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effects of architecture on the world today
what influence architecture
effects of architecture on the world today
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My argument is how sustainable architecture can be used and how it can benefit the Earth and it’s residence in an environmental or cost-effective way. Thus, leading to exploration of the different forms, of technology and materials used. Further developing my research on how culture, or time, might have affected, what or why, the building might have been constructed in a certain way, and also how the location might have affected the designs, of the buildings.
Thomas Herzog was born in 1941, In Germany. Where in 1965, he completed his diploma for architecture at the Technische Universität München (University of München) and in 1973 he became Germany’s youngest professor of architecture at the tender-age of thirty-two. He is now known famously for his work on eco-tech architecture.
The Private House, at Regensburg, is referred to many different names, one being ‘The Burghardt house’ (from Design for the Environment). Or commonly known in Germany, as the ‘Wohnhaus an Regensburg’.
The wedge-shaped home, is situated in a residential area between numbers of multi-storey buildings, which date back to the 1950s. During this cultural time, the public became aware of the energy crisis, following in the wake of the oil crisis in the 1970s, thus there was a brief setback to the use of glass. Which introduced the use of glass architecture, where architects and engineers, were experimenting on making glass adaptable and releasing its full potential in structures. The use of glass was to capture solar energy, and hence the use of natural sources of energy, in an environmentally compatible way. In addition to these passive measures, there are also active systems, which are used. Such as solar collectors ...
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...ackenzie, D. 1991. Designs for the Environment. Laurence King: London.
Mackenzie, D. 1997. Green Design. 2nd Edition. Laurence King: London.
Rattenbury, K. Bevan, R. Long, K. 2004. Architects today. London: Laurence King Publishing.
Schittich, C. Staib, G. Balkow, D. Schuler, M. Sobek, W. 2007. Glass Construction Manual. 2nd Edition. Germany: Birkhauser.
Schunck, E. Oster, H J. Barthel, R. Kiessl, K. 2002. Roof Construction Manual. 5th Edition. Basel, Switzerland: Birkhauser.
Unwin, S. 2009. Analysing Architecture. 3rd Edition. Wiltshire: Routledge.
Electronic Biography. Prof. Thomas Herzog. (Timeline) Herzog and Partners.
Available at http://www.herzog-und-partner.de/ [Accessed 10th October 2009]
Chris Twinner., 2003. BedZED. [Online] Arup Journal.
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During the 1970s Architects first started to think about low-energy buildings, this was due to the oil crisis in the early 1970s. Which resulted in experimental houses, in different styles of ‘folksy or rustic’, thus being quoted as the ‘alternative anti-industrial ideology’. Whereas Herzog did not adopt this style, he carried on using the Modernist tradition. Herzog was an early pioneer of pneumatics and low-energy architecture in West Germany, a country that adopted the belief with enthusiasm, thus turning it into a ‘new orthodoxy’.
The critique of The Yellow Zone will be used to compare the Situationist ideas and Lever House, an International Style building designed by Gordon Bunshaft and Natalie de Blois. The analysis will be executed in two steps by first analysing the exterior and then the interior of the building. The comparison will be used as a tool to draw conclusions on the significance of the movement in modern architecture.
The house was builded with a clear intention as a residential purpose for Mrs. Truus and her children. The house is Avant Garde, in the way that it was a reflection of the Plastic Art movement - De Stijl in Netherland. The house is a bright example of inventing a new architectural language in the dawn of Twentieth century 's Modernism period. With the innovation of structural technology, architects such as Rietveld have begun to exchange the idea of flexibility in interior structure such as mobiles planes, movable walls, and screens. The Schroder house represents the idea of open and free spaces, with movable partitions that serves different programs. In visual esthetic, the flexible of space and arrangement of colors create an interactive space, yet at the same time is functional and lively. At the result, the house creates an opportunities for individuals to focus on the rituals of their daily
Different architects have different styles because they are trying to get at different things. Architecture is not just about making something beautiful anymore, it is about trying to get across a set of ideas about how we inhabit space. Two of the most famous architects of the twentieth century, one from each side, the early part and the later part up until today each designed a museum with money donated by the Guggenheim foundation. One of these is in New York City, it was designed by Frank Lloyd Wright. The other is in bilbao, Spain, and it was designed by Frank Geary. My purpose of this paper is to interrogate each of these buildings, glorious for different reasons, to show how each architect was expressing their own style.
