In Plato’s The Republic, Book seven, he discusses the cliché “seeing is believing”. By Plato’s use of symbols to help explain his point of ignorance in truth due to our traditions, society’s constant fear of change and our natural ability to question what we see. In this allegory, the depictions of humans as they are chained, to only learn by sight. Plato toy’s with the notion of what would happen to people should they embrace the concepts of philosophy, to become enlightened by it, to see things as they truly are. As we have seen in class, Plato’s theory did not only present itself in his allegory, but also in the Wachowski brothers’ hit-film, The Matrix. In the film, the protagonist, Neo, suffers from a similar difficulty of adapting to reality, or the truth, which we will see later on. Throughout this paper, it will be argued that, Plato’s use of these symbols, he ultimately concludes that true knowledge is knowledge that we have of what we see and not knowledge of what we see, as was the case of the prisoners in The Allegory of the Cave.
Upon beginning Plato’s seventh book of The Republic, the reader is immediately faced with a mental picture. The theory of the cave is described rather clearly by Socrates early on. At first read, the concept of the cave becomes harder to follow as the discussion went on. One can easily grasp Socrate’s idea of the cave by simply following along with a drawing of the cave. For the purpose of this paper, I have included a diagram of the cave to better explain the arguments (Appendix A).
Plato’s concept of The Allegory of the Cave is another idea based on his theory of forms. The theory argues that our knowledge of reality/forms is not real knowledge; only our knowledge of these fo...
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...st, do nothing but confuse and shock the prisoner (516a-b).
Moreover, the reality, or “truth” that the prisoner had known before, would be completely lost to him once he is to the “other” world. The shadows he had once known, the sounds he would have been used to, are completely different. Instead of seeing shadows, he is now seeing colour, where there were muffled, echoed noise, there is now clear and audible words and sentences. Actual sounds of the things he once saw only their shadows and now the shadows turned to tangible objects, with real names and purposes. This concept alone was one of the most interesting in the entire allegory. What the prisoner once knew, must feel like figments of his imagination. All of those objects now serve a role and purpose in society, but before they were just projections on a wall of things he could truly never see.
Plato’s “Allegory of the Cave” explains his beliefs on education of one’s soul and the core of the way they shape themselves. The rhetorical devices that Plato represents inside of his story explains how much freedom is worth in this world. The deeper meaning inside of what Plato describes can further be found out once a reader realizes the type of rhetorical devices are being used. For example, Plato portrays prisoners being locked inside of a cave without a way out. These prisoners never got to see the outside world, yet he mentions they “see shadows” which explains they are only able to catch a glimpse of reality from the outside. Plato’s use of imagery gives us a mental picture on the tease we may feel to notice reality but not be able to experience it. In reality, we do not value freedom as much as we are supposed to. We seem to not see the world as he sees it. With the help of personification, Plato uses human like characteristics to describe non-living things to give
In his Allegory Plato shows us how a man ascends from the darkness of a cave to the light of the outside world. In this ascent Plato’s man passes through four distinct stages of cognition: from imagination, to belief, understanding, and finally knowledge.
In conclusion, the relevance of the “Allegory of the Cave” lies in the fact that its culmination continues to reoccur throughout history. Socrates, Galileo, and Martin Luther King Jr. are examples of important historical figures that have been condemned for their ability to make the journey out of the cave and return to deliver their community from the bonds that limit human growth. I believe the most important lessons to be found in Plato’s allegory are that we must learn to look beyond our immediate reality and that our actions should be geared toward unifying our communities. Only then will we arrive at the ultimate goal of living for the greater good.
In “The Allegory of the Cave”, Plato is demonstrating his belief and theory about what peoples mindset concerning old and new ideas through a metaphor. He use Aristotelian techniques to build the base and strength of his essay.
