The idea of the future has been explored for as long as writers have been writing. The interesting concept about the future is that it will always remain a mystery. The future is always changing and never ending. In George Orwell’s 1984, Orwell ruminates on his thoughts and ideas of what the future will be like. Orwell wrote the book around 1950 during the writing era of postmodernism. Postmodernist books often expressed thoughts of the future, as well as other themes. 1984 describes the future as a place where the Party has taken over and controls everything and everyone. The residents of Oceania have no control over their bodies, their relationships, or even their thoughts. Oceania is a place of war and control. The protagonist in 1984 is a middle-aged man named Winston. Winston is one of the only living people who realize that the party is changing the facts, and he wants to do something about it (Orwell). Winston deals with the struggles of hiding from the law and who to trust. In 1984, George Orwell uses the themes of physical and mental control, forbidden love, and a “big brother” figure to exhibit characteristics of postmodernism.
In the 1950s, authors tended to follow common themes, these themes were summed up in an art called postmodernism. Postmodernism took place after the Cold War, themes changed drastically, and boundaries were broken down. Postmodern authors defined themselves by “avoiding traditional closure of themes or situations” (Postmodernism). Postmodernism tends to play with the mind, and give a new meaning to things, “Postmodern art often makes it a point of demonstrating in an obvious way the instability of meaning (Clayton)”. What makes postmodernism most unique is its unpredictable nature and “think o...
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...“Some Common Themes and Ideas within the Field of Postmodern Thought: A handout for HIS 389,” last modified May 13,2013,
“George Orwell Biography.” George Orwell Novels. Word Press, n.d. Web. 05 Nov. 2013.
“Nineteen Eighty-Four.” Literature and Its Times: Profiles of 300 Notable literacy Works and the Historical Events that influenced them. Joyce Moss and George Wilson. Vol. 5: Civil Rights Movements to Future Times (1969-2000). Detroit: Gale, 1997.251-258. Gale Virtual Reference library. Web, 7. Nov. 2013.
Orwell, George. New York, 1950. Print.
Skylar, Stephanie. “10 Key characteristics of Postmodernism.” Allvoices. N.p., 25 April. 2011. Web. 12 Nov. 2013.< http://allvoices.com/contributed-news/8892593-10-key-characteristics-of-postmodernism
Jameson, Frederick. "Postmodernism, or The Cultural Logic of Late Capitalism" New Left Review. 146 (July-August 1984) Rpt in Storming the Reality Studio. Larry McCaffrey, ed. Durham, NC: Duke UP, 1992.
The postmodern cinema emerged in the 80s and 90s as a powerfully creative force in Hollywood film-making, helping to form the historic convergence of technology, media culture and consumerism. Departing from the modernist cultural tradition grounded in the faith in historical progress, the norms of industrial society and the Enlightenment, the postmodern film is defined by its disjointed narratives, images of chaos, random violence, a dark view of the human state, death of the hero and the emphasis on technique over content. The postmodernist film accomplishes that by acquiring forms and styles from the traditional methods and mixing them together or decorating them. Thus, the postmodern film challenges the “modern” and the modernist cinema along with its inclinations. It also attempts to transform the mainstream conventions of characterization, narrative and suppresses the audience suspension of disbelief. The postmodern cinema often rejects modernist conventions by manipulating and maneuvering with conventions such as space, time and story-telling. Furthermore, it rejects the traditional “grand-narratives” and totalizing forms such as war, history, love and utopian visions of reality. Instead, it is heavily aimed to create constructed fictions and subjective idealisms.
REFERENCESJean Baudrillard Simulations--1983 Semiotext[e]. America--1988 (English Edition) Verso. Seduction--1990 (English Edition) St. Martin’s Press. The Illusion of the End--1994 (English Edition) Stanford University Press. Simulacra and Simualtion--1994 (English Edition) University of Michigan Press. Jean-Francois Lyotard The Postmodern Condition: A Report on Knowledge--1984 (English Edition) University of Minnesota Press. The Postmodern Exaplained--1993 (English Edition) University of Minnesota Press. Michel Foucault Madness and Civilization--1973 Vintage Books. Discipline and Punish: The Birth of the Prison--1977 Vintage Books. The History of Sexuality--1980 Vintage Books. Linda Hutcheon A Poetics of Postmodernism: History, Thoery Fiction--1988 Routledge. The Politics or Postmodernism--1989 Routledge.
Kurt Vonnegut’s “Harrison Bergeron” and Gwendolyn Brooks’s “kitchenette” are both excellent at conveying the points and beliefs of the postmodernist period which had the most effectiveness at conveying the points and beliefs of their time. The post modernists used the mirroring of the future along with the dealing and discussing the issues they faced at the time , conveyed the point to the readers as shown in Kurt Vonnegut's’ “Harrison Beregation and Gwendolyn Brooks’ “Kitchenette”.
Over the past thirty years, generations understand the world around us is made up of worldly views and patterns of thoughts that inform the culture. Postmodernism informs more of the current culture than of the past, and plays a major role in media, politics, and religion. Postmodernism relies more on experience rather than specific principles, knowing that the outcome of one’s experience will be relative than universal. Postmodernism implies a shattering of innocent confidence in the capacity of the self to control its own destiny. These are some characteristics that researchers find important?
Upon my reading of the novel 1984, I was fascinated by George Orwell’s