Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
construction of st. peter's basilica
pilgrimage- social studies
a short para on vatican city
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: construction of st. peter's basilica
‘Thou art Peter, and upon this rock I will build my church; and the gates of hell shall not prevail against it. And I will give unto thee the keys of the kingdom of heaven; and whatsoever thou shalt bind on earth, shall be bound in heaven, and whatsoever thou shalt loose on earth shall be loosed in heaven.' (The Bible, Matthew 16:18-19)
The church of St Peter’s is vital to Christian pilgrimage and is considered most pious of all the churches in Christendom. The reason behind this credence is clear from the quote above. Christ’s injunction here is very obvious, in regards to Peter's status. ‘St Peter was the chief of apostles, the first Bishop of Rome, who held the keys to heaven’ [1], and hence the church built on the site where he was martyred and cremated ,plays a major role in making it as one of the most influential building and a focal point of Christian world. The construction history of St Peter’s is very long and unusual; bringing in every major architect of the time. However in this essay I will discuss about the shift in the position of the main altar and focus on the contributions of two Pope’s i.e. Julius II and Urban VIII and the architects during their time. This essay will reflect various design choices made by them, which ultimately effected the experience of pilgrimage.
Shifting the position of the main altar is one of the most crucial steps in making the church of St Peter as the center of Christian pilgrimage. It was Gregory the great who initiated the shift. ‘The main purpose of this shift was to place the altar directly over the tomb of the saint to justify the close association of the altar and the relic developed during the 5th and 6th century’ [2]. ‘The floor of the Constantine apse was raised to about 1...
... middle of paper ...
...xford: Oxford University Press, 1999)
Webb, Diana. Medieval European Pilgrimage, c.700-c.1500. (Basingstoke: Palgrave, 2002.)
Wittkower, Rudolf. Gian Lorenzo Bernini: The Sculptor of the Roman Baroque. (London: Phaidon Press, 1966).
Electronic
Mattson, J. 2004. Bernini's work at St. Peter's [online]. Rome. Available at: http://honorsaharchive.blogspot.co.uk/2004/09/berninis-work-at-st-peters.html [Accessed: 8 March 2014].
Lecture notes
Lawson, J (2014). ‘Pilgrimage and the Vatican: Nicholas V to Paul III', lecture notes distributed in the topic ARHI080072014 Architectural History 2b: Culture & the City. University of Edinburgh, U.K on 13 January.
Lawson, J (2014). 'Relics and Eucharist: journey’s satisfactory end ', lecture notes distributed in the topic ARHI080072014 Architectural History 2b: Culture & the City. University of Edinburgh, U.K on 16 January.
Another example of Christian iconography is The Transfiguration. It is located in the Church of Saint Catherine’s monaster...
Bernini’s sculptures transform people’s imagination into concrete marble. Two of his work, David and the Ecstasy of Saint Teresa, were based on texts that illustrate human imagination. Nevertheless, Bernini was able to show the characters’ appearance, motion and feeling simultaneously in a visible way, thus his sculptures are even more impressive and express the fancy imagination even more explicitly than the text itself. The further analysis about David and the Ecstasy of Saint Teresa will prove this point.
St Peter’s basilica which is built based on rational form of architecture is a Late Renaissance church located within Vatican City, designed by Donato Bramante. Its significant history is that according to the Catholic tradition this was the place that Saint Peter was buried. Not so far away...
The Hagia Sophia is a stunning, spherical-shaped building made of marble and gold (Doc. 4). Justinian built the Hagia Sophia, which means “Holy Wisdom” in Greek, after a church of the same name was destroyed in riots in Constantinople (outside information). Procopius, Justinian’s court historian, described the church as “suspended from heaven by the fabled golden chain” (Doc. 4). Undoubtedly, visitors to the Hagia Sophia are left breathless by its beauty (outside information). Other churches that Justinian built include the Church of St. Salvator in Chora and the Church of the Apostles (Doc. 5). Justinian’s churches were beautiful; however, they were created to be more than just a display. The churches caused people to feel a connection with God, which helped unify the empire under a single faith. The bonding of the Romans under one faith helped strengthen the entire empire. Moreover, the abundance of churches in Constantinople helped make the city the center of religious power (Doc. 5). Evidence of Justinian’s legacy can be found when one realizes that the Byzantine Empire’s revived culture influenced Orthodox Christianity, a major branch of modern
Paolucci, Antonio. The origins of Renaissance art: the Baptistery doors, Florence. New York: George Braziller, 1996.
The Basilica of St. Denis contributed to the rise of the Catholic Church, for it provided a physical representation of the “Holy Jerusalem”, for many people to see. By viewing this representation of heaven, many people reestablished their faith into the church and longed for salvation, so that they can be accepted into the “spiritual heaven” after their death. This desperate attempt to gain salvation caused individuals to devote themselves to the church, which brought the Catholic Church leverage, power, and wealth.
2) Bailey, Gauvin A. Between Renaissance and Baroque: Jesuit art in Rome 1565-1610. University of Toronto Press. 2003.
Gregorio Dati, Diary, in Gene Brucker (ed), Two Memoirs of Renaissance Florence (Waveland Press, 1991) p. 107
Construction spanning one hundred and eight years, the final result is magnificent. Having had many different architects working on the project, changing after either the leading Pope would die or the architect, it is a wonder the plans for the basilica came together and that the building has lasted so long. The original basilica, built by Emperor Constantine in the fourth century is the foundation to this building. To those of the christian faith, this building is the epitome of belief. St Peter’s Basilica is from where the catholic faith
Thesis: Both St. John the Baptist Cathedral and Cathedral Basilica of Our Lady of Chartres are constructed in French Gothic style which means that architecturally they have many similarities. However, the 700 year gap between their construction offers St. John the Baptist more flexibility in design and style. Still, their likeness and variations extend far beyond the realm of their design.
...amine the promise Christ once made. “ I will build my church and the gates of hell shall not prevail against it” (Matt. 16:18).
This essay is written about St Paul’s Cathedral which is located in London. I will discuss the fire that destroyed the original building in September 1966, how the building was restored, and the main functions of the cathedral and the interiors of the dome of the Chapel.
Scott, Robert. The Gothic Enterprise: A Guide to Understanding the Medieval Cathedral. Los Angeles: University of California Press, 2003.
To begin with, the history of Christian church architecture is, obviously, a highly complex one, but it is important that one understands the evolution of the floor plans of Catholic churches to see how the changing shapes of churches reflects an extended analysis of Catholic belief and practice. According to Cunningham, the architecture of a church building was designed in a certain way and it had a certain
St. Peters Basilica. (2009). Chapel of the Pieta. Retrieved April 15, 2011, from St. Peters