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The theme of death used in literature
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Death is the fate of all creatures. From humans to the smallest organisms, such as an amoeba, death is inevitable and cannot be escaped. When pondering upon this, one can find great despair within this truth. Nevertheless, death can be premature. A premature death can be viewed as a death that comes before a being’s average age of death, or in shorter words “expiry date”. To bring this into light, premature death is seen in works of literature, specifically American narratives. Concisely, the narratives that will be brought into analysis include: The Awakening by Kate Chopin, “Paul’s Case” by Willa Cather, and Daisy Miller by Henry James.
Primarily, premature death is seen in the novella, The Awakening by Kate Chopin. In brief, this story revolves around Edna Pontellier, wife of a very wealthy Creole businessman, Léonce Pontellier. The novella focuses on the awakening of Edna who undergoes emotional and mental transformations that lead her to abandoning her lavish lifestyle in order to become “free” in her art, thereby “finding” herself. Feeling trapped by her sumptuous environment, she situates herself in a very infinitesimal abode, described as a “pigeon house” (89), where she remains in solitude. At the end of the novel, she swims out to the sea, ultimately being overwhelmed by the depths and drowns.
In addition, another illustration of premature death is demonstrated in the short story, “Paul’s Case” by Willa Cather. At length, the narrative follows a high school student, Paul. Paul is suspended from his school and is weary of his lackluster middle-class life. Subsequently, he steals $1000 from his current employer and absconds to New York City. At this juncture, Paul reconnoiters the metropolis, only to find that his lar...
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...ion is subjective; however, Henry James may support the fact that it is utter negligence. James would do so for the reason that it can be inferred that when one “does not care,” especially about themselves, they are being negligent.
All in all, the premature deaths of Edna Pontellier, Paul, and Daisy Miller disclose themes to the readers of The Awakening, “Paul’s Case,” and Daisy Miller, correspondingly. When associating similar situations to their own lives, these themes can teach people valuable lessons that can aid individuals in living their life. In any case, witnessing or even reading about deaths can abet a person to live well, in other words live life to the fullest. Life is too short and as proven by the examples above can end in an untimely manner, even so one must enjoy the precious moments they have for it can all disappear in the twinkling of an eye.
Throughout Kate Chopin’s novel The Awakening, the main protagonist Edna Pontellier, ventures through a journey of self-discovery and reinvention. Mrs.Pontellier is a mother and wife who begins to crave more from life, than her assigned societal roles. She encounters two opposite versions of herself, that leads her to question who she is and who she aims to be. Mrs. Pontellier’s journey depicts the struggle of overcoming the scrutiny women face, when denying the ideals set for them to abide. Most importantly the end of the novel depicts Mrs.Pontellier as committing suicide, as a result of her ongoing internal
In Kate Chopin's, The Awakening, Edna Pontellier came in contact with many different people during a summer at Grand Isle. Some had little influence on her life while others had everything to do with the way she lived the rest of her life. The influences and actions of Robert Lebrun on Edna led to her realization that she could never get what she wanted, which in turn caused her to take her own life.
In “Whoever We Are, Loss Finds us and Defines Us”, by Anna Quindlen, she brings forth the discussion grief's grip on the lives of the living. Wounds of death can heal with the passing of time, but in this instance, the hurt lives on. Published in New York, New York on June 5, 1994, this is one of many Quindlen published in the New York Times, centered on death's aftermath. This article, written in response to the death of Quindlen’s sister-in-law, and is focused on an audience who has, currently is, or will experience death. Quindlen-a columnist for the New York Times and Newsweek, Pulitzer Prize winner and author-has written six bestselling novels (Every Last One, Rise and Shine, Object Lessons, One True Thing, and Black and Blue) and has been published in the New York Times and Newsweek.
There are many short stories in literature that share a common theme presented in different ways. A theme that always keeps readers’ attention is that of death because it is something that no one wants to face in real life, but something that can be easily faced when reading. “Harrison Bergeron” by Kurt Vonnegut and “The Lottery” by Shirley Jackson both exemplify how two authors use a common theme of death to stand as a metaphor for dystopian societies.
Often when a person suffers through a tragic loss of a loved one in his or her life they never fully recover to move on. Death is one of hardest experiences a person in life ever goes through. Only the strong minded people are the ones that are able to move on from it whereas the weak ones never recover from the loss of a loved one. In the novel The Sweet Hereafter by Russell Banks, character Billy Ansel – having lost his family serves as the best example of brokenness after experiencing death. Whether it is turning to substance abuse, using his memory to escape reality or using Risa Walker as a sexual escape, Billy Ansel never fully recovers from the death of his twins and his wife. This close analysis of Billy’s struggle with death becomes an important lesson for all readers. When dealing with tragedies humans believe they have the moral strength to handle them and move on by themselves but, what they do not realize is that they need someone by their side to help them overcome death. Using unhealthy coping mechanism only leads to life full of grief and depression.
