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character analysis the story of a hour
character analysis the story of a hour
character analysis the story of a hour
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The men and women of "The Hours" view death as an escape from an ordinary lifestyle which lacks anything truly extraordinary or exhilarating. Laura Brown considers death as an alternative to the constraints of her role as a mother and a wife. Both Richard Brown and Virginia Woolf ultimately commit suicide in order to escape their illnesses and their failures to live up to society's expectations. Though Laura does not end her life, she does die symbolically to her family.
Over the period of a day, Laura Brown gradually succumbs to her overwhelming desire to liberate herself from her mundane life. Her life has taken a very different direction from what she ever thought it would, and she finds herself completing commonplace household chores she does not want to do; she feels that she has no control over her own existence. Her whole life seems like a failure to her, and neither her husband nor her child can fill the void of true meaning present in it. At first, Laura views the possibility of suicide to abscond from her troubles as a farfetched idea reserved only for those who lack the sanity to stay alive; all the while, she deceives herself into believing that she is sane. As her day unfolds, she loses herself in her desperation to free herself from the fetters of family life and society's lack of understanding of her tenuous condition. Suicide then becomes a more seductive option: "She could decide to die. It is an abstract, shimmering notion, not particularly morbid . . . . It could, she thinks, be deeply comforting; it might feel so free: to simply go away" (Cunningham 151). She no longer views suicide as some extravagant act of temporarily inflamed passions, but rather as a basic, and possibly very satisfying choic...
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...al for her novel, eagerly anticipating that in its writing, she can integrate herself to a degree back into the life of the thriving society of London. Thus, she chooses to use Clarissa Dalloway to represent the life she aspires to have, and chooses that Septimus instead be the misunderstood genius who sacrifices his life. Ironically, both characters represent her inner conflict, and unable to resolve that conflict, she does indeed commit suicide to relieve both herself and her husband.
Laura, Clarissa, and Richard each struggle in some way to cope with their mundane existences. Death, both in a literal and metaphorical sense, becomes their method for liberating themselves from such a life. They hope that this death will either bring new life to them or to the people they love most dearly.
Works Cited
Cunningham Michael. The Hours. New York: Farrar, 1998.
The presence of death in the novel looms over the characters, making each of them reflect on the
In Mrs. Dalloway, Clarissa Dalloway undergoes an internal struggle between her love for society and life and a combined affinity for and fear of death. Her practical marriage to Richard serves its purpose of providing her with an involved social life of gatherings and parties that others may find frivolous but Clarissa sees as “an offering” to the life she loves so well. Throughout the novel she grapples with the prospect of growing old and approaching death, which after the joys of her life seems “unbelievable… that it must end; and no one in the whole world would know how she had loved it all; how, every instant…” At the same time, she is drawn to the very idea of dying, a theme which is most obviously exposed through her reaction to the news of Septimus Smith’s suicide. However, this crucial scene r...
Eric Rauchway’s Murdering McKinley: The Making of Theodore Roosevelt’s America is an examination of the events, social conditions and dramatic political changes taking place in America immediately prior to and during the birth of the 20th century that led to the assassination of William McKinley and the rise of progressivism. It is furthermore an investigation of the motives behind the assassination, and an analysis of the events leading up to what made possible “Roosevelt’s America,” arguably the first recognizably modern period in American history from a 21st century perspective: the progressive era.
Adapted from Michael Cunningham's Pulitzer Prize-winning novel by Director Stephen Daldry and playwright David Hare, The Hours was inspired by Virginia Woolf's 1925 novel Mrs. Dalloway. It is no coincidence that The Hours was the working title Woolf had given Mrs. Dalloway as she was writing it. The emotional trauma that this film guides its viewers through becomes evident in the opening prologue. The scene begins with Virginia Woolf composing what would be her suicide notes to her husband Leonard and her sister Vanessa, the two most important people in her life (Curtis, 57.) She begins: "I feel certain that I am going mad again: I feel we can't go through another of these terrible times... You have given me the greatest possible happiness.. ." The portrayal of this process quickly demonstrates the turmoil Woolf is feeling, both from her oncoming episode of "madness" and the difficulty she is having finding the correct words to say "farewell" (Lee, Hermoine). The prologue comes to its climax as Kidman portrays Woolf's suicide. It is a gut-wrenching display of one's "matter-of-fact" acceptance of one's own coming death. Very dramatically, Woolf fills the pockets of her coat with large stones and stoically walks into a swollen river. Her head slowly disappears beneath the muddy water as all hope of her reconsidering her suicide is swept away with the current.
After a basketball game, four kids, Andrew Jackson, Tyrone Mills, Robert Washington and B.J. Carson, celebrate a win by going out drinking and driving. Andrew lost control of his car and crashed into a retaining wall on I-75. Andy, Tyrone, and B.J. escaped from the four-door Chevy right after the accident. Teen basketball star and Hazelwood high team captain was sitting in the passenger's side with his feet on the dashboard. When the crash happened, his feet went through the windshield and he was unable to escape. The gas tank then exploded and burned Robbie to death while the three unharmed kids tried to save him.
