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sophocles portrayal of antigone
antigone by sophocles
Antigone of Sophocles
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Sophocles’ Antigone The character of Antigone in Sophocles’ play, Antigone, is one of the most controversial tragic characters in classic literature. The war in her city has torn her family apart, caused the death of both her brothers, and created a reason for her to fight against the King, her uncle. Her uncle, Creon, makes a ruling that her brother, Polynices, is not to be buried because he is a traitor, but according to her religion, her brother’s soul will not go to the afterlife until he is buried. In defense of her brother, she buries his body illegally and is subsequently sentenced to death. With her complex patterns of thought, bold actions, and the end she encounters, the character of Antigone causes debate among critics as to whether or not Antigone is in fact a tragic heroine. She can be perceived as a martyred hero, dying for love and religion, or as a fanatic woman who lacks the ability to think rationally. The way in which Antigone’s role is interpreted can further help to interpret Sophocles’ view of women and politics. In taking the view that she is a hero who died for her beliefs, it shows that Sophocles was aiming to prove that women deserve to be treated as equals and as citizens of Greece. Sophocles, like Antigone, was born to a privileged family in 496 B. C. in Colonus, a small town near Athens. His life was full of war stories and heroism. When he was a young boy, the Athenians defeated the Persians at Marathon. Later on, he was subjected to watching the burning of his home and the Parthenon by the Persians as well as the building of a new Parthenon. During the last years of his life, the Peloponnesian War raged on full-scale. Sophocles was a general and war hero during some of this time, but also on t... ... middle of paper ... .../sophocles.htm. 10 Dec 2004. Holland, Catherine A. “After Antigone: Women, the Past, and the Future of Feminist Political Thought.” American Journal of Political Science, Vol. 42, No. 4. October 1998. JSTOR. http://links.jstor.org/s. 8 Dec 2004. Saxonhouse, Arlene W. “From Tragedy to Hierarchy and Back Again: Women in Greek Political Thought.” The American Political Science Review: Vol. 80, No. 2. June 1986. JSTOR. http://links.jstor.org. 8 Dec 2004. Sophocles. Antigone. Ed. George Young. New York: Dover Publications, Inc, 1993. Sophocles. Antigone. Ed. R. C. Jebb. http://www.fordham.edu/halsall/ancient/sophocles-antigone.txt 17 Dec 2004. Willner, Dorothy. “The Oeduipus Complex, Antigone, and Electra: The Woman as Hero and Victim.”American Anthropologist, New Series, Vol. 84, No. 1. (Mar., 1982), pp. 58-78. JSTOR. http://links.jstor.com 6 Dec 2004.
Hercules is best known for his twelve labours. That said, few people actually know why Hercules had to perform these labours. He is the man of everyone’s dreams – men and women alike. He had the physique, the complexion, the heritage, and the romance. Because of Hercules’ ancestry, he is automatically considered a hero. This is because of the globally accepted equation: God + Mortal = Hero (Rouse, 1957, p. 55).
Everyone knows the story of Hercules, but not everyone knows that it follows the same pattern as most hero stories. Hercules is a story about the son of Zeus. When Hercules was a baby, Pain and Panic, Hades’ evil henchmen, gave him a potion to turn him mortal. It was prophesied that this baby would be the one to defeat Hades and they didn’t want that to come true. Since Hercules was now mortal, he could no longer live on Mount Olympus. A couple on earth took him in so he could grow up as a human. Hercules knew something was different about himself, so when he grew up, he set out to discover who he really was. Even though Hercules is an ancient Greek myth, it still follows Joseph Campbell’s modern basic outline of a hero’s journey.
...ero and is well-known because he overcome all challenges and accomplished the mission to become a great hero because he is caring, strong and a courageous individual. Without these three powerful gifts Hercules would have not proven himself a true hero. Although, Hercules was not instantly known as a hero, he had to prove his will of becoming one and he sure did. From my point of view, I liked better the Disney version of Hercules than the real myth of Hercules because the movie includes comedy and is appealing to family and children. Seger explains, that “A myth is more than true because it is lived by all of us, at some level. It’s a story that connects and speaks to us all” (1) and I agree with her because every myth has logic and that logic will last forever.
In “Antigone” by Sophocles Ismene is stuck between being a true sister or a traitor to her family. Choosing to be a true sister would call for her to follow the law of the gods and break the law of man. If she follows the law of the gods she would join her sister, Antigone, in burying their brother, Polyneices. If she follows the law of man she would betray her family and follow the law made banning the burial of Polyneices. The burial of Polyneices has been banned by King Creon because he says that Polyneices was an enemy of the city and does not deserve to go to heaven. King Creon did however give Polyneices’ brother a soldier’s funeral with military honors because he defended the city against Polyneices.
The post war impacts of the “war of brothers” was vastly different in the North and South. The North had very little physical damage to repair, as most of the battles were fought below the Mason Dixon line. Even the impact of men not returning to their northern families was significantly less when compared to the loss of family members in the south. But whether fathers and sons were killed fighting for the north or the south, families needed rebuilding.
