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Claudio in Much Ado About Nothing Essay

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Katherine Paterson says, “Real maturity, which most of us never achieve, is when you realize that you’re not the center of the universe.” Claudio, a character from Much Ado About Nothing, is a perfect example of this quote. Throughout most of the play Claudio is only concerned about how other people and events affect him. However, the obstacles and positions he is put in do not help the situation. The one of the main themes of this play is deception, which Claudio, as well as most of the other characters in the play, fall victim. In Much Ado About Nothing Claudio begins the play with a tendency to be very gullible and paranoid about everything, and he continues to show his immaturity by seeking revenge when he is upset; Claudio finally matures when he accepts that he was wrong and is willing to take the punishment that goes with his mistakes.
The beginning of the play shows Claudio, on numerous occasions, as gullible and paranoid that everyone is against him. When Don John tells Claudio that Don Pedro has wooed Hero for himself he responds by saying, ““But hear these ill news with the ears of Claudio. Tis’ certain so. The Prince woos for himself” (Shakespeare 24.) This quote shows that Claudio often puts his trust in the wrong people. He takes the word of an enemy, who he has already defeated in battle, over someone who fought along side him and is supposedly his best friend. It also shows how naïve Claudio can be and how easily he will take what others say as the truth without using his better judgment. In this quote, Claudio proves how fast he can turn against someone, even one of his best friends, when he hears they have wronged him. When Don John accuses Hero of being unfaithful to Claudio he says, “If I see anything tonight w...


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...rney from an insecure and paranoid boy to becoming a man worthy for woman such as Hero. He started the play as a vain young man mostly concerned about his appearance and his own selfish love and the perks that came with it. However, people learn from their mistakes and this is evidently true in Claudio’s case. The plays ends as all of Shakespeare’s comedies do, with Claudio and Hero dancing with the rest in the harmonious dance of life. In Much Ado About Nothing Claudio begins the play with a tendency to be very gullible and paranoid about everything, and he continues to show his immaturity by seeking revenge when he is upset; Claudio finally matures when he accepts that he was wrong and is willing to take the punishment that goes with his mistakes.




Works Cited

Shakespeare, William, and David L. Stevenson. Much Ado about Nothing. New York: Signet Classic, 1998.


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