On July 5, 1954, forty-nine days after the Supreme Court handed down the decision on the Brown vs. Board of Education case, a nineteen year old truck driver recorded an Arthur Crudup blues track called “That’s All Right Mama” (Bertrand 46). Memphis disc jockey Dewey Phillips found the cut and played it on his radio show a few weeks later. He received calls all over from people, mostly white, who wanted to hear more. He quickly located the musician and brought him into the studio for an interview, audiences were shocked to learn that Elvis was white (Bertrand 46). Elvis’s music brought black music into white mainstream pop culture almost overnight. The breakthrough of Elvis happening almost simultaneously with the dawn of the Civil Rights Movement was no accident. As any scholar of the humanities would tell you that often times after a great war there exists a time of enlightenment, prosperity and reformation. One such cultural revival took place in this nation after the closing of the Second World War. The progressive thought of the ‘50s nurtured new ideas and cultures including the Civil Rights Movement and the fast spread of rock and roll. In an essay entitled “Color” written to Esquire magazine in 1962 the essayist James Baldwin describes the revival of white culture after WWII with the following passage:
The Puritan dicta still inhabit and inhibit the American body and soul. Joy and sin have been synonyms here for many generations that the former can now be defended only on therapeutic, i.e. pragmatic grounds, necessitating a similar metamorphosis for the latter. Now it is suggested that we Live-a little! (Baldwin, Color 673)
The “Puritan dicta” outlined by Baldwin represents the American ideology ...
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As America slowly began molding into the creases of different values and cultures, so did its literature. One trait that had always been securing itself within the lines of these literary texts was the protagonists’ naivety. Theses characters typically established an intention to do good things, but eventually fail due to tumbling upon tempting obstacles and falling into the trance of distractions. An example of this situation occurred long ago during the 16th and 17th century. A cult of English Protestants known as Puritans aimed to “purify” the Church of England by excreting all evidence of its descent in the Roman Catholic Church. The Puritans enforced strict religious practices upon its believers and regarded all pleasure and luxury as wicked or sacrilegious. Although their “holy” cond...
In the 1700’s the Puritans left England for the fear of being persecuted. They moved to America for religious freedom. The Puritans lived from God’s laws. They did not depend as much on material things, and they had a simpler and conservative life. More than a hundred years later, the Puritan’s belief toward their church started to fade away. Some Puritans were not able to recognize their religion any longer, they felt that their congregations had grown too self-satisfied. They left their congregations, and their devotion to God gradually faded away. To rekindle the fervor that the early Puritans had, Jonathan Edwards and other Puritan ministers led a religious revival through New England. Edwards preached intense sermons that awakened his congregation to an awareness of their sins. With Edwards’ sermon, “Sinners in the Hands of an Angry God” he persuades the Puritans to convert back to Puritanism, by utilizing rhetorical strategies such as, imagery, loaded diction, and a threatening and fearful tone.
The writing style of the author is quite interesting to me. Atul Gawande’s honesty, a major aspect of his writing style, beautifully highlights the good and bad of any medical profession. For example, Gawande’s argument over the use of patients for resident training
The book depicts the story of culture conflicts of the music, which arose from the introduction of the foot-tapping, hip-swaying music now known as rock n' roll (Graarrq). The outcome of rock n’ roll coincided with tremendous uproar in the movement to grant civil rights to African American. Trapped in the racial politics of the 1950s, rock n’ roll was credited with and criticized for promoting integration and economic opportunity for blacks while bringing to “mainstream” cloture black styles and values (Altschuler). Black values were looked over and kind of not important to whites. Whites were very much so well treated then blacks were, however no one spoke out until the outcome of rock n’ roll.
Nina Simone used music to challenge, provoke, incite, and inform the masses during the period that we know as the Civil Rights Era. In the songs” Four Women”, “Young Gifted and Black”, and Mississippi God Damn”, Nina Simone musically maps a personal "intersectionality" as it relates to being a black American female artist. Kimberly Crenshaw defines "intersectionality" as an inability for black women to separate race, class and gender. Nina Simone’s music directly addresses this paradigm. While she is celebrated as a prolific artist her political and social activism is understated despite her front- line presence in the movement. According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say that “Simone was known to have supported the struggle for black freedom in the United States much earlier, and in a more outspoken manner around the world than had many other African American entertainers.”
