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Review of the tragedy plot in antigone
Literary and critical analysis of Antigone
Creons opinion of antigone
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Recommended: Review of the tragedy plot in antigone
Full of drama and tragedy, Antigone can be used to relate to current conflicts. One such conflict is that between Haemon and his father Creon. Haemon looks up to Creon with honor and pride, but as conflict arises, that relation is disassociated and new feelings grow. The first conversation between them is what initiates the downfall of their bond. While it seems that Creon is the most important person in Haemon’s life, Antigone is in fact the one that has won Haemon over.
Antigone, written by the Athenian Sophocles, is about a woman named Antigone who lives in a city named Thebes. The play’s plot is based on her attempt to successfully bury her brother Polynices whom perished in a battle with his brother that also assumed the role of king of Thebes. Both brothers lost their lives and the kingship was taken by Creon. Unfortunately, in the attempt to bury her brother, Antigone is caught by a sentry and taken before Creon where he sentences her to death, the set precedent for punishment deemed for the treasonous act of burying of any enemy of Thebes. Creon dismisses Antigone then meets with Haemon, Antigone’s fiancé. As they converse, Creon asks if he is more important than anyone and Haemon reassures he is, but then goes on to say he is narrow minded and sentencing Antigone to death is the wrong thing to do. In the passage starting from line 764 and ending on line 809, Haemon begins to show his view of the actions of his father. His feelings shown in this reflect his future actions in the play.
In the passage, Haemon attempts to coax his father into lessening his punishment for Antigone. Haemon is a loyal son and values his father greatly which is evident in the way he tries to persuade his father. Glorification of his father st...
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... herself. Upon seeing this, Haemon takes his own life, contradicting his past statements expressing his devotion and loyalty to his father with none other in his life to be more important when he says, “Father, I’m your son . . . you in your wisdom set my bearings for me—I obey you. No marriage could ever mean more to me than you…” (Sophocles 709-711) Haemon’s loyalty started with Creon, but it has clearly shifted to Antigone.
Although Haemon glorifies his father and prizes him above all, his love for Antigone overpowers everything driving him to the point of taking his own life.
Works Cited
Knox, Bernard. "Notes: Antigone." Fagles, Robert. The Three Theban Plays. New York. Penguin Group , 1984. 389-405. Print.
Sophocles. "Antigone." 441 B.C.E. Trans Robert Fagles. The Three Theban Plays. Ed Bernard Knox. New York. Penguin Group, 1984. 59-128. Print.
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices.
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
Haemon’s words, actions, and ideas contrast with Creon’s character of differing greatly and leading him to the death of his son at fault. “They say all women here, she least deserves the worst deaths for her most glorious act. When in the slaughter her own brother died, she did not just leave him there unburied, to be ripped apart by carrion dogs or birds.”(Lines 788-791) Haemon starts to reveal that he believes that Antigone, his fiance, deserves to not be killed over an act that she has not committed whether or not Creon think is was right. However, Antigone was following the law of the Gods, while Creon was abiding by the law of man. “A man who thinks that only he is wise, that he can speak and think like no one else, when such men are exposed, then we can all see their emptiness inside.”(Lines 803-806) However, when Haemon started to attempt to inform his father, Creon, whose refusal was so high to even consider not killing Antigone that he was only thinking of himself and that one death would lead to another. “Then she’ll die and in her death kill someone else.”(Lines 859) Creon then, only thought of his son as a woman slave. “You woman’s slave, don’t try and win over me.”(Lines 845-855) At first, Haemon looked up to his father, but now after his unsuitable behavior he has chosen not to follow his stubborn
There is a common characteristic of a tragic hero that is highlighted by Haemon words, actions, or ideas that examine more closely Creon’s tragic flaws and hubris, which contribute to his downfall. Complex characters like Haemon bring to light other more important character’s traits. Ultimately, Haemon serves to make his words, actions, or ideas call attention to Creon as a tragic hero. Whether confronting him about his leadership skills, many biases, using the citizens of Thebes, and gods to enlighten Creon of his eventual demise. After all, Haemon was a minor character who was written to confront Creon and shed light on how his pride makes him a classic example of a tragic hero.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
Third, Antigone is a wonderful example of a martyr. Her legacy will live on, and inspire many other rebels to stand up for their beliefs. Antigone dared to defy the King’s threat of death to bury her brother, and shows true family pride. The people take pity on Antigone, and feel that she should be let alone. Haemon, Creon's son and Antigone's betrothed, states how the people of Thebes feel. “On every side I hear voices of pity for this poor girl doomed to the cruelest death…for an honorable action-burying a brother who was killed in battle…has she not rather earned a crown of gold” (
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
Haemon had been promised Antigone’s hand in marriage and was obviously frantic by his father’s ...
