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Assimilation essay abstract
Assimilation essay abstract
Assimilation essay abstract
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Chang-rae lee, in A Gesture Life, pictures a Japanese immigrant named Franklin Hata. Hata have been seeking assimilation into the American society. To become part of the society, Hata tries to become the perfect citizen in the society, a "mascot" who everyone knows and respects. To further his assimilation, he tries to complete the picture of a whole and healthy family as many ideal Americans. Through adapting Sunny, Hata wants to assimilate through a parental figure. Through parental figure that is caring, a good parent and good heritage, supremely suggesting that a parent that is successful in all is a parent that is successful in society. But Sunny plays a different character in his life, a character that alters Hata's idea as she is a miscegenation subject that wanders around the margins of Bedley Run. With an adopted daughter as Sunny, Hata has nothing but disappointment.
Maybe you don't know it, but all you care is your reputation in this snotty, shitty town, and how I might hurt it
"I don't need you," she said softly, and without remorse. "I never needed you. I don't know why, but you needed me, but never the other way." (94-96)
On the night Hata seeks for Sunny at Gizzi's house, the pure figure of womanhood Hata longs for vanishes before his eyes. As he watches Sunny "run her hands over herself, pressing across the skimpy shirting and down her naked thighs and up again
she was moving and dancing with every suggestion, and then finally she was touching herself in places no decent woman would wish ...
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... his doorstep. As Sunny arrives, she is a miscegenation subject of an African-American GI and a Korean bar girl disappoints Hata. As Hata wish for his good heritage and his representation in the society of a pure and good family vanishes. As Sunny grows, Hata provides her with many different activities to build up a reputation for him and Sunny, but Sunny refuses to follow his wishes and goes to the margins of Bedley Run. Seeing Sunny in Gizzi's house leads to disappointment to Hata as he wants his daughter to be well educated and well represented in public. Although Hata is able to be the perfect parent in the society, with Sunny, Hata can't assimilate into the American society as he wished. No matter how hard he tries to be the number one citizen and the perfect parent.
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
When Marie tries to ask the protagonist to take a walk, this action shows that she is trying to achieve Pauline’s dream by getting her outside of the house. Therefore, she could finally feel the true meaning of freedom. Nevertheless, Pauline’s mother’s response demonstrates that she wants her daughter’s safety more than anything. The mother tries to keep Pauline away from the danger, so the protagonist can at last have a healthier life. However, Agathe’s reply shows that her mother is willing to sacrifice Pauline’s dream to keep her secure. Therefore, the author uses contrasting characters to mention that safety is more valuable. Furthermore, the protagonist starts to describe Tante Marie and reveals that she always has her hair “around her shoulder” (85). When Pauline describes Marie, Pauline shows how her Tante is open-minded. In fact, Marie helps Pauline to let go of her limitations and to get a taste of her dream. Therefore, Marie always wants Pauline to go outside and play hockey or even to take a walk. These actions that Pauline’s Tante takes show how she is determinate to make Pauline’s dream come true. Thus, the author
In their articles, Chang Rae-Lee and Amy Tan establish a profound ethos by utilizing examples of the effects their mother-daughter/mother-son relationships have had on their language and writing. Lee’s "Mute in an English-Only World" illustrates his maturity as a writer due to his mother’s influence on growth in respect. Tan, in "Mother Tongue," explains how her mother changed her writing by first changing her conception of language. In any situation, the ethos a writer brings to an argument is crucial to the success in connecting with the audience; naturally a writer wants to present himself/herself as reliable and credible (Lunsford 308). Lee and Tan, both of stereotypical immigrant background, use their memories of deceased mothers to build credibility in their respective articles.
The first encounter with Helga Crane, Nella Larsen’s protagonist in the novel Quicksand, introduces the heroine unwinding after a day of work in a dimly lit room. She is alone. And while no one else is present in the room, Helga is accompanied by her own thoughts, feelings, and her worrisome perceptions of the world around her. Throughout the novel, it becomes clear that most of Helga’s concerns revolve around two issues- race and sex. Even though there are many human character antagonists that play a significant role in the novel and in the story of Helga Crane, such as her friends, coworkers, relatives, and ultimately even her own children, her race and her sexuality become Helga’s biggest challenges. These two taxing antagonists appear throughout the novel in many subtle forms. It becomes obvious that racial confusion and sexual repression are a substantial source of Helga’s apprehensions and eventually lead to her tragic demise.
Chang portrays the complexity of Henry’s character by showing the conflict that he faces both in his personal and professional life. His confusion towards his own Cultural identity is noticed in his relationships with his co-workers as well as with his family. His personal relationship with his family, especially with his father and his wife exemplifies the clash between the two cultures which seems to tear Henry apart. Leila, Henry’s wife, seems to epitomize the traditional American Culture which Henry tries very hard to be a part of. Her forthright nature along with the independence and individuality contradicts the stereotypical qualities of an Asian wife. However, Henry’s desperation is seen in his forgiving attitude towards Leila’s action and behavior. His deter...
Saikaku, Ihara. Life of a Sensuous Woman. The Norton Anthology of World Literature. 3rd Ed. Volume D. Ed. Martin Puchner. New York: Norton, 2013. 591-611. Print.
Saikaku, Ihara. Life of a Sensuous Woman. The Longman Anthology of World Literature. (Vol. D) Ed. Damrosch. New York: Pearson, 2004. 604-621. [Excerpt.]
The protagonist learns that she is just a possession, an object that lives in the horrible male dominated society of Afgafistan. This is evident when her Nana tells Mariam “When I'm gone you'll have nothing. You'll have nothing. You'll be nothing.” The repetition of “nothing” conveys the harsh reality of living and existing in this misogynistic society. Mariam also learns very suddenly that she is too voiceless to the two people who are meant to love her the most. Mariam's parents always speak for her, too her and never with her. This reinforces that Mariam lives in a prejudice country. A Thousand Splendid Suns lacks effectiveness towards the theme of female oppression during the beginning of the novel as our first insight to Mariam's life is her being a voiceless object in her parents company. This gives the idea of parent dominance and age restrictions instead of the theme female oppression in the male dominated
The two main characters depict the characteristics of chastity; they are pure, innocent and sustain the ability to refrain from being distracted and influenced by hostility, temptation, or even corruption. The readers are immediately introduced to Susanna, in the tale of Susanna at the Beach, as a captivating young girl, intoxicating her spectators with her beauty and vulnerability; just as Susanna had with the judges of Daniel and Susanna. Gold describes Susanna, “She had fled all the billboard schemes of the life of a pretty girl. Lips soft and half-parted for a grand design rather than a Lucky Strike, hands taking the measure of ambition rather than the bottle of a Coca-Cola, she has come to perfect her diving in a worn black cotton bathing suit which was already too small after her summer’s growth” (Gold, 643.) Gold is characterizing her as a young woman who surpasses the beauty of a media-driven image and foreshadows a simplistic wholesomeness that defines chastity. As the reader continues, Susanna is clearly a character una...
In the age of industrialization when rural life gradually was destroyed, the author as a girl who spent most of her life in countryside could not help writing about it and what she focuses on in her story - femininity and masculinity, which themselves contain the symbolic meanings - come as no surprise.
This seems to be one of Lessing’s most critically neglected stories. In fact, there are only a few written criticisms about it, and most of these focus on the different reactions of the three workmen. However, the woman, who is not named in the story, is also a very intriguing and interesting character. While many readers see her as an innocent – the sunbather who only wants to be left alone – there is evidence to show that she uses her sexuality through nonverbal communication to show power and privilege.
In the story, Two Kinds by Amy Tan, the most predominant object would be the piano. The mother has it set in her head that her daughter, Jing-Mei can and will become a child prodigy. The mother hires a teacher that lives in their apartment building. Jing-Mei constantly feels like she is a disappointment to her mother. Her mother had very distinct goals for Jing-Mei and this is way she always felt that she was disappointing her.
She attempts to accustom herself to living in a medieval society where women were believed to be inferior, a piece of property who need to depend on men to survive. CC befriends four women of that era who also uphold a stereotyped view of females and their role. “She remembered how cold and judgmental Isabel had been when they had first met, but CC had thought those days were over, that Isabel and the other women had begun to care for her as she had them” (Cast 248). This quotation depicts how CC diminished her old- fashioned friends’ mindset about women and how the women have become emotionally tied together. CC managed to help the women accept that they are not worth anything less than men, and transformed their outlook about CC’s courage and independence from a negative prospect to a positive prospect. The old women now care for CC as if they were family by maintaing their new belief that women demonstrate more power and strength together. The importance of this theme is to convince real world women that they are strong and are equal to men, and to change the views of bigoted people out there who emphasize the stereotypes of
The three Smales children, Victor, Royce and Gina, had not experienced, and therefore had not expected to live a life of luxury amongst people of their “own” kind. This innocence contributes greatly to the rate and comfort in which they adjust to living in July’s village. Bam and Maureen may not have felt prejudice towards the black race, but were certainly prejudice about the lifestyle in which they must now live, a lifestyle completely stripped of any and all luxuries they once enjoyed. All of the family members, facing a new way of life, adjust to their situation in radically different ways. Each one drifts in their own direction in search of comfort and acceptance throughout their experiences living amongst July’s people.