Like Martin Luther King Jr. said, “We must learn to live together as brothers or perish together as fools.” In the 1950’s the South was heavily racially segregated. Elvis Presley unintentionally put himself in the position to become a valuable instrument in the battle against segregation. “Without casting himself as a fighter for racial equality, Elvis became a subversive standard bearer for cultural desegregation at a time when the codified racism of the South was under increasing pressure.” How did an uneducated white hillbilly from the south influence both black and white teenagers against segregation? It was quite simple, for Elvis Presley had a unique talent of combining traditional black music; such as the blues and jazz, with the traditional white music; like country and white gospel. This unique style of blending different types of music, gave Elvis the edge on the musical racial barriers America was facing; and open the path for both sides to enjoy the music together and therefore desegregated.
Roy, William G. “Aesthetic Identity, Race, and American Folk Music.” Qualitative sociology 25, no. 3 (Fall 2002): 459-469.
Before the war started, a wealthy white man by the name of John Hammond worked to integrate black and white music.1 Since his childhood, he enjoyed the music of numerous black artists, and he wanted to share his love with the rest of America. He used much of his inherited fortune to make this possible. He went against the general opinion of society and his parents, who despised black people. Hammond refused to ignore black artists’ musical abilities because of their color, “I did not revolt against the system, I simply refused to be a part of it.”2 He used his money to organize the most eclectic group of musicians ever assembled, for an integrated audience of his time. Hammond’s efforts made an indelible impact on the music industry. The musicians Hammond introduced in...
Through Elvis Presley, rock ‘n’ roll changed the face of American music, and influenced a whole generation’s political philosophy. Composer Leonard Berstein once said, “He introduced the beat to everything and changed everything-music, language, clothes; it’s a whole new social revolution-the 60s come from it” (Wattenberg 6B). To his credit, Elvis embraced rhythm and blues not as a from to be imitated, but as a form to honored and interprete... ...
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
It became less about the outwardly racist and degrading stereotypes and became more about black artists being pushed to the side with their work covered by white artists. The most obvious example is the Rock N Roll revolution. Rock N Roll was marketed to teenagers as a way to command attention and was seen as a way of rebellion: Elvis Presley’s gyrating hips and abundance of sex appeal at the forefront. There is no doubt that Elvis Presley was a great performer and arguably the first real rock star. He was able to command a stage and have a room full of women scream at the top of their lungs with just one note. Doesn’t mean that he all those notes were his. For instance, Hound Dog, one of Elvis’s most recognizable songs was also a cover. The original artist, Big Mama Thornton, wrote the song in… and never got to see her version reach a fraction of the fame Elvis’s did. In fact “as to her royalties she says, “I got one check for $500 and I never seen another. (235)” Elvis’s version of Hound Dog sold roughly 2 million
It was no coincidence that rock ‘n’ roll and the civil rights movement started at the same time. The genre originated from African American music and was greatly discriminated against. Traditional white Americans would target anything bad about it. But as the teenager demographic of the 1950s started increasing the sales of the music, the genre started gaining more popularity. It was the style of Elvis Presley and his new voice that made girls weak in the knees and boys want to be him. Artists such as Presley had enough influence to change the view of their devoted fans on civil rights issues. Soon as protest songs and rock ‘n’ roll became more popular and influential, it began a gap between the young adult generation and their parents which led to the rebellion of the civil rights movement. Through these factors rock ‘n’ roll influenced a great deal over the civil rights movement.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf
Dr. Salam was born in the small village of Jhang, present day Pakistan in 1926 where he attended the first few years of school. His father was an official in the Department of Education for the poor farming district. A fast learner Dr. Salam attended the University of the Punjab at the age of 13 and at the age of 14 he received the highest numbers ever recorder for the Matriculation Examination at the university. Due to his outstanding grades he received a full scholarship to the Government College, University of Punjab.
Islamic scientists and doctors made many important contributions to the world of medicine, advancing the degree of medical treatment tremendously. Doctors were trained by and followed the teachings of Hippocrates and Galen. Their ideas were the base of the Islamic Medical System, which was very generous to the people. This system was run with the rules of the Koran. The Koran had very standard and obligatory rules, like that the rich must care for the poor, and that the healthy must look after the sick. Most of the wealthy and powerful peoples made donations and provided support to construct hospitals and public health projects. The Islamic w...