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Hedda gabler themes and issues
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Henrik Ibsen's character, Hedda Gabler, is a woman who is torn between her desires and the expectations required of someone of her social standing. At the onset of the play, Hedda has been married for six months, but she still clings to her maiden name, as evident in the title of the play, “Hedda Gabler.” Her reluctance at accepting her new name is symbolic of her dissatisfaction of being married; she misses the freedom of being single, while at the same time longs to be married to an aristocrat, to someone who is more important in society than her husband is.
Hedda was raised under the rule of her military father, General Gabler, and was probably subjected to strict rules and discipline. Growing up she learned nothing of the domestic skills and expectations required of the women of her social standing; she also learned nothing about motherhood, which left her feeling terrified and lost once she learned she was pregnant. Instead, she learned how to shoot pistols and ride horses. Her high social standing never left her in want of any possessions; Hedda was “used to having things in the General's time” (168). She was constantly engaged in social situations with suitors who, though she was beautiful, did not want to marry her. Her lack of prospects within the aristocratic class led her to accept a marriage proposal from Jörgen Tesman, a scholar of lower social standing. Her husband's potential failure at being able to obtain a respectable position at a university leaves Hedda fearing her security and the possibility of not being able to afford new and expensive possessions.
Upon her first appearance on stage, one can garner some very important clues as to Hedda's personality. She is “aristocratic and elegant” (175) and ...
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...p” (203) between herself, her husband, and Brack. The inevitability of an impending affair, coupled with her unwanted pregnancy and loveless marriage, convinced Hedda that she was losing all control of her life.
Suicide was Hedda's final attempt at regaining her control. She destroyed her and Tesman's child, just as she had done with Mrs. Elvsted and Lövborg's “child;” if she did not love the unborn child, no one else was going to be able to. But foremost, she wanted to be able to escape male dominion, most notably that of Brack's. She did not relish the idea of having to cater to his needs and abhorred the idea of having an affair because, if someone found out, it would cause a scandal. In Hedda's eyes, the only way out of this dire situation was to commit suicide. But her death was not going to be hideous like Lövborg's was; hers was going to be beautiful.
Hester at first felt that her sin had taken away everything that she had and left her with only one thing, Pearl. When she first walked out of the prison and onto the scaffold, she was full of pride but from that point on, she was isolated from her community and forced to live in the forest with only her baby. Hester felt that suicide was the only thing she deserved after committing adultery. She says, "I have thought of death, have wished for it?would even have prayed for it, were it fit that such as I should pray for anything. Yet, if death be in this cup, I bid thee think again, ere thou beholdest me quaff it. See! it is even now at my lips." As time passes by, Hester?s personality gradually changes and she becomes a completely different person. She has become more caring although her lifestyle became worse.
When Hester Prynne becomes pregnant without her husband, she is severely punished by having to endure public humiliation and shame for her adulterous actions. Hester is forced to wear a scarlet “A”on her breast for the rest of her life. (1.) She lives as an outcast. At first, Hester displays a defiant attitude by boldly march from prison towards the pillory. However, as time goes on, the public humiliation of her sin weighs heavily upon her soul. “An accustomed eye had likewise it’s own aguish to inflict. It’s cool stare of familiarity was intolerable. From first to last, in short, Hester Prynne had always th...
Some critics argue that the character of Hester Prynne, in the Scarlet Letter, is one of a courageous and praiseworthy woman. On the other hand, how can one even consider Hester as a moxie without focusing on her sinful acts in the novel? D.H. Lawrence uses simple, yet complex, literary techniques in order to persuade his audiences more effectively. D.H. Lawrence is more persuasive in his work, while criticizing Hester Prynne, by using the literary techniques of allusion, sinful diction, and choppy syntax to prove she is not a praiseworthy character.
We can see this in the play, as we read we learn more about the character of Hedda Gabler. She is the daughter of a General who expected a life if glamour and wealth and rebels against the boredom of a dull, narrow existence by vindictively scheming against everyone around her. Hedda also strives to ruin Eilert Lovborg, the intellectual she once rejected as a suitor. She is meddling in Eilert’s life for her own amusement and control.
Hedda Gabler is a text in which a very domineering society drives a woman to her suicidal death. Many argue that Hedda’s death is an act of courage, as rebellion against the rules of the society, however other believe that Hedda’s actions show cowardice, as she is unable to cope with the harsh reality of the her situation. Hedda's singular goal throughout the play has been to prove that she is still in possession of free will. Hedda shows many examples of both courage and cowardice throughout the play, differing to the character she is with.
Ibsen created an environment for women to question the society they lived in. Nora and Hedda, two feminists living in a masculine household bereft of happiness, desired to evade their unhappy life at home under the guidance of a man. Eventually, both women escaped from their husband’s grasp, but Hedda resorted to suicide in order to leave. Nora agreed with Lois Wyse by showing her strengths with pride to everybody, while Hedda hid her strengths like a coward by killing herself. Ibsen used numerous literary elements and techniques to enhance his writing and to help characterize the two protagonists.
