple”, Celie finds out that beauty is not real unless it is first found within, so that that beauty felt can reflect for others to see. [Celie went through traumatic struggles before she ever felt beautiful starting with the treatment of influential men in her life. Although she felt more connection with women in her life, her early encounters with Shug greatly accounted for her self worth at the time. However, Celie could not be beautiful to others unless she found beauty within herself, for herself.]
The Phantom of the Opera directed by Joel Schumacher is the 2004 adaptation of Andrew Lloyd Webber’s 1986 musical of the same name. The Phantom of the Opera stars Gerard Butler as the Phantom, Emmy Rossum as Christine Daaé, and Patrick Wilson as Raoul, the Vicomte de Chagny, who are embroiled in a love triangle. The film was met with generally mixed and negative reviews: Schumacher’s use of mise-en-scène, cinematography and editing, as well as symbolism contributes to the production of The Phantom of the Opera.