I have chosen to research the relationship between Cubism and Surrealism and Surrealism and the world of art. Cubism originated in Paris in 1907 and continued to succeed in France until 1914. In about 1911 the rest of the world began to discover this movement and Cubism stuck around until 1919. During the late ninetieth century and early twentieth century the world was just discovering the art of Native Africans, due to the war between Africa and the British diversifying the population which also included natives of the United States, Mexico and Argentina resulting in a spread of culture. This caused other parts of the world to gain new ways of thinking and perceiving things in the world around them.
For example, the revision of Newton's law of gravitation which states that gravity on an object is constant, to Einstein's theory of general relativity which states that velocity will change the rate of an objects attraction. These revisions allowed the people to reconsider their standard ways of thinking to include looking at things from different perspectives and questioning what they knew to be considered normal. Thus resulting in Cubism's stylistic traits which are distorting perspectives, disassembling and reassembling objects in an abstract way, while also emphasizing the two dimensional surfaces (Cottington, 2005).
The Surrealism movement was developed in the late 1910s and early 1920s, however it wasn’t made an official movement until 1924 when Andre Breton created "Manifeste du Surrealisme". Andre Breton's work was said to be stimulated by Sigmund Freud theories of the unconscious mind. The meaning behind these theories removed the boundaries between the real world and fantasies of the human subconscious. One of the most...
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...ation. Another relevance between the two pieces is that the first World War directly impacted the view that society took to create this piece. Cubism's "Le Guitariste" was a slightly chaotic interpretation to what was happening in the world during the war between Africa and Britain. Likewise, the interpretation by Dali in “The Persistence of Memory” was more of a meditation to what was occurring in the world during the prelude to World War 2 (Durozoi, 2002) (Cottington, 2005).
In conclusion, both periods of art had their influence on the world in different and similar aspects. Both are worth studying and getting to know in their own respect.
References
Cottington, D. (2005). Cubism and Its Histories. Manchester, UK.: Manchester University Press.
Durozoi, G. (2002). History of the Surrealist Movement. Chicago, IL.: University of Chicago Press.
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René Magritte’s art influenced a change of movements from Surrealism to Pop Art for his use of repetition in his art works as well as of his art works. The repetition of his surrealist works influenced the use of repetition in Pop Art, though the reason behind why each of the movements incorporated them are
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The development of modernist sentiments is largely the result of spasmodic cultural transformations and the ensuing creative exchanges between architects, modern artists and designers. For the purpose of research, this paper will solely deal with Surrealism, an important aspect of Modernism and chart its development through two contemporary Australian surrealists – James Gleeson and Sidney Nolan.
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When Dali was born in Spain, in 1904, Matisse’s masterpiece Luxe calme et volupté was shown at the first exhibition of the Fauves group. Four years before that Freud’s publication, The Interpretation of Dreams, and around this time Albert Einstein discovered relativity. Einstein’s relativity composed with Plank’s quantum quark theory destroyed the structure of the now out dated Newtonian theories. With the plexus of art and science making quick advances they were destined to collide, and with the surrealists firm approach to the scientific method, it’s seems simple to concur that the studies of Einstein and other strong nuclear physicists would have influenced the group. Looking in Dali’s Persistence of Memory and expounding on the w...
While it's apparent that artists of the modern age owe much to the artists in the Renaissance, there are many differences between the two. There are some similarities however much of what the artist is expressing, and how they present their concepts are entirely different. Renaissance art appears to be more of a historic record, and heavily influenced by reason and mathematics. Modern art on the other hand tends to convey ideas, and emotions, leaving interpretation to the viewer, instead of being straight forward.
Surrealism and the surrealist movement is a ‘cultural’ movement that began around 1920’s, and is best known for its visual art works and writings. According to André Berton, the aim was “to resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality” (Breton 1969:14). Surrealists incorporated “elements of surprise, unexpected juxtapositions and ‘non sequitur”. Hence, creating unnerving, illogical paintings with photographic precision, which created strange creatures or settings from everyday real objects and developed advanced painting techniques, which allowed the unconscious to be expressed by the self (Martin 1987:26; Pass 2011:30).