Country Music and Southern Voters

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Since the rise of the “Silent Majority” of conservatives to the forefront of American politics in the Reagan era, the overall themes of country music have changed to the patriotic and conservative messages heard today in the genre. The first real instance found of country music going hand in hand with politics goes back to the 1964 presidential election where then democratic candidate George Wallace used the song “Stand By Your Man” by Tammy Wynette to gain support of the southern voters At the time the political landscape of the south was heavily fragmented, and not yet united as it would become during the Nixon and Reagan years. Country music is the most distinctive cultural product of the American south “which has long been the area of America most supportive of political reaction” With roots in the farms and hills of the hard-working southerners, the music that came from there evolved over time from simply “hillbilly” style into its own unique sound. During the Second World War the music often reminded soldiers of a simpler time and place, and gave them a sense of patriotism as many artists such as Bob Wills wrote songs that glorified America. In the 1950’s country was not all that popular as many considered it “The music of the southern redneck and thus elicited images of pickups with shotguns stacked in the back of the cabs, shotguns waiting to be used to terrorize or kill civil rights marchers or those who sympathized with them.” In order to examine how country music was used to gain a foothold in the minds of southern voters, one must first look at the musical landscape of the 1960’s. The new left was supporting white folk, rock and soul music, which carried the demographics of the “hippy” movement and the Americ... ... middle of paper ... .... University of Georgia Press, 1999. 81. Print. Feder, J. Lester. "When Country Went Right." American Prospect 17 Feb 2007: n. pag. Web. 9 Mar 2010. . Grissim, John. Country Music: The White Man's Blues. New York: Coronet, 1970. 9. Print. Johnson, Lyndon. The vantage point: perspectives of the Presidency, 1963-1969. Holt Reinhart and Winston, 1972. 549. Print. Lomax, John. Nashville Music City USA. Random House Value Publishing, 1987. 215. Print. Lund, Jens. Fundamentalism, Racism and Political Reaction in Country Music. 79. Print. Malone, Bill. Country Music, U.S.A.. 2nd. University of Texas Press, 2002. 373. Print. "The Conservative Evolution of Country Music." All Things Considered. National Public Radio (NPR): 18 Feb 2007. Web. 9 Mar 2010. .

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