Hercules' life revolved around using strength and skill in several confrontations of challenges. He carries out several bold and courageous actions during challenging obstacles making him the heroic man he is known as. What created these obstacles was jealousy from the people around him and jealousy from himself. Although these obstacles brought strength to Hercules, it also gave him death and sadness. Hamilton's retelling of the story presents the theme of jealousy throughout Hercules' birth, development as a hero, and death.
Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who interferes with his body shall be punished. This is where the conflict begins. Thus the theme of this play becomes the priority of unwritten law. The question is whether duties to the gods are more essential then obedience of the state and law. Creon calls the rotting of Polyneices’ body an “obscenity” because he believes that burial of the dead is a necessity of human law and not of a citizen. . There is no compromise between the two – both believe in the absolute truth of their obedience.
Segal, Charles Paul. “Sophocles’ Praise of Man and the Conflicts of the Antigone.” In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Euripides, one of Ancient Greece’s most famous playwrights, could be considered as one of the earliest supporters of women’s rights. With plays such as Alcestis and Medea, he clearly puts an emphasis on the condition of women, and even integrates them in the Chorus of the latter play, a feat that was not often done in Ancient Greece. Throughout the years, it has been argued that the two central characters in each of those plays offer conflicting representations of women in those times, and I can safely say that I agree with that argument. I will expand on my view by pointing out an important similarity between Alcestis and Medea, followed by a key difference, and will finish it off by contrasting them with the Ancient Greek depiction of an “ideal woman.”
There are several examples of literature that have not so much changed the particular way in which I view the world, but solidified my ideologies; however, one in particular, of very few, has made me think and reconsider certain aspects of my life and human struggle. Antigone, a play written by Sophocles in 441 B.C. offers a variety of lessons, two of which resonate with me above the rest. The first is the sharp contrast divine law and human law has to offer. The second: limitations can only be determined by those whom they affect.
Sophocles’ Antigone has as its backdrop a very rigid and conservative Greek society and Greek culture when it was certainly against the norm of a typical ancient Greek woman to rebel against a male authority. And therein lies the reason to believe that Sophocles’ protagonist in Antigone showed signs of early feminism. Antigone dared to raise her voice against a patriarchal order at a time when women in ancient Greece were generally fearful that rebellion against male authority would lead to unfortunate circumstances.
One decisions changes your entire life and the lives of others. One decision can create a major difference, but one decision can create major conflict. One decision affects all other decisions. The effects of one decision are present in Antigone by the greek author, Sophocles. The setting of Antigone is the ancient city of Thebes after a battle between Polyneices and Eteocles. During the battle, a great tragedy occurs when Eteocles and Polyneices kill each other. The battle is a result of one decision by Polyneices to conquer Thebes, and his attempt is a utter failure. Polyneices' decision to attack Thebes dramatically alters the future course of Thebes. Polyneices's attack removes Eteocles from power and promotes Creon to power. Creon believes he is acting in the best interest of the state by establishing his power as king of Thebes. Creon's decree preventing any citizen from mourning or burying Polyneices is establishing his authority. Creon creates this edict because of Polyneices' traitorous acts against Thebes. Creon feels this action helps Thebes work to become a better city. The citizens of Thebes are not entirely content with Creon's ruling. One brave person dares to do the right thing, and this person is Antigone, brother of Polyneices. Antigone valiantly acts to see morality prevails over what Creon considers right for the state with the looming possibility of death. Antigone acts courageously, but Creon murders Antigone for her deeds. Antigone puts others and her beliefs above herself. Antigone experiences true tragedy. In Antigone, Antigone garners more sympathy and fear than Creon because of her devotion to divine law, loyalty to family, and defiance of Creon in the face of death.
Hercules the great hero and the son of the great god Zeus, was the most famous of all the Greek mythological heroes. Hercules was known for his strength, bravery, and adventuresome personality. Hercules like most heroes had a god as their father, and he had a mortal mother named Alcmene. Hercules like most heroes was not an ordinary mortal and a good example was his superhuman strength.
Sophocles formulates a believable plot through Antigone’s social conflict. The conflict in Antigone centers in Antigone needing to bury her brother because of her belief that natural law is higher than the governing law, and does not want to have the god’s fury pointed at her. It also revolves around the fact, that family is significantly greater to Antigone than that of the justice system. Polyneices, her brother, was a traitor and died going to war with his own blood brother. Creon, her uncle and king, has made a decree stating: “I here proclaim to the city that this man shall no one honor with a grave and none shall mourn. You shall leave him without burial...” (222). Opposing the king, she neglects the decree. Since she broke the king’s decree, she is sentenced to die for being disobedient; moreover, Antigone proudly states her crime. There is no sign of remorse shown by Creon as he states, “No, though she were my sister’s child, or closer in blood than all that my hearth god acknowledges as mine. Neither she, nor her sister, should escape the utmost sentence-death” (530-33). Bobrick explains that Creon values the love for his land more than he values family, and this becomes a struggle for Antigone as it becomes a fight between obeying the laws of man, and the laws of the god’s. The second struggle that Antigone faces, comes when she realizes she is alone.