Annotated Bibliography MacKay, L.A. "Antigone, Coriolanus and Hegel." Transactions and Proceedings of the American Philological Association 93 (1962): 166-174. Web. 19 Mar 2012. JSTOR The author, LA MacKay through this article has provided a comprehensive insight into the themes of revolt and conflict illustrated through the characters and sentiments of the play, Antigone and therefore proves to be a valuable resource for the study of the same. The article has been published by the Transactions and Proceedings of the American Philological Association and the author has composed various analytical essays, particularly on the subject of Creon and Antigone which lends great credibility to this article. Caldwell, David & Rea, Paul. “Handke’s and Wender’s Wings of Desire: Transcending Postmodernism.” The German Quarterly 64.1. (1991): 46-54. Web. 19 Mar 2012. JSTOR The authors of “Handke’s and Wender’s Wings of Desire: Transcending Postmodernism”, David Caldwell and Paul Rea disclose the polarities demonstrated in the film Wings of Desire through this article. While the focus lies primarily on categorizing the film into the bracket of Modernism or Postmodernism, the article also explains the conflicts and opposite nature of things in Wings of Desire. By revealing the opposing elements within the film, the article becomes an important source of study for this paper. The authors are renowned professors who have published various works. Their knowledge and experience in the study of humanities is what gives the article credibility and accuracy. ... ... middle of paper ... ...ers of Damiel and Cassiel. A study of these contrasts and conflicts helps in better comprehension of the depth of these works as well as presents them with greater perceptiveness and admiration. Works Cited Anouilh, Jean. Five Plays. New York: Hill and Wang, Inc. 1958. Caldwell, David & Rea, Paul. “Handke’s and Wender’s Wings of Desire: Transcending Postmodernism.” The German Quarterly 64.1. (1991): 46-54. Web. 19 Mar 2012. JSTOR MacKay, L.A. "Antigone, Coriolanus and Hegel." Transactions and Proceedings of the American Philological Association 93 (1962): 166-174. Web. 19 Mar 2012. JSTOR Wings of Desire. Dir.Wim Wenders. Basis-Film-Verleih & Orion Classics. 1987. Film.
Jackson J. Spielvogel, Western Civilization: Volume I: To 1715, 8th Edition, (Boston: Wadsworth, Cengage Learning, 2012), 90.
Braund, Susanna Morton. “Virgil and the Cosmos: Religious and Philosophical Ideas.” The Cambridge Companion to Virgil. Charles Martindale, ed. Cambridge: Cambridge UP, 1997. 204-221.
Hagen W (2012). ‘German History in Modern Times: Four Lives of the Nation’. Published by Cambridge University Press (13 Feb 2012)
Long, A.A. & Sedley D.N. The Hellenistic Philosophers. Trans. Long & Sedley. Cambridge: Cambridge University Press, 1987.
Hexter, Ralph. A Guide to The Odyssey: A Commentary on the English Translation of Robert Fitzgerald. New York: Random House, 1993.
REFERENCESJean Baudrillard Simulations--1983 Semiotext[e]. America--1988 (English Edition) Verso. Seduction--1990 (English Edition) St. Martin’s Press. The Illusion of the End--1994 (English Edition) Stanford University Press. Simulacra and Simualtion--1994 (English Edition) University of Michigan Press. Jean-Francois Lyotard The Postmodern Condition: A Report on Knowledge--1984 (English Edition) University of Minnesota Press. The Postmodern Exaplained--1993 (English Edition) University of Minnesota Press. Michel Foucault Madness and Civilization--1973 Vintage Books. Discipline and Punish: The Birth of the Prison--1977 Vintage Books. The History of Sexuality--1980 Vintage Books. Linda Hutcheon A Poetics of Postmodernism: History, Thoery Fiction--1988 Routledge. The Politics or Postmodernism--1989 Routledge.
Grene, D., and Lattimore, R., eds. ?Antigone? and ?Prometheus Bound.? Greek Tragedies: Volume 1. The University of Chicago Press: Chicago, 1991. 178-232, 65-106.
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Theo D’haen, a professor at the University of Leuven, synthesizes that a postmodernist writer is one who uses a “combination of any number of techniques that were seen as innovative and perhaps even transgressive, especially with regard to all forms of referentiality, be it reference to some “real” reality as in realism or to a “psychological” reality as in modernism”(Theo D’haen 272). Following this explanation, the self-reflectiveness, interdependency, parody and mimetic reality that readers are exposed to when reading a metafictional piece, branches into the different interpretations presented by D’haen: a ‘real’ reality and a ‘psychological’ reality. The act of judging any work of art in relation to its representation of reality is a parallel to the reader’s assimilation of a mimetic reality, acknowledged by a physiological th...
ABSTRACT: In this essay I explicate J.F. Lyotard's reading of the Kantian sublime as presented in Lessons on the Analytic of the Sublime (1994) and in "Answering the Question: What is Postmodernism" (1984). Lessons articulates the context in which critical thought situates itself as a zone of virtually infinite creative capacity, undetermined by principles but in search of them; "Answering the Question" explores how the virtually infinite creative capacity of thought manifests in the avant-gardes. Essentially, in both works Lyotard understands the Kantian sublime as legitimating deconstructive postmodernism.
Damrosch, David, and David Pike. The Longman Anthology of World Literature. The Ancient World. Volume C. Second Edition. New York: Pearson/Longman, 2009. Print.
...“Some Common Themes and Ideas within the Field of Postmodern Thought: A handout for HIS 389,” last modified May 13,2013,
Baird, F. E., & Kaufmann, W. A. (2007). Philosophic Classics, Volume I: Ancient Philosophy. Prentice Hall.
Kolak, Daniel, and Garrett Thomson. The Longman Standard History of Ancient Philosophy. New York: Pearson/Longman, 2006. Print.