Plato’s Theory of Forms defines multiple realms including the forms and the material world. The forms consists of a world which is timeless and holds the ultimate truth while the material world is what appears to be true but is a reflection of the real truth, the forms. With these realms, change is inevitable as characters learn more about themselves and the world around them. Throughout Plato’s “Allegory of the Cave” and Sophocles’ Oedipus, Plato’s Theory of Forms connects ideas in both stories because characters are forced to change as light brings meaning to both stories. Understanding the change that impacts the prisoners in Plato’s “Allegory of the Cave”
The "Allegory of the Cave" represents a complex model on that we tend to are to travel through our lives and understanding. The four stages of thought combined with the progress of human development represent our own path to complete awareness during which the most virtuous and distinguished can reach, and upon doing so shall lead the general public. The story as told by Socrates and Glaucon presents a unique look at the manner during which reality plays such a crucial half in our own existence, and the way one understands it may be used as a qualification for leadership and government.
Now we can picture it that one of these prisoners was librated. First, the prisoner sees the statues and fire that is causing shadows. However, he then believes and sees the shadows as reality and the statues plus bright fire as illusions. Next, when he fined his way out of the cave then he saw true objects for the time. The true objects signify the ideal forms, which are not visible to us. In order words, this was the juncture of the intelligible world. Moreover, this prisoner had gladly and willing...
Plato’s concept of The Allegory of the Cave is an idea based on his theory of forms. The theory argues that our knowledge of reality/forms is not real knowledge; only our knowledge of these forms can be considered as real knowledge. The Allegory of the Cave was a conversation between Glaucon and Socrates. Socrates was explaining the cave to Glaucon. There’s a group of prisoners who ...
For Plato, Forms are eternal and changeless, but there is a relationship between these eternal and changeless Forms and particular things we perceive by means of our senses in the world. These particular things change in accordance to the perceiver and the perceiver’s environment and this is why Plato thought that such things do not possess real existence. For Plato, onl...
In conclusion, Plato's story of the cave brings up many philosophical points and most importantly, addresses the issue of society's role in our lives. To some degree, we are all influenced by the thoughts and actions of others; however, at the same time, we have the ability to question, draw our own conclusions, and ultimately make our own choices.
As people, we tend to believe everything we see. Do we ever take the time to stop and think about what is around us? Is it reality, or are we being deceived? Reality is not necessarily what is in front of us, or what is presented to us. The environment that we are placed or brought up has a great impact on what we perceive to be the truth or perceive to be reality. Plato’s Allegory of the Cave is one of the most significant attempts to explain the nature of reality. The cave represents the prisoners, also known as the people. They are trapped inside of a cave. They are presented with shadows of figures, and they perceive that to be reality. The cave can be used as a
He argues that non-physical forms or ideas represent the most accurate reality. There exists a fundamental opposition between in the world like the object as a concrete, sensible object and the idea or concept of the objects. Forms are typically universal concepts. The world of appearance corresponds to the body. The world of truth corresponds with the soul. According to Plato, for any conceivable thing or property there is a corresponding Form, a perfect example of that or property is a tree, house, mountain, man, woman, Table and Chair, would all be examples of existing abstract perfect Ideas. Plato says that true and reliable knowledge rests only with those who can comprehend the true reality behind the world of everyday experience. In order to perceive the world of the Forms, individuals must undergo a difficult
The basic premise of Plato's allegory of the cave is to depict the nature of the human being, where true reality is hidden, false images and information are perceived as reality. In the allegory Plato tells a story about a man put on a Gnostics path. Prisoners seating in a cave with their legs and necks chained down since childhood, in such way that they cannot move or see each other, only look into the shadows on the wall in front of them; not realizing they have three-dimensional bodies. These images are of men and animals, carried by an unseen men on the background. Now imagine one of the prisoners is liberated into the light, the Gnostic path will become painful and difficult, but slowly his eyes will begin to accommodate what he sees and his fundamentalist view about the world will begin to change; he sees everything through an anarchic thinking and reasons. When he returns into the cave, his fellow prisoners will not recognize him or understand anything he says because he has develop a new senses and capability of perception. This is the representation of the human nature, we live in a cave with false perception of reality that we've been told since childhood, but we must realize that these present perception are incomplete.
In book seven of ‘The Republic’, Plato presents possibly one of the most prominent metaphors in Western philosophy to date titled ‘Allegory of the Cave’.
Plato's Theory of Forms draws parallels to The Allegory of the Cave, highlighting the concept of human beings being ignorant to true perfection. In the writing Plato uses symbols to convey a veiled meaning. The philosopher says, “The prisoners s...