The Bop Beat
The bebop revolution coincided with the birth of the Beat Generation. In a slightly unbalanced relationship, Beat writers often molded their poetics and style after the playing of such jazz music. "Jazz writers," such as Jack Kerouac and Allen Ginsberg, upheld their poetic ideals to the techniques of jazz musicians, such as rhythm, improvisation, and call and response. The structure of creative writing underwent a change, as the importance of form equaled that of theme.
Swing, the predecessor of bop, was big, sweet, and hot. The performers were big bands, fronted by a charismatic bandleader, yet the success of a piece depended mostly on the unity of the ensemble as a whole, rather than on the showcasing of prodigious individuals. The requisite instrument was the saxophone, which was often smooth and mellifluous. Songs were old favorites, or simple jazz standards, that had been arranged to suit a large ensemble. Swing bands played in large venues, such as ballrooms, and to large audiences, who seized the opportunity to not just tap their toes, but to "jump, jive, and wail." The swing era became the most popular form of jazz, as it catered to audiences as a form of social and interactive entertainment.
So, bop can be seen as a reaction to the eventual sterilization and ubiquity of swing music. The first bop records were made by in 1944 by Coleman Hawkins experimenting with his swing band. Several individuals were instrumental in the propagation of this new form, such as Charlie "Bird" Parker (alto sax), Dizzy Gillespie (trumpet), Thelonious Monk (piano), Bud Powell (piano), Miles Davis (trumpet), and Charles Mingus (bass). The standard ensemble became a quintet, consisting of piano, bass, drums, reed instrument...
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What emerged after the explosion of rock and roll in the 1950s abandoned the roll and has now come to be known just as classic rock. This rock that was created following the decade of The King became a completely unique and different sound that changed the musical landscape and what was once a single, unified genre gave way for multitudes of variation in its sounds. These new sounds, that came mostly from abroad, had been notably influenced by the American rock of the 1950s, such as Elvis, Buddy Holly and Chuck Berry. These pioneers of rock came to be the essential reason for the arrival of the British Invasion and other sounds that defined the decade of the 1960s.
The difference with Bebop and the Swing Era are with the melodies and how the bands are setup. Starting with bebop it his more of a complex tempo with a four to five piece band then what a swing era band would normally have about five Saxes players, three trombones players, four trumpets players and with a rhythm section playing a big dance hall unlike bebop the sound would be only heard in small jazz clubs. The music can be heard and seen played faster with the drummer keep the time for the whole band. You’re able to hear this in the tune “Tempus Fugue-It”, the piano can be heard playing solo sporadically as if it sounds out of control but the player is with in control as the drummer keeps the tempo going with a sound of a moving
Jazz as a general genre reached its peak in the thirties. Jazz was incredibly popular with both the Black community, and the white community; however, Jazz reached the adolescents the most. Jazz music was associated with the African American culture during this time of increible racial tension, subsequently the ‘teens’ of this generation began to tune into this genre for its rebelistic qualities. Popular forms of jazz music often included, Dixieland/’hot’ jazz, classical jazz, and bebop. The defining artist of hot jazz was Louis Armstrong. This music was characterized by collective improvised solos, around melodic structure, that ideally built up to an emotional and "Hot" climax. The rhythm section, which typically consists of percussion, bass, banjo, or guitar helps to support this crescendo, many times in the style of a
By the 1930’s the movement had shifted yet again and began to incorporate larger bands in what came to be known as “swing.” Broadcast radio was also an important factor by this time, giving swing music a far-reaching national influence. The size of the bands had a standardizing ...
The music of jazz became an important aspect of American culture in the early 20th century. The crisp syncopation of ragtime and the smooth tunes of the blues seeped into American mainstream music through dance halls and saloons and later through ballrooms. Instruments like the piano, trumpet, trombone and clarinet became important and symbolized the “swing-feel” of jazz because of their capability to syncopate and improvise precisely. With the help of the booming recording industry, musical geniuses were discovered and their talent and contributions to the emergence of jazz spread throughout the entire country. Such musicians include composer, arranger and pianist Jelly Roll Morton who heavily influenced the development of early jazz by his unique piano style, his “invention” of musical notation for jazz, and his compositions that have become the core in the jazz repertory. Because the style was new and different and so successful in drawing in large audiences, musicians around the world tried to mimic it. Furthermore, Morton’s masterpieces were the first to show notation for complicated jazz music and thus, formed the basis for standard notation in jazz compositions today.
