People have always gone out of their way to obtain what they desire in their life. Whether this obsession is out of greed or true necessity, a person will go to great lengths to achieve it. In the novel, The Taming of the Shrew, written by William Shakespeare, we find this trait present within the characters: Lucentio, Hortensio, Gremio, Petruchio, and Katherine. Each of these characters has their own motivation behind their actions in this story.
Hortensio and Lucentio each wish to woo Bianca and take her as their bride. Hortensio, in an effort to secretly pursue the young woman, dons the appearance of a music teacher who goes by the name of Litio. After having shared information with Petruchio about Katherine, he requests that Petruchio “offer me disguised in sober robes/to old Baptista as a schoolmaster” (1.2.133-134). By going about this method, he hopes to be able to win Bianca’s affection, supposedly without the competition or pressures from other suitors. Unfortunately for Hortensio, Lucentio, another suitor with plans of marrying Bianca, has the same mindset. He asks his servant Tranio to “Uncase thee. Take my colored hat and cloak” (1.1.213). Lucentio then disguises himself as well and becomes another tutor named Cambio. He entrusts his identity to his loyal servant Tranio who readily becomes the new Lucentio. Not knowing the identity or true motives of the other supposed teacher, Hortensio and Lucentio immediately encounter obstacles within each other in trying to win over Bianca. The example these two suitors have set only shows the capability desire has of driving people to extreme measures.
Petruchio serves as another example. In his case, while he also has plans to marry one of Baptista’s daughters...
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... Petruchio, he instead ridicules her for being foolish enough to think the man was a young woman. Katherine is a representation of yet another reason as to why desire can overtake a person’s judgment.
Some of the story’s characters do in fact achieve their desires. However, they may not appear as how they imagined them. Lucentio does marry Bianca, and Hortensio to a widow, but both of their wives are revealed to be shrews themselves. Petruchio still does not appear to treat Katherine with the respect she deserves, yet they have shared a kind moment once or twice. No matter the outcome of each individual pursuing his or her desire. Each of their judgments were overcome and clouded by the force that is desire.
Sources Cited
Shakespeare, William. The Taming of the Shrew. Ed. Barbara A. Mowat and Paul Werstine. New York, Washington Square Press, 1992. Print.
Dorabella, like Eve, falls for the deception easily, but Fiordiligi, like Adam, is a bit more resilient but gives in when, Dorabella the Eve says it is harmless to Fiordiligi. Both of the women could not help themselves; the desire overcame the “love”. Deception is continuous in this play. Even Despina the maid is in disguise to help the men for her own desire of money. Don Alfonso was the one that urged, that tempted the two young men’s minds of whose “love” was more pure and faithful.
Using the same satirical techniques, he points out, a little more subtly, that servants, like women, are treated like less than people, when they are people just as good as everybody else. throughout the play we see instances of the mistreatment of servants, such as Vincentio beating Biondello, Petruchio abusing his entire staff, and Lucentio using Tranio as a pawn to help him win over a girl. Tranio even laments about this, saying, “Oh, sir, Lucentio slipped me like his greyhound, which runs himself and catches for his master.” Tranio is comparing himself to a dog to be used at Lucentio’s command in this quote, commenting on how Lucentio may treat him well, but he still does not value him as a person.
Katherina is not the only one in the play to undergo a transformation. Petruchio, in the beginning went to woo Katherina only for money. He was offered a dowry by Seignior Baptista to “get rid of” Kate so he could wed his younger daughter Bianca to one of her many suitors. By the end of the play, it is made clear that Petruchio too changed and had fallen in love with Kate. The relationship that they have at the end of the play is truly love. They both are willing to change to make each other happy and they both try in every way possible to make peace in their family. The ironic part of the play is that they both think that they have control over the other one.
In this marriage Katherine has no power. She is verbally abused by Petruchio and denied what she needs. As said in the article,“ Kate is transformed after enduring the irrational world of Petruchio 's country house, where she is denied food, sleep, and fashionable accoutrements of her social class” (Karen 263). Katherine is tamed and she praises and respects him now that she is tamed. At the end of the play, when Katherine and Petruchio are at the wedding, Katherine is the only woman out of all at the wedding that actually listens to her husband when they all call their wives. Katherine ends up giving them a speech and telling them to respect their husband: “Thy husband is thy lord, thy life, thy keeper, Thy head thy sovereign, one that cares for thee And for thy maintenance commits his body” (Shakespear V. ii . 162-164). She respects who he is and all the work that he does for her. Petruchio has the power in marriage because she respects him and his
The sincerity of Claudio's love is thrown into question by the fact that his 'soft and delicate desires,/ All prompting him how fair young Hero is, are not confessed until he has ascertained that she will bring her husband a fortune.
