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character analysis in Antigone
literary analysis of antigone
character analysis in Antigone
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The death of Antigone is truly a tragic episode in the Theban Plays, where she hung herself with a woven linen of her dress. By convention, her death would be characterized with feminine quality. However, Antigone, one of the few female characters in the book, possessed distinguishable female characteristics that are as remarkable as a male hero. Antigone was determined when she made up her mind to bury her brother. She was an agent of her words and took up the risks that accompanied to her deeds. Antigone was very passionate from the beginning to her death and she displayed tremendous courage when facing the death penalty. Moreover, Antigone, as a female individual, confronted bravely with the state and the authority of Creon. Throughout the entire play, Antigone upheld her beliefs and never lost her faith of Gods and the moral law. On the other hand, Antigone was a female hero because she performed the heroic deed that the Chorus would view as honorable despite she did not fight in warfare as a male warrior. Despite women were considered as subordinate to men, Antigone showed tremendous courage to honor the law of nature and endured the cruel punishment by the civil law. In the Theban Plays, Sophocles depicted Antigone as a strong feminist figure to appreciate the preeminence of the female entity in a patriarchal society.
Antigone demonstrated female preeminence that proves that women can be as strong as men.
First of all, Antigone was determined and decisive since she was willing to take up the challenge in her life and to face all the consequences. “And now is the time to show/Weather or not you are worthy of your high blood” (Sophocles 127). The declaration from Antigone is full of courage and is very similar to the warrior...
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... that Antigone took was tremendous because Antigone, as a female character, resisted the civil law written by a state of male characters, such as Creon and the Chorus. Antigone was a firm agent who enforced the divine rule while enduring all the torment as a result of her persistence. Sophocles depicted Antigone as a stubborn female, who was determined and courageous to make life happen and defended her belief. She overturned the conventional image of ancient Greek females, who hide themselves from the public and trapped by the marriage. And most important, she had done these by herself, who stood against a powerful state. In all, the Theban Plays portrayed a strong female character to exemplify the distinguishable characteristics of the female entity in a patriarchal society.
Works Cited
Sophocles. The Theban Plays. (E.F. Watling. Trans.). London: Penguin, 1974.
Captivatingly, both women act daringly, regardless of the culturally constructed labels as women, products of incest and wickedness. They use their “otherness” as a power mechanism, rather than an excuse to passivity. In conclusion, Elphaba and Antigone challenge conventional roles of gender, as they are strong, courageous figures of rebellion and exemplify a lack of traditional gender normativity.
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.
Antigone is a young woman whose moral background leads her to go against the wishes of the king to bury her brother, Polyneices. Sophocles uses Antigone as a character who undergoes an irreversible change in judgment and as a result, ends up dying. Antigone is hero, and she stands for honor, and divinity. Because Antigone's parents were Oedipus and Iacaste, she was born into a family of power; something that she could not change. At times, Sophocles leads the reader into thinking Antigone wishes she was not who she was. Ismene, Antigone's sister, refuses to help Antigone because (as she states) "I have no strength to break laws that wer...
A Greek drama is a serious of actions within a literary presentation in which the chief character has a disastrous fate. Many Greek dramas fall under theatrical category of a tragedy due to the tragic events and unhappy ending that cause the downfall of the main character. During the famous play “Antigone” the Greek author Sophocles incorporated several features of a tragedy. These features include a morally significant dilemma and the presence of a tragic hero. Grand debate over which character can hold the title of the tragic hero has discussed in the literally world for ages. A tragic hero can be defined as someone with a substantial personality flaw that causes them to endure great suffering with a reversal of character near the end. Antigone possesses certain traits that could potentially render her the tragic hero but Creon truly embodies all characteristics. Creon is the tragic hero in “Antigone” due to several qualities he displays throughout the play; he can’t accept a diminished view of himself, he endures great suffering and he is enlightened in the end.
In the book Antigone, Creon and Antigone can be considered as the tragic heroes of the play. Antigone is considered the tragic hero because of the characteristics she shows such as her ambition to defeat Creon, Creon shows more of the characteristics clearly. Creon is the king of Thebes. He is also Antigone's uncle. Creon became king after a fight between Eteocles and Polyneices. One may see Creon as a harsh and controlling ruler, but he is not good nor bad because he shows signs of both like when he wanted to give Eteocles a proper burial . Creon is the tragic hero of the Antigone, because of his dominance in society, high rank, tragic flaw; and self-pride.