Creon's character possesses an infinite number of glitches in his personality, but his excessive pride was the root of his problems. His pride leads him to make accusations, before he considers the wise advice of others. Creon's pride also fills him not just as a king superior to the Gods, but also a man superior to women. The issue of Antigone being condemned to die becomes more than just a person who disobeys Creon; instead, the punishment is given even more eagerly, because it is a woman who disobeys a man. Creon's intelligent son warns Creon the people of Thebes sympathize with Antigone, but Creon accuses Haemon of being a "woman's slave" (line 756). Even though he is suppose to be loyal to the state and her citizens, he defensively questions if "the town [is] to tell [him] how [he] ought to rule?"(Line 734)The Theban king is too prideful to obey even the wisest of prophets, blind Teresias, insisting that "the whole crew of seers are money-mad" (line 1055). Creon finally puts his pride aside and listens to the Chorus' wise advice. It is difficult even then, and he obeys only because he fears the punishment that he might receive. "To yield [for Creon] is terrible" (line 1095) meaning to swallow his pride and admit that he is wrong is a very difficult thing for him to do. When Creon loses his wife and son, Creon's pride disappears, and he admits that he made a terrible mistake by not listening to anyone's advice.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
Antigone is a play about a woman who disobeyed the King's order to not bury her brother. The play was written by the famous Greek tragedian, Sophocles, in 441 B.C. The story took place in the city of Thebes and the time period is not mentioned. The main characters introduced in the play are of Antigone, Ismene, Creon, and Haemon. The primary focus was centered on Antigone and the consequences she faces after breaking the King's orders.
In this play Sophocles , argues how the same members of the family are the most powerful tragic, for example, Haemon argues with Creon about the latter’s decision to punish Antigone .Haemon is torn between too powerful allegiances of his father and of his love Antigone. He help protect Antigone by speaking to his father on her behalf, by saying, “They say no woman has ever, so unreasonably, Died so shameful a death for a generous act, She covered her brother’s body. Is this indecent, She kept him from dogs and vultures. Is this a crime, Death, She should have all the honor that we can give her!”(Sophocles, 2028). Haemon argue how noble and good Antigone actions were and why she shouldn’t be punished for doing something the gods clearly stated that they should have done. Haemon understand that
...e world that you can name” (237) Creon receives a very similar punishment. He too, loses all he deems valuable in the world. Creon will not allow Haemon to marry Antigone. He condemns their marriage and greatly distresses his son, Haemon. As a result of Creon’s actions, Haemon commits suicide, “his blood spilled by his very hand” (120). Eurydice, Creons’s wife, also kills herself. She is so wracked with anguish by Haemon’s suicide, that she “stabbed herself at the altar” (126). Creon “murdered… his son… and his wife.” (127). He has nowhere to “lean to for support” (127) and no-one to “look to” (127). The chorus sums up his and Oedipus’s fate when they say “ The mighty words of the proud are paid in full with mighty blows of fate, and at long last those blows will teach us wisdom” (128)