The Character of O-lan in Pearl S. Buck's The Good Earth
Pearl S. Buck's The Good Earth depicts the journey of a Chinese farmer and his family in the early twentieth century. It begins with the protagonist, Wang Lung, marrying a servant, O-lan, from a neighboring rich house. They start a family in their small country town, and endure grueling times, including droughts, floods, and war. Wang Lung and O-lan work as hard as horses to ensure their family's survival. The family's persistence finally prevails, and the land eventually produces great riches. O-lan plays a considerable role in the success of the family. Buck portrays O-lan as a resourceful and reliable woman.
O-lan is very knowledgeable and draws on past experiences. She is a skilled cook because she worked in the kitchens as slave. When O-lan first arrives at Wang Lung's house, she prepares a deliciously cooked meal. In response to Wang Lung's questions of her dexterity, she blandly replies, "'I have been kitchen slave since I went into the House of Hwang. There were meats at every meal'" (22). Wang Lung received many compliments from his family and friends for O-lan's dinner. She is familiar with the preparation many different kinds of food, such as corn cobs, meats, and other varied foods.
O-lan is an experienced beggar. This skill was used in a critical time. The family was forced to face many adversities during the drought. Wang-Lung and O-lan reluctantly decided to move to a southern city to escape starvation. O-lan used her childhood begging talents to assist the family in surviving the dilemmas of the city. She knew who to plead to, where to beg, and most importantly, taught the other children to beg.
Liang's main interests consist of movies, stories, tap-dancing, and imitating Shirley Temple. Wong-Suk buys her expensive, beautiful ribbon one day for her second hand tap shoes and Poh-Poh helps her tie them into fancy flowers. -- This is where we learn a bunch about Poh-Poh's childhood. She was born in China and so it was already too bad that she had be born a girl child. But further more she was sort of disfigured. Her forehead was sloppy and mis-shapen and immediately everyone told her mother she was the ugliest baby ever. Her mother sold her to a wealthy family; where she was a servant. The concubine would beat her and their other servants with a rod-- as if they were oxen. Poh-Poh had to learn to do things quickly and flawlessly or she would be beaten. Her fingers would bleed because she was practicing tying these intricet(abc?) patterns. She of course grew out of her 'deformity' and was quite a pretty lady.
In conclusion, the fact that Ruth lived through so much trauma from her father most likely brought out the strength in her heart, and caused her to realize that she wants a good life for her children instead of the trauamtic life that she lived through in her own childhood. Ruth’s overall identity could be explicity explained as a mother who is strong, has a lot of faith in God, and a woman with a lot of value and love for all of her twelve children. Ruth Mcbride’s strength and confidence helps herself through the hardships of her childhood, her relationships with Dennis and Hunter, as well as James Mcbride and the rest of her children. She developed the identity of a strong-willed mother, lover, and a woman of God.
Originally the narrator admired her father greatly, mirroring his every move: “I walked proudly, stretching my legs to match his steps. I was overjoyed when my feet kept time with his, right, then left, then right, and we walked like a single unit”(329). The narrator’s love for her father and admiration for him was described mainly through their experiences together in the kitchen. Food was a way that the father was able to maintain Malaysian culture that he loved so dearly, while also passing some of those traits on to his daughter. It is a major theme of the story. The afternoon cooking show, “Wok with Yan” (329) provided a showed the close relationship father and daughter had because of food. Her father doing tricks with orange peels was yet another example of the power that food had in keeping them so close, in a foreign country. Rice was the feature food that was given the most attention by the narrator. The narrator’s father washed and rinsed the rice thoroughly, dealing with any imperfection to create a pure authentic dish. He used time in the kitchen as a way to teach his daughter about the culture. Although the narrator paid close attention to her father’s tendencies, she was never able to prepare the rice with the patience and care that her father
The novel, The Color of Water follows the author and narrator James McBride, and his mother Ruth’s life. It explores their childhood—when they were both embarrassed by their mothers—through the part of their lives where they began to accept themselves for who they are. Moreover, this memoir is quite distinctive as McBride cleverly parallels his story to his mother, Ruth’s story using dual narration. This technique further helps contribute to the theme of self-identity. Throughout the novel, McBride searches for identity and a sense of belonging that derives from his multiracial family. By using two different narrations, McBride gradually establishes his identity and by integrating both narratives at the end, McBride also shows that although both narrators at the beginning had different upbringings, in the end they came together, and understood each other’s perspective.
From the beginning of Wang Lung’s marriage to O-lan, she saved him time, money, and effort without complaint. She offered wisdom when asked and was smart in the ways of the world. During the famine, when the family went south in search of food, O-lan taught her children how to beg for food, “dug the small green weeds, dandelions, and shepherds purse that thrust up feeble new leaves”(p. 128). She raised her children prudently. She knew how to bind her daughter’s feet, and she gave them a better childhood than she had had. O-lan knew that the land was the only consistent thing in her life, so she willingly helped Wang Lung as he bought more and more land. O-lan knew her place in the family was as a wife and mother. As a wife, she fe...
“Black Power”, the word alone raises an abundance of controversial issues. Black power was a civil rights movement led by the black panthers which addressed several issues including segregation and racism. Black power had a different meaning to every member of the Mc Bride family, Ruth and James both looked at black power from a different angle. In “The Color of Water”, The author James Mc Bride admired the black panthers at first, but slowly he grew afraid of them after fearing the consequences his mother might face for being a white woman in a black community influenced by black power. James’ worries were baseless, black power’s motive was to educate and improve African American communities not to create havoc or to harm members of the white community.