"White House History | White House History Themes: "Architecture"" White House History | White House History Themes: "Architecture" N.p., n.d. Web. 09 Mar. 2014.
...of the house as a result towards the unconventional design. Nevertheless, in the landscape point of view, this residence is surrounding by the trees and it creates a complete sense of privacy around the suburban site (Gehry 1979,73).
Both buildings develop the same sociological theme, creating a living space for the period they were built in. Also, one of the themes they strive to capture is the physiological aspect, where they are similar, if not exactly the same. In Simmons Hall building we can find both similarities, but also some divergences from Le Corbusier’s Unité d’habitation.
A green building (also referred to as sustainable building or green construction) is a structure that employs an approach that is responsible for the environment besides being efficient in regard to resources all through its life cycle: This is from selecting the site to designing it, constructing, operating, maintaining, renovating and demolishing it. To achieve this, the client, the engineers, the architects and the entire design team closely cooperate at all stages of a project (Yan and Paliniotis, 2006). Practicing Green Building complements and expands the conventional building design areas of comfort, durability, utility and economy.
Green architecture is an approach to building which has become more popular in the last 25 to 30 years. Also known as sustainable design, green architecture is a method of design that minimizes the impact of building on the environment. Once thought of as unconventional and nonstandard, both regulatory agencies and the public alike are quickly accepting green architecture as a socially responsible and logical means of construction.
Now days, the world is intended to be in a worst scenario ever imagined. Climates, global warming and furthermore problems. However, I have noticed new changes, universally speaking, yet renewable energy has also been popularized to our world and I addition, it became part of Sustainable Architecture. “Sustainable Architecture describes the fact that we can only exist and create with the availability of natural resources. Those resources are the foundation of our world. Sustainable architecture proclaims this fact to the world… And that is probably the most appropriate understanding of the term.”(Brooks, 92) That’s why these resources exist within our environment but only few of the people anticipated a good use for them just t increase likelihood the worlds energy efficiency and also the natural environment. Speculating Asia’s growth both in wealth and population, it has been a great risk for them consequently they had been temporizing endeavoring new ways of preventing massive energy consumptions and wastes from resources. “How can we protect our natural resource base while sustaining our socio economic gains? My answer in two words: systems and self.”(Ms. Galang, 1)
However, architecture is not just the future, after all, buildings are intended to be viewed, traversed and lived by us, people. Despite this, many architects today rarely think deeply about human nature, disregarding their main subject matter in favour for efficiency and an architecture of spectacle. In this there seems to be a misconception that underlies much of architecture, that is, human’s relationship with the city, the building and nature. In much of today’s architecture, people are treated with as much concern much as we treat cars, purely mechanically. The post-modern search for the ‘new’ and ‘novel’ has come to disregard the profound affect design has on our lives, impacting our senses, shaping our psyche and disposition.
Sustainable design seeks to reduce negative impacts on the environment, the health and comfort of building occupants, thereby improving building performance. The basic objects of sustainability are to reduce consumption of non-renewable resources, minimal waste, and create healthy, productive environments (“Sustainable Design”). Focusing primarily on the sustainable design principles, there are five, including: low-impact materials, energy efficiency, quality and durability, design for reuse and recycling, and renewability. As sustainability appears to become the necessary trend in architecture, the question concerning the cost versus outcome of “going green” really an investment or a waste of time and money comes to mind. With our research provided below, we believe the expenses may truly be with the investment in the end.
... architectures would led to a more organic organization beneficial to the people that choose to make their lives in this city. Although this model of a sustainable city is not a perfectly closed loop, it lays the foundation for one that is. Over time, with constantly evolving and improving technology and new methods of design from the scale of products to buildings, the gaps in the loop could be closed, and a “true” sustainable city could be fully realized.
As Nuttgens eloquently expressed, architecture is a “vital…expression of the experience of mankind.” It is more than just buildings used for storage, housing, religious purposes, simple functionality; it is a great manifestation of the commonality of man, the great connecting factor of humankind. However, it can be argued that the ancient and classic forms or architecture are in essence more “profound…lasting… [and] inexhaustible” than those of their modern counterparts, because of some key differences in the ways ancient and modern architecture are practiced.
Chua, Ian Y. H. Civil and Structural Engineering Resource Web. 29 Jan. 2000. 2 Mar.