“His relaxed phrasing was a major change from the staccato style of the early 20’s and helped to set the stage for the Swing Era” (“Life & Legacy”). And as such a prominent artist, and in particular, jazz artist, Armstrong did not only change the perception of jazz and swing, but the views on African Americans and their culture. Armstrong and the Harlem Renaissance reflected black history and culture, and it became popular, even in white communities and clubs. Jazz as a whole genre helped further society’s views through the universal language of music, where any ethnicity could partake in it. And the revolution of jazz was lead by the stylings of Louis Armstrong. The duration of the jazz and swing era, lasting decades past the 1920s, symbolized the civil rights movement directly through the lyrics, sounds, and artists
Music in the 1950’s was a lot different than it is now. The things I will be showing you are the Political events, what was popular, and the influence 1950’s music had on this decade
In the 1930s, Goodman gradually gained recognition at recording sessions and radio shows in New York City, where he later formed his first band and began performing weekly on NBC’s radio show Let’s Dance (Collier 89). Around this time, Goodman had his first number one hit “Moonglow,” clearly marking his progression as a bandleader (Collier 96). This exposure allowed Goodman to achieve greater national fame that provided the foundation for the beginning of the Swing Era. With a national audience building from his radio performances, Goodman’s upbeat, hot jazz swing style was gaining traction, leading up to a pivotal performance on his band’s tour in Los Angeles that marked the transition to a new era in jazz. At Palomar Ballroom, Goodman and his band performed their new swing music, which combined elements of jazz and popular American dance music (Firestone 204). The gig is generally accepted as the start of the Swing Era, as Goodman’s style of swing music gained overwhelming positive feedback from the audience. Since the performance was broadcasted on national radio, Goodman’s jazz music dominated headlines and catapulted jazz into the forefront of American popular music. As dancers craved the upbeat swing music, bands copied Goodman’s style, which led to the proliferation of swing music and the birth of the Swing Era (“Benny Goodman:
The Roaring Twenties were a time of prosperity, happiness, liveliness, and new ways. One of the many new ideas that were introduced was jazz music. Jazz fit the atmosphere perfectly, with it's upbeat and exciting sounds. Although jazz seemed to be a new world-wide obsession, there were people who saw it in a different light, one that was a lot darker, perhaps even evil. These people had negative opinions about the music, and saw it as a, "cause of loosening morals and frightening dislocation". The different generations had completely different views on the rapid change, and both views were just as correct, but only one was logical. The music brought change, freedom, and brought black America together with white America.
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
In this essay I will talk about the music in the 60's, noteworthy that in some cases I will compare some situations with the Latino-American situation, I know is has nothing to do with the topic, but who is the guy who is writing in this sheet of paper? ME, Is my essay and I will write what I want (This is an example of Freedom Of Expression, we will see it more on that later)
The 1920’s through 1940’s were incredibly influential years for America, as this was the first period when the commonwealth could partake in entertainment and leisure activities. Although these years had great impact on all of entertainment,the jazz rebirth of the Swing Era was the dominant cultural overtake in the 20th century. The Swing Era impacted America predominantly through its new found discovery as a social commodity, its reimagination of music, and the effect it had on the people who played it.
His “hot bop” style was heard in places like the Cotton Club and the Apollo Theatre. Everyone from all over the country would come to see him. Armstrong recorded such works as I’m in the Mood for Love, and You Rascal You (http://library.thinkquest.org/26656/english/music.html). Another famous person during this era was Coleman Hawkins, a saxophone player. Hawkins is recognized as the first great saxophonist of jazz.
Throughout history, music have defined or depicted the culture and social events in America. Music has constantly played an important role in constituting American culture, where people have expressed themselves through music during flourishing and turbulent times. In the 1930’s, Swing music created a platform for audiences to vent their emotions in the midst of Great Depression and political unrest. Such strong relationship between music and culture can be seen throughout history, especially in the sixties.
288-293. ed. a. Alexander Bloom and Wini Breines. New York: Oxford University Press, 1995. Kerouac, Jack.