"Good Country People", by Flannery O’Connor, presents us with a look into the monotonous lives of three women living together on a rural farm. All three women are set in their old-fashioned ways, having experienced very little of life, out on the farm. A bible salesman named Manley Pointer, appearing like nothing more than simple, "good country people"(1), pays them a visit one day. It turns out that this simple countryboy is actually a brilliant con artist who scams the pretentious daughter, Hulga (also known as Joy) into removing her wooden leg, which he proceeds to steal. A great change in Hulga is triggered by her experience with Manley Pointer. Although it was a cruel scam, the bible salesman helps her to see the truth about her education and human nature. Hulga realizes that in addition to book smarts, people skills are also crucial in navigating the real world.
In The Color of Water, author James McBride writes both his autobiography and a tribute to the life of his mother, Ruth McBride. In the memoirs of the author’s mother and of himself, they constantly face discrimination from their race in certain neighborhoods and of their religious beliefs. The trials and tribulations faced by these two characters have taught readers universally that everyone faces difficulties in life, but they can all be surmounted.
The two short stories, “The Princess of Nebraska” and “A Thousand Years of Good Prayers” by Yiyun Li, depict the lives of two people under Chinese communist control, trapped by the social restraints of their society in search of individual salvation. In “Princess of Nebraska”, a young girl (Sasha) struggles to find internal purpose and satisfaction within her life, feeling that the restraints of communist control keep her from achieving the sense of self she desires. She believes the United States is the solution to gaining her individual freedom and fantasizes the recreation of her identity and life. Similarly, “A Thousand Years of Good Prayers” revolves around the same theme of social freedom vs the discovery of the individual self. Mr.Shi,
The novel, The Color of Water follows the author and narrator James McBride and his mother Ruth’s life, through their childhood—when they were both embarrassed about their mother—through the part of their lives where they began to accept themself for who they are and became proud of it. Moreover, this memoir is quite distinctive as McBride cleverly parallels his story to his mother, Ruth’s story by using dual narration which further helps to contribute to the theme of self-identity. Throughout the novel, McBride searches for identity and a sense of self that derives from his multiracial family and through the use of two different narrations, McBride slowly establishes his identity. Plus by integrating both narratives at the end, McBride also shows that although both narrators at the beginning had different upbringing, in the end they come together and understand each other’s perspective.
The Death of Woman Wang, by Jonathan Spence is an educational historical novel of northeastern China during the seventeenth century. The author's focus was to enlighten a reader on the Chinese people, culture, and traditions. Spence's use of the provoking stories of the Chinese county T'an-ch'eng, in the province of Shantung, brings the reader directly into the course of Chinese history. The use of the sources available to Spence, such as the Local History of T'an-ch'eng, the scholar-official Huang Liu-hung's handbook and stories of the writer P'u Sung-Ling convey the reader directly into the lives of poor farmers, their workers and wives. The intriguing structure of The Death of Woman Wang consists on observing these people working on the land, their family structure, and their local conflicts.
Rather than taking the issue of intellectually disabled peoples' incompetence as unproblematic and given, Edgerton in his book has, in a different way, questioned the social and cultural assumptions that exist within notions of competence. He also argues that the concept of incompetence automatically take as fact notions of competence and seek to situate cultural interpretations of incompetence within this broader framework. In doing so the book contributes both to debates on labeling and competence and to cross-cultural studies of intellectual disability.
Throughout the history of literature, several narrative elements become prevalent in order to effectively create an appropriate literary framework unerring to each contributing piece. In various cases, setting often marks a considerable plot drive. The two individual pieces, Life of Pi by Yann Martel, and “A Good Man Is Hard to Find”, by Flannery O’Connor, appear entirely unrelated on the surface; however, they share an undeniable thematic parallel- the innumerable facets that setting encompasses often prompts individuals to persist in a specific manner impartial to their well being. Whether fighting for life in the desolate ocean, or vulnerably anticipating death, surrounded by the seemingly endless woodlands, characters must learn to adapt to their given circumstances. As leading protagonists, Pi and the grandmother adjust to their environments and process what remains to contend with, evolving accordingly for survival. Although in Pi’s situation he battles physically, both he and the grandmother emotionally confront their hardships, coping with both inward battles and personal seclusion. Their minds create an imaginative world which they utilize as a form of protection.
This novel tells the story of Wang Lung. He is a man who rises from being a poor farmer to a very wealthy man because of his faith in the good earth. In the beginning of the story Wang Lung tries to see as little water as possible because he feels safest with his land under his feet. His family is very poor so he must feed his father corn gruel and tea.
The early part of the novel shows women’s place in Chinese culture. Women had no say or position in society. They were viewed as objects, and were used as concubines and treated with disparagement in society. The status of women’s social rank in the 20th century in China is a definite positive change. As the development of Communism continued, women were allowed to be involved in not only protests, but attended universities and more opportunities outside “house” work. Communism established gender equality and legimated free marriage, instead of concunbinage. Mao’s slogan, “Women hold half of the sky”, became extremely popular. Women did almost any job a man performed. Women were victims by being compared to objects and treated as sex slaves. This was compared to the human acts right, because it was an issue of inhumane treatment.