This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be in conflict with everyone, in his mind he has to stand alone in his views in order to set himself apart as king. Before he took to the throne Creon took advice from the prophet Tiresias who had so often had been his spiritual and moral compass, and yet in this matter concerning Antigone he will take advice from no one, not from the elders of Thebes, or even his own son Haemon. The book also has conflict between Antigone and her sister, Ismene. In the opening chapter, Ismene becomes central to this moralistic tale as she stands for all that was expected of women in Greece in 5BC. She alone, in her dialogue shows us, right from the beginning why Antigone is so brave in her decision to bury Polyneices when she says; “Two women on our own faced with a death decree – women, defying Creon? It’s not a woman’s place. We’re weak where they are strong. Whether it’s this or worse, we must do as we’re told.” Here we see the age old conflict of women the world over from then ‘til now facing gender ine... ... middle of paper ... ...itive progression of our society and yet on the flipside, if we play our part by voting we need to back it up. In America there was such a positive drive behind Barack Obama’s road to presidency and yet in the two years hence, having been pummelled with a Messiah expectation from the electorate his popularity has decreased rapidly. Living up to the voters, and a nations expectations on you must be incredibly hard, especially if results are sought so quickly. Let’s hope that Obama is given the space to be the person America hopes he is whilst Americans get on with being the best that they can be for each other, not for themselves. The only way in which characters like Creon, Bush, Blair and so on can really make themselves immortal for the right reasons is by asking themselves what’s going to work best for all of us, instead of what’s going to work best for me.
Antigone is a young woman whose moral background leads her to go against the wishes of the king to bury her brother, Polyneices. Sophocles uses Antigone as a character who undergoes an irreversible change in judgment and as a result, ends up dying. Antigone is hero, and she stands for honor, and divinity. Because Antigone's parents were Oedipus and Iacaste, she was born into a family of power; something that she could not change. At times, Sophocles leads the reader into thinking Antigone wishes she was not who she was. Ismene, Antigone's sister, refuses to help Antigone because (as she states) "I have no strength to break laws that wer...
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
At the beginning of the play, Antigone brought Ismene outside the city gates at night for a top secret meeting. Antigone wanted to bury her brother Polyneices' body because even though he died in dishonor he was her brother. Ismene refused to disobey the king which is also their Uncle Creon, and she failed to talk Antigone out of doing the act herself. "Consider, sister, how our father died,/hated and infamous; how he brought to light/his own offenses..Then, mother...did shame/violently on her life, with twisted cords. Third, our two brothers, on a single day...Each killed the other, hand against brother's hand." (Antigone, Lines 59-65) In this quote, Antigone justified her reasons for going against the law describing how her parents went through so much, how their father was banished and due to this their mother had committed suicide because her reputation went down to the drain, even after all that their two brothers went into battle against one another and died in the process. Ismene was sympathetic, but still she was noble and afraid of Creon so she did not offer her help to Antigone.
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to the state because he attacked his brother. Creon's first speech, which is dominated by words such as "authority” and "law”, shows the extent to which Creon fixates on government and law as the supreme authority. Between Antigone and Creon there can be no compromise—they both find absolute validity in the respective loyalties they uphold.
Although both sisters have lost their brothers, Antigone is the only one who will go against her king to do what she knows is right. When Antigone asks her sister if she will help her bury their brother Polyneices, Ismene responds with, “We are only women; we cannot fight with men, Antigone! The law is strong; we must give into the law…” (Ismene 774). Naturally, Ismene should be afraid for herself, as well for the safety of her sister because what Antigone is asking of her will mostly likely cause them both to be killed. However, she should be braver like Antigone, and realize that she must do what is morally right for their family, and give her brother the proper burial that he deserves. Afterward, when Antigone has already been captured, Ismene then comes forth to try and share the punishment that has been given to Antigone, but Antigone tells King Creon that she has done nothing. In addition, when Creon asks Ismene if she had anything to do with the crime, and Antigone denies it, Ismene then replies, “But now I know what you meant; and I am here to join you, to take my share of punishment” (Ismene 785). Although now Ismene feels like she needs to stand up to the King and do what is right for her
There were three basic conflicts that caused Antigone and Creon to clash as violently as they did. First, was the conflict of the individual versus the state, in which Antigone represented the individual and Creon the king, the state. The second conflict can be described as following ones conscience and ideals versus following the law strictly. In this conflict Antigone makes decisions based on her conscience and ideals while Creon is the strict law abiding king. Finally, the main and most important discord, which is similar to the second conflict, is the debate of moral and divine law versus human law. In this most important contention Creon strictly observes human laws and Antigone follows the divine or moral laws. Creon’s beliefs and his unwillingness to change ultimately cause the downfall of Creon and everyone that he cares about.