Edgar Allen Poe, in the short story “The Masque of the Red Death”, shows how people may try to outsmart death and surpass it, but in the end they will die since death is inevitable. He reveals this in the book by showing all the people closed up in the abbey that belongs to Prince Prospero. They are trying to escape the “Red Death” and think that they can escape the death by hiding away in the abbey. They manage to stay safe for six months but in the end they all die after the stroke of midnight during the masquerade ball Prince Prospero puts on from the Red Death itself which appears after midnight and leaves no survivors in the end. Poe develops the theme of how no one can escape death through the use of the point of view, the setting, and symbolism.
As a human it’s in our nature to make decision based on what may be best for oneself at the moment, but we do not think of the repercussions it may cause in the future. These decisions can have a positive and negative effect on one’s life. Kate Chopin’s “The Awakening” shows the general population how making decisions without thinking rationally. Edna Pontellier made decisions that were both beneficial and harmful to herself and her family. She began to experience an emotion she has never been able to acquire and also caused her to become physically trapped in a situation that makes her battle between her dignity and image in society.
What does it feel like to die? Does it hurt the person or the loved ones left behind? Alexandra Kleeman’s short story ‘You, Disappearing’ gives the reader a sense of death and it’s possible outcomes while giving the tale of fear and love. While some are concerned of their own demise, others give no thoughts towards time and when it will end. Kleeman writes in a strong figurative language, for example, death is hard not be concerned about due to there being no way to fully understand the spiritual and physical aspects to why it happens and seemingly enough, those who know are already dead. The main character in this short story is strongly in love with her deceased partner, and represents herself through the story with a constant need of approval and appreciation of her own life. Portraying the fear of loss by an apocalyptic setting, Kleeman grants characterization to seemingly unrelated objects by tying them together from senses and memories in her short story, “You, Disappearing.”
This story represents the lives of women back in the early 19th century. They were so closed in by societal norm and rules that many of them did not have the freedom to be who they wanted to be, or even live they life they wanted to live. The story “The Awakening” is a clear example of this scenario. Edna Pontellier did not have the courage to strength to face society so she felt like she had to die to find her freedom.
Common among classic literature, the theme of mortality engages readers on a quest of coping with one of the certainties of life. Katherine Anne Porter masterfully embraces the theme of mortality both directly and indirectly in her story, “The Jilting of Granny Weatherall.” Understanding that all mankind ultimately becomes subject to death unleashes feelings of dread and anxiety in most people; however, Granny Weatherall transitions from rushing to meet her demise in her sixties to completely denying she is on her deathbed when she is eighty. Readers have seen this theme of mortality reverberated over and over in literature, but what makes this story stand the test of time is the author’s complexity. In Katherine Anne Porter’s
The two poems, “Do Not Go Gentle into That Good Night”, by Dylan Thomas and, “Because I Could Not Wait for Death”, by Emily Dickinson, we find two distinct treatments on the same theme, death. Although they both represent death, they also represent it as something other than death. Death brings about a variety of different feelings, because no two people feel the same way or believe the same thing. The fact that our faith is unknown makes the notion of death a common topic, as writers can make sense of their own feelings and emotions and in the process hope to make readers make sense of theirs too. Both Dickinson and Thomas are two well known and revered poets for their eloquent capture of these emotions. The poems both explore death and the
We are all condemned to death; it is inescapable. Even if a person doesn’t believe in the concept of destiny, it is undeniable that every person is fated to die at some point. Most people, however, are not aware of when exactly the inevitable will approach. Often in works of fiction, the reader, or sometimes even the character, is aware of their fate. There are many different understandings of destiny, which is one of the reasons why it has played such a large role in so many different literary works throughout the world and history. Fate is one of the principal literary devices used in Homer’s epic poem, The Iliad, Shakespeare’s tragic play, Antony and Cleopatra, and Tolstoy’s pedagogical novella, The Death of Ivan Ilych.
Frederick, Calvin J. "Death and Dying." Microsoft® Encarta® 98 Encyclopedia. © 1993-1997: Microsoft Corporation. CD-ROM.
I was very excited to take Death and Dying as a college level course. Firstly, because I have always had a huge interest in death, but it coincides with a fear surrounding it. I love the opportunity to write this paper because I can delve into my own experiences and beliefs around death and dying and perhaps really establish a clear personal perspective and how I can relate to others in a professional setting.
“Death and Dying”. Suicide: Sourced. en.wikiquote.org. Social Issues Resources Series, Vol. 1. 7 July 2010. Web. 30 July 2010.