Tim O'Brien is confused about the Vietnam War. He is getting drafted into it, but is also protesting it. He gets to boot camp and finds it very difficult to know that he is going off to a country far away from home and fighting a war that he didn't believe was morally right. Before O'Brien gets to Vietnam he visits a military Chaplin about his problem with the war. "O'Brien I am really surprised to hear this. You're a good kid but you are betraying you country when you say these things"(60). This says a lot about O'Brien's views on the Vietnam War. In the reading of the book, If I Die in a Combat Zone, Tim O'Brien explains his struggles in boot camp and when he is a foot soldier in Vietnam.
A short, fat man who owns a little band of sheep on the flats at
The Vietnam War in the late 1960’s was described as a tragedy, a victory, a win, and a loss, but for whom? The millions of people who loss their lives or the millions of people who fought to save others or is it for the millions of people who had to make that decision every time that they were in battle, but as for Richard Perry, a seventeen-year-old, African American just out of a Harlem High School, had to ask that question solely to himself. Perry, a talented and bright young man put away his dreams of college and becoming a writer because of the unfortunate circumstance he is in. He lives in poverty in the slums of Harlem. His single mother is abandoned by her husband and this leaves Perry and his younger brother Kenny without a father and a second income. Therefore, Perry’s mother does not have enough money to send him to college and the money they did have went to her alcohol problem. Although Perry has the grades and potential to go to a community college he is unsure about his plans in life and feels that money is the source of all his problems (Myers 15). Perry believes he should join the army to escape his future, to get money and to make it up to his younger brother and mother, and he does just that, He gets enlisted in the Army in the summer of 1967, due to a failure to process his medical file correctly leading him to not receive a medical discharge, Perry gets an unexpected ticket to the Vietnam War. In Fallen Angels, the major subjects include the history in The Vietnam War and war itself, Perry’s self discovery in war and the moral vagueness of war is represented. The themes of Friendship, Innocence and Racism are all reflected in the book. Friendship reflects the bond that Richie makes with Peewee Lobel, Lieutena...
Kahn was a writer and contribute editor of magazines for wired and national geographic. Stripped for parts appeared in wired in 2003. Kahn was awarded award in 2004 for a journalism fellowship from the American Academy of Neurology. She wrote this short essay describing how organs can be transplanted. The Stripped essay is an- eye opener. Though not many people tend to think of how a body should be maintained after death. Jennifer Kahn depicts a dramatic image for her audience. She uses the terminology “the dead man “though technically correct, the patient is brain dead, but his or her heart is still beating.
..., but Laura saw a beauty in death which helped her to see the beauty of life. Elizabeth realized the frightening possibility that life was just an immediate placement and that her reality resided in death.
In the novel, Darkness at Noon, by Koestler, Rubashov learns about himself, and makes an effort to cross the hazy lines between his conscience and his beliefs. Rubashov's realization of the individual aspect of morality is a gradual process, satisfying his internal arguments and questions of guilt. His confession to Gletkin reflects the logic that Rubashov had used (both by himself and his political regime), as well as his internal conflicts. He questioned the inferior value of the human, in respect to the priceless value of humanity. Rubashov's ideas on communism, he found, were blurred by his dedication to the Soviet revolutionaries, and ordeal that compromised his life to solve. In many ways, Rubashov was an antagonist to himself. One way Rubashov defeated his goal was by giving in to suit others. "The Party denied the free will of the individual - and at the same time it exacted his willing self-sacrifice… There was somewhere an error in the calculation; the equation did not work out."(204) Rubashov's confession implies a submission of his personal ego to a larger purpose, and he questions himself as to whether it is worth it. His ideals were not his own, but rather the ideals that the communist revolutionaries forced him to have. Rubashov was a man who thinks extremely logical in every situation; he follows every idea "…down to its final consequence."(80) He is an elite intellectual, but even as Ivanov and Gletkin question his line of thinking, Rubashov constantly asks himself the same questions. He justifies his rational by reminding himself that he is working for a more perfect society, no matter what the cost. As stated in the first partition of his confession, he heard only ...
Short Story Analysis “The Story of the Hour” by Kate Chopin portrays an opposing perspective of marriage by presenting the reader with a woman who is somewhat untroubled by her husband's death. The main character, Mrs. Louise Mallard, encounters the sense of freedom rather than sorrow after she got knowledge of her husband's death. After she learns that her husband, Brently, is still alive, it causes her to have a heart attack and die. Even though “The Story of the Hour” was published in the eighteen hundreds, the views of marriage in the story could coincide with this era as well. Louise is trapped in her marriage.
The book Call It Sleep written by Henry Roth is a literary work that explores immigrant life as they adjust to the new and unfamiliar ways of American life. The book is somewhat of a social commentary on the period of the Eastern European immigration to America at its peak. The novel gives an inside view on how foreigners (primarily Jewish immigrants) fit into main stream society. Throughout the course of the novel, you travel along with the main character David Schearl as he ages from six to eight and grows up in Brownsville on the lower East side of New York. David is torn between the love of his over protective mother and the hatred of his angry and mentally disturbed father in a quest to make sense of his life in contrast with all of the other immigrant children that he comes in contact with. All of the adventures that David encounters and all of the people that he comes in contact with are simply the author’s way of depicting an immigrants inner struggle and dealing with the pressures of life as seen through the eyes of a remarkably perceptive and imaginative child.
In Death of an Innocent, Chris McCandless goes on a memorable and tragic journey into Alaska, but for most of his expedition he was known, not as Chris McCandless, but as Alexander Supertramp. The reason that he changed his name for his journey was because he is running away from his past and wanted to become the person he believed he really was.
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