Hedda married Tesman, an academic student who supposed to have a potential success, not because she loves him, but just because as she said “It was a great deal more than any of my other admirers were offering”. In this quote she is showing her real feelings meaning that she never loves him and she just married him because he was the best option among the
One of Hester’s greatest qualities is her unrelenting selflessness. Despite her constant mental anguish due to her sin, the constant stares and rude comments, and the
Hedda is a product of the nineteenth century, when women were ordained to become either proper old maids (like George's aunts) or modest housekeepers (like Mrs. Elvsted), however Hedda is an anomaly. She has been raised by a dominating father and rebels against his leadership at the same time she revels in his power. General Gabler taught Hedda to ride and shoot, which symbolizes the origin of her attraction with the violent and the romantic, Hedda's intense preoccupation with pistols, her desire to have control over the fate of another individual and take part in the public life of men, her rejection of family life shown in her at times mal...
A question that planted itself into her head was, “Was existence worth accepting, even to the happiest among them?” (Hawthorne 150). Her being alienated by her community made her see how horrible women’s treatment in the community was. Her sin made her question her religion and the community; if anyone important found out about this, they may have killed Hester or forced her from the area. Since gossip controls the town, Hester would not have a big chance to prove herself innocent, even if she was.
Hedda from the story “Hedda Gabler” by Henrik Ibsen, wanted to have freedom or wanted to control her own life. However that desire never come true. Throughout the story we see that Hedda who want to dictate her own life simply couldn’t. One such example is that Hedda got marry. In 1800s, women ought to get marry. Women can’t find any job or have a business, therefore women cannot really survive if they choose to be independent. Hedda is no exception, she is bounded to get marry “I’d dance myself out, dear Judge. My time was up. [Shudders slightly.] Uch, no, I’m not going to say that or even think it.” (Ibsen, 1503) and the only choices she has is to whom she would marry to and after a she gets marry; she wouldn’t be able to live a life she wanted to because in the 1800s women couldn’t control how they live their life. They exist simply to find a men and serve their husband. Even though Hedda has to get marry and live a life that she didn’t want, but she didn’t give up the idea of controlling her own life and go against the society. One such move is that she tries to manipulate the people around her, one such person is her husband George Tesman “You’re right – it was a bit more costly. But Hedda just had to have that trip, Auntie. She really had to. There was no choice.” (Ibsen, 1486) The reason for her manipulation is because she want to
according to the plot of her own play. Hedda finds a “way out” after the internal conflict
In fact, now many women revere her as a wise counselor and go to her seeking advice. Hester tells them that she has come to believe that the world is still growing and developing, and someday it will be ready to accept a new more equal relationship between men and women. However, despite her renewed optimism and the people’s apparent forgiveness for her transgressions, Hester still sees herself as “a woman stained with sin, bowed down with shame, or even burdened with a life-long sorrow” (232-233.36-2). In her youth, she sometimes envisioned herself as one who could usher in the newer and more accepting age, but she now believes that she is too tainted to play such a role and that the task must instead be left to a woman who could be “a medium of joy” and exemplify “sacred love” (233.4-5). In this final description of Hester, we don’t see any trace of the vanity she exhibited when she was young. Her opinion of herself has become much more humble and self-deprecating, and it is clear that she has matured greatly since the opening of the
Hedda was raised a lady of the upper class, and as such she regards her beauty with high esteem. This is, in part, the reason she vehemently denies the pregnancy for so long. A pregnancy will force her to gain weight and lose her lovely womanly figure. Hedda has grown accustomed to her many admirers; therefore, Hedda is ...
She is also an egotistic character who wants people to respect her and don 't want to stain her respectable name that she inherit from her father, General Gabler. However, in this scene of the play, Hedda is about to stain her respectable name and destroy her reputation because of her scandal with Lovborg. Hedda was a close friend with Lovborg before she got married with George Tesman. They both love their companionship with when Hedda suddenly decisioned to halt it because of Lovborg’s growing intimacy to her. Lovborg confesses his feelings to Hedda stating: “when I made my confessions to you, Hedda” (Act II, 501). Same with Hedda, she is also falling in love with Lovborg. However, Hedda don 't want her friendship with Lovborg end up to be a relationship. Hedda don 't want to have responsibilities to other people when she said to judge Brack: “ I have no talent for that sort of thing, Judge Brack. No responsibilities for me” (Act II, 268-69). According to Hedda, she would rather “ boring herself to death” (Act II, 275) than to have responsibilities to other people. Moreover, according to Hedda, “when our friendship threatened to develop into something more serious” ( Act II, 532-33). That’s why Hedda threatened Lovborg of shooting him, so that Lovborg will avoid her and describes her act as a “ dread of scandal” (Act II, 537). In order to avoid scandal of her past interaction with Lovborg,