Colorism: Creating a Racial Divide in the African American Community

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During the mid-twentieth century African Americans were at the lowermost tier of society's hierarchy. However within the black race, there was a further social division between lighter-skinned and darker-skinned African Americans. A black individual with more Caucasian features signified high status and beauty which was sought after by members of the African American community (Dibleck). In Zora Neale Hurston's novel Their Eyes Were Watching God, the author uses Janie Crawford to depict how colorism affected African Americans on both sides of the skin color spectrum. By demonstrating the attitude society (mostly men) had towards skin color, the author displays the realities of being an African American in the early 1900s and the deep racial divide within the black race.
Their Eyes Were Watching God emphasizes the malevolent standards of beauty regarding skin color that society has set up for blacks. Hurston is trying to convey to readers the racial circumstances of the mid twentieth century and how African Americans were not compatible with the Western ideal of beauty (Ashe 581). During that time it was extremely common for African Americans to perceive themselves as unattractive individuals strictly due to their Afrocentric facial features. In the analytic paper “Why don’t he like My Hair” Bertram Ashe states that the concept of white being the pinnacle of beauty socially forced black Americans to conform to the Caucasian idea of beauty (Ashe 580). African American women who did not adjust their appearance to fit this concept of beauty was debased by black and white men. In order for a black woman to be considered desirable she must be born with
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Caucasoid features or change her natural appearance through the use of ...

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...c. 2013. .
Bloom, Harold. "Rebirth and Renewal." Google Books. Ed. Blake Hobby. N.p., 2009. Web. Dec. 2013. .
Dilbeck, Keiko. "Symbolic Representation of Identity in Hurston's Their Eyes Were Watching God." Literature Online. N.p., Winter 2008. Web. 08 Dec. 2013. .
Ferguson, SallyAnn. "Folkloric Men and Female Growth in Their Eyes Were Watching God." Black American Literature 1/2 21 (1987): 185-97. Jstor. Web. Dec. 2013. .
Racine, Maria J. "African American Review." Voice and Interiority in Zora Neale Hurston's Their Eyes Were Watching God 28.2 (1994): 283-92. Jstor. Black's Women Culture Issue, Summer 1994. Web. Dec. 2013.

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