As explained in the last paragraph, love is one of the major emotions in Othello. In the play, the actions committed by characters consumed by love are greatly amplified. Two characters that exemplify this are Othello and Desdemona. Throughout the first two acts, some of their actions are unrealistic for a couple in love. Take this quote, for example: ?Brabantio: Raise all my kindred! Are they married, think you? / Roderigo: Truly I think they are. / Brabantio: O heaven! How got she out? O treason of the blood!? (I:i:166-168). Othello and Desdemona are so consumed by love that they elope with no intention of telling anyone else, as evidenced by Brabantio?s reaction in the quote. They just acted according to their love without thinking of the effects of their elopement. Roderigo is also a prime example of how an emotion like love has near complete control of the characters? actions in the play. Roderigo is in love with Desdemona, and it seems that his actions are almost solely dri...
Shakespeare, William. Othello. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print
...se Katherine is a, in that time, controversial female character. Females were supposed to be sub missive creatures who listened to there masters, Katherine never listened to anyone which bothered people. She was also rude and violent, ladies were supposed to be polite and were told not to fight. One serious issue is that Petruchio tried such odd way to get Katherine to be have some were on the verge of torture. He did not let her eat or sleep and he forced her to agree with him or she could not do anything she wanted to.
Petruchio achieves his goal through witty persuasion rather than resorting to beating his wife like many a man before him has done. Though Shakespeare does not go as far as some feminists would like him to, Shakespeare does much for the fight for equality of the sexes. Katherine’s as strong, or stronger than any woman in Shakespeare’s plays. The amazing thing is that she achieves this without ulterior motives, such as Lady Macbeth. She is an honest, bright, independent woman.
When confronted with suitors, Baptista declares that no man should marry Bianca until Kate is wed. Not soon after this announcement from Baptista one of the main suitors, Hortensio is reunited with an old acquaintance, Petruchio. From what Petruchio explains to Hortensio his arrival in Padua is of selfish intensions. He tells of his father’s recent passing and the substantial inheritance that followed. The inheritance is not enough for a man like Petruchio and so he “come to wive it wealthily in Padua;/If wealthily, then happily in Padua. ”(I.ii.76-77).
In the Taming of the Shrew, the battle of the sexes is more so in the mind of each and every woman, rather than an actual battle between men and women. It is a battle that the women have to overcome in order to be able to enjoy life and to love their husbands, and situations like the fights between Katherine and Petruchio are symbolic of this. When a woman, like Katherine is able to see that love is something that has no roles, or expectations, is when she and her husband can "live happily ever after".
By charming her with kind words, Petruchio is able to manipulate Katherine into marriage and woo her, but in an unaccustomed way, as Kate is not used to men being so nice and direct with her. Petruchio is able to achieve this end by manipulating Katherine’s words. He twists what Kate says and makes it seem as if she is coming on to him sexually, while in reality he is the one implying the sexual innuendo. This manipulation can be seen when they have an argument about whether or not the wasp carries his sting on his tail or tongue, and Petruchio says “What, with my tongue in your tail? Nay, come again, good Kate. I am a gentleman—” (II, 1; 230-231). By contorting the words he ...
Patrick and Petruchio’s desire to date Kat or Katerina is influenced by money. In Taming of the Shrew Hortensio mentions that Katerina is a shrew, but Petruchio does not care because she is wealthy. Petruchio could have easily found another woman, but with money involved, Petruchio does what he can to “win” her love by attempting to talk with Katerina and eventually takes his time to try and tame Katerina. “When Petruchio first meets Baptista, Petruchio inquires about the dowry, once Baptista replies, Petruchio immediately demands to sign the contract.
When someone is a female their first thought should not be weak or nurturing, just as when someone is male their first though shouldn’t always be powerful. Unfortunately it has becomes so ingrained in societies mentality that this is the way that things work. The Taming of the Shrew is a past writing piece that expands on a mentality that is modern. The male gender cannot be put into this same constraint. Petruchio is the epitome of what society would describe a male as. He thinks he is in charge and always the superior to women. He expects Katherine to always do what he tells her to do, because he believes that is her duty as his wife. Moreover he should not be expected to do that for her. Furthermore, Bianca is what many would describe as the perfect woman. She is nurturing and she does not speak out against what she is told. When she does speak she always speaks like a lady. She exists merely for decoration in the home and to serve her husband. Katherine is the inconsistency in this stereotype on femininity. Her purpose in the novel originally is to rebel against this biased thought on female gender roles. Katherine is not afraid to speak out against the things that she is told to do. If she disagrees with something she will act on it and she is just as strong as the men in the novel; which is why many of the men actually fear her. Katherine is not submissive and does not believe that the only reason that she exists is to serve a husband. Katherine does not want to be just the damsel in distress, she wants to be in charge. At the end of the novel there is a switch in the personalities of Katherine and Bianca. This alteration provides the purpose of showing that gender is not something that someone can be confined in just because they were born a female. A woman can have many different traits and still be feminine. It is impossible to put femininity in a box because there are no real qualities for what
“SparkNote on The Taming of the Shrew.” SparkNotes.com. SparkNotes LLC. 2002. Web. 30 Apr. 2014.