If you were told not to do something, even if you knew it was the right thing to do, would you go ahead and do it anyway? The Play Antigone was written by the Greek author and playwright, Sophocles. The Story of Antigone takes place in Ancient Greece, about a young woman who has lost her both of her brothers, and is told by her King to not give her brother, Polyneices a proper burial. It is important to follow the laws of government, but sometimes, when you know that something is morally right, just like Antigone did, one must be able to make that decision, even if it goes against the law.
In Sophocles’ play, Antigone, the main character uses rhetoric to effectively persuade her audiences to sympathize with her. In the play, Antigone’s brother, Polyneices, dies a traitor to the Theban people. The king, Creon, decrees that no one is to bury the traitor despite the necessity of burial for proper passing into the afterlife. Believing that Creon’s decree is unjust, Antigone buries her brother. When she is brought to the king, Antigone uses this speech in defense of her actions. In the speech, she uses allusion, diction, and particular sentence structure to increase the effectiveness of her argument.
Antigone is almost hailed to a god like status, as Oedipus was before her. She is extremely strong and unbelievably willing to sacrifice everything in the name of honor and pride. She so easily makes her decisions and chooses to die willingly without a second thought. The minute Creon questions her on breaking the law, she states: “Die I must, -I knew that well (how should I not?)-even without thy edicts.” What is even more is that Antigone was a woman, a woman in a time of extreme male domination. This makes her even stronger of a person in the play and shows the growing strength of the gender that we know of today.
In Antigone, Sophocles illustrates Antigone to rise above her gender stereotype and do what is forbidden. Antigone is expected to sit in her room and wait for a man to tell her what move to make next throughout her life. After her brothers battle to the death, one is buried and one is not. Antigone does not stand for this at all and expects both of her brothers to be buried. When she is forbidden to leave her room and bury her brother, she does not agree. Antigone sneaks out of her room during the night to bury her brother. The next morning, Creon, who is the King of Thebes,
Antigone, the protagonist of the play, has what is seemingly the most powerful female role. From the very beginning of the plot she foreshadows her demise but expresses it through her stubbornness and inability to realize the great power of man. It is possible that she was aware of Creon’s capabilities as a leader, but nonetheless, she fights back by going t...
Antigone, a resolute and heroic female protagonist, pits her individual free will against the intractable forces of fate and against the irrational and unjust laws of tyrannical man like Creon.
In the end, Antigone is punished because of her wrongdoing within her gender norms, since she independently made herself the role of hero and stepped over the gender ideal boundaries in doing what was right, instead of expecting Haemon to do so, which advances the view of how brave and loyal she
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
Antigone believes that a woman should be intrepid and strong, even at the risk of challenging men’s authority. When she proposes to bury Polynices, Ismene answers, “we’re not born to contend with men”. (75) Antigone’s response, “that death will be a glory” (86), does not directly address gender issues, but it expresses her fury at Ismene’s passivity. After the burial of Polynices, Antigone defiantly states, “I did it. I don’t deny a thing,” while being interrogated by Creon (492) and later comments that she was “not ashamed for a moment, not to honor my brother”. (572-3) Antigone’s gallant speech and defiance toward traditional gender identities audaciously shows her revolutionary desire for gender equality.
The sexist stereotypes presented in this tragedy address many perspectives of men at this time. Creon the arrogant and tyrant leader is, the very character that exemplifies this viewpoint. Antigone's spirit is filled with bravery, passion and fury; which allow her to symbolize the very essence of women. She is strong enough to do what her conscious tells her despite the laws of the land. Many examples in the play prove that Antigone's character is very capable of making her own decisions in the name of justice. First, Antigone opposes Creon's law and buries her slain brother; because in her mind it was immoral not to. She does this because she is compassionate and loves her brother very much. Creon, however, believes that his laws must be upheld and would do anything to prevent any type rebelling. He is even more infuriated when he learns that a woman has broken his laws. He tries to show Antigone who's in charge by sentencing her to a life of imprisonment. Secondly, Antigone shows how determined she is by accepting her consequences with pride. She does not try to hide that she is responsible for breaking Creon's laws, moreover, she takes all the credit. All the while she maintains her strength because she truly believes in her actions. These sorts of actions ultimately prove that Antigone is courageous and willing to stand up to men, which was completely against the norm at this time. Her spirit refuses to submit to the role of a helpless woman like her sister Ismene's character does.