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Reality vs. Fantasy in a modern world
Reality vs. Fantasy in a modern world
Reality vs. Fantasy in a modern world
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The novel Mosquito Coast and the play Twelfth Night both contain similar and dissimilar aspects to them. In both these works there are characters who through deception and trickery, are later enlightened to the truth. Themes of actuality and truth become quite apparent in these works. Though completely different written pieces (Twelfth Night with its comedic enlightenment, and Mosquito Coast with its serious "growing up" style enlightenment) are both comprised of the latter truth element where an inevitable realization of reality is reached in the end.
Charlie Fox in Mosquito Coast finds truth throughout his journey of growing up while his father pursues his quest of recreation by means of lying to his family. In Twelfth Night, characters purposely deceive and lie for many reasons as well. Both Allie Fox and the characters in Twelfth Night lie for selfish personal gain. Allie wanted to show his "wisdom" by leaving the States and making his own improved Utopia to show he is better than everyone else ("the last man"). To do this however, Allie had to lie to his family and convince them that the U.S. was going to destroy itself and start another war. He deftly hides the fact that America was never endangered or under a threat and that no destruction happened to the States during their stay in the Honduras. The characters in Twelfth Night pursue their self-centered goals by disguising themselves to either satisfy their lust for vengeance (Feste, when he gets back at Malvolio for his arrogance) or to prevent others from knowing the ugly truth (Viola, when she hides her true identity to get into Orsino's Court as Cesario).
Though Twelfth Night does have a comedic truth revelation, there is one exception to it. Both...
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... Coast, the Fox family see just how stupid and selfish Allie was in his creator endeavors. He took them along for his crazed exploration and there was a sadness about that loss of Allie in the end. However there is also relief and hope for a new life in America without an insane father for the Fox family. This makes it an almost happy ending due to the fact that the father was gone. This brings them freedom, and release from the boundaries Allie set up and the 'chains' Allie had forced the Fox family to wear.
In both cases lies and fabrications were tossed around generously, but proven false in the end. The disguises and lies led to truth, and the characters reached a revelation and turning point where they gained knowledge from the truth in the end. The truth always prevails and in both works ultimately displays that deceit ushers in truth sooner or later.
To begin with, I will begin with a brief summary of both stories in order to better
... harsh and tragic. Similarly, Hodgins symbolizes a life full of hardships in Portuguese Creek with the death of Elizabeth, for she had been the only good thing that had come out of the war. The positives of the families and communities working together were ultimately overshadowed by the negativity of these same families and communities falling apart; only further showing readers that new beginnings are not a chance for a better life, but center stage for one that is worse.
Shakespeare’s Twelfth Night is a comedy that has been interpreted in different ways, enabling one to receive multiple experiences of the same story. Due to the content and themes of the play, it can be creatively challenging to producers and their casting strategies. Instead of being a hindrance, I find the ability for one to experiment exciting as people try to discover strategies that best represent entertainment for the audience, as well as the best ways to interpret Shakespeare’s work.
The characters in Twelfth Night each play an important and specific role, especially when it comes to interfering or setting fate for romantic interests. Not all characters get a happy ending, and a particular character’s husband turned out to be someone much different than who she believed to be marrying. Through dishonesty, confusion, and chicanery, each character had a helping hand in dishing out each other’s fate, but nonetheless, the relationships that resulted in a law binding marriage beat destiny and overcame every hardship standing in the way of love and happiness.
This essay showed the similarity and difference of the endings in these two masterpieces, and how they shared morals.
Williams Jr., Porter. “Mistakes in Twelfth Night and Their Resolution: A Study in Some Relationships of Plot and Theme.” PMLA 76.3 (1961): 193-99. Print.
In the beginning of both of the pieces of literature, the main character(s) have not had the experience that will shape their values yet. Rather, as time moves forward in the stories, the
Although both authors claim their stories are true, and thereby that their characters are realistic, there seems to be a gap between the authors' claims and the "reality" of the characterization. This question is closely connected to the fact that both novels belong to the earliest English novels. There was no fixed tradition that the authors worked in; instead the novel was in the process of being established. The question arises whether the two works lack a certain roundness in their narrators.
...ce, although both writings are interesting in their own ways, the most interesting aspect of both writings together is that they both have a similar plot and theme. It is rare that two
In order to understand what changes happen to twist the views of the 2 main characters in both novels, it is important to see the outlook of the two at the beginning of the novels in comparison ...
characters, and is by far one of the most humorous. While Shakespeare’s Twelfth Night is
Marciano, Lisa "The Serious Comedy of Twelfth Night: Dark Didacticism in Illyria." Renascence: Essays on Values in Literature 56.1 (2003): 3-19. MLA International Bibliography. EBSCO. Web. 6 Nov. 2009.
Henze, Richard. "Twelfth Night: Free Disposition on the Sea of Love." The Sewanee Review 83.2 (1975): 267-283. The Johns Hopkins University Press, 11 Jan. 2011. Web. 19 Feb. 2014.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.