The play Antigone is usually thought of as either the tragedy of Creon or the tragedy of Antigone, but it is just as much the tragedy of Antigone's sister Ismene. In the play, Antigone and Creon hold on to two different ideals, Antigone to the ideal of sororal duty and holy rights, while Creon holds on to the rules of his kingdom, dominated by the laws of men and of reason. Ismene is obsessed by her role as a woman, choosing to ignore her feelings of obligation towards her family, and remaining completely indecisive and inactive, as she believes a woman should. By the end of the play she is left in the same position as Creon, without any family in the world and feeling partially responsible for the outcome. If Ismene had stood up and done something either to stop Creon from sentencing Antigone to death, or to help Antigone in burying Polyneices, she would in the end be with her family in life or in death, and be better of than being left alone on earth alive. Also the actions of the characters in the play are very comparable to the ideas and strategies of the Greeks and Spartans in Thucydides, written shortly afterwards.
... by vultures because she had a strong belief in family honor and the will of the gods, one which as long as no harm is done should be upheld above other laws. There are two competing forms of justice throughout “Antigone” which inform the argument of whether or not Antigone should have followed Creon’s laws through the tension of the city state and the will of the people as well as the gods. Creon’s argument was flawed in his disregard for public opinion and that he overlooked Antigone’s valid argument because of her gender and his pride. Antigone argues that a mortal man cannot override the will of the gods, a valid argument of the times. It is and was crucially important to fully consider the best interest of the citizens that is being voiced at the time of decision making, if it is not taken into consideration the city, as seen in Thebes will fall into shambles.
Antigone herself is quite the character, her confidence is indubitable, and coupled with her righteousness, she stands as a key tool for Sophocles’ use in addressing gender roles. In an act of virtue, Antigone decides to bury her brother's body, and to perform all of the necessary rites associated with doing so, all while knowing that what she hopes to attempt is forbidden by royal decree. Confronting her sister, Ismene, with her idea, she is reminded that women have a certain place in society, being told, “[W]e were born / Women, and so not meant to fight with men” (Sophocles 63-4). Antigone takes this statement offensively, learning that her sister has a different understanding of what is important, and what is not. Ismene believes her own life has more
...assistance, resolves to give their brother a proper burial. Ismene feared helping Antigone bury Polyneices but offers to die beside Antigone when Creon sends her to die. Antigone, however, refuses to allow her sister to be killed for something she did not have the courage to stand up for.
Loyalty plays a big part in the play with the characters. Antigone’s words, actions, and ideas contrast with Creon’s character to the point of these two characters having conflicting
Ismene was the other sister of Antigone and Polynices. She however, did not think that her family was important to her. Antigone told Ismene, “is he not my brother, and yours, whether you like it or not?, I shall never desert him, never,” (1.1.39) but still Ismene didn’t want to help. Well, maybe she did but she refused to help Antigone bury their brother because she didn’t want to sacrifice her life. She didn’t like the idea of going against her uncle’s orders like as she says here “ you cannot mean....to bury him? Against the order,” (1.1.38). That showed that she didn’t have enough courage to go against the orders. However, towards the ending of the story she wanted to be a part of the burial but she wasn’t so she didn’t get any credit for it. Antigone however, did bury Polynices all by herself and then later committed suicide.
Not understanding or listening to the opinion of others can frequently have unfortunate consequences and even lead to tragedy. In the play, Antigone, written by Sophocles, the two main characters, Antigone and Creon, both failed to listen which led to the death of several people. It was exhibited how important it is to acknowledge the truth and this was the central theme of the play. The conflict between Antigone and Creon started because they had opposing viewpoints of whether or not Antigone’s brother, Polyneices, should have been buried after he died in battle. Antigone strongly believed that Polyneices should have because it was the law of the gods and they are eternal, while man’s laws are not. However, Creon, on the other hand,
“I know it too, and I am shaken in my mind. To yield is awful; but, by standing firm, to strike with my ruin my proud heart-why, that is awful too.” (Sophocles 1095-1097). Creon in the play, Antigone, by Sophocles plays a major role as the tragic king of Thebes and the uncle of Antigone. Creon and Antigone’s conflicting relationship highlights Creon’s tragic figure. In the play Creon tries to establish decisions for the common good of Thebes, but his results end in great tragedy. In this play, I sympathize more with the character Creon because he puts Thebes above everything else which makes him blind to what is happening around him and he ends up losing more than Antigone. While Antigone loses her brothers but remains strong and fights for what she believes is morally right until she chooses her own demise, Creon loses his family and ends up alone and can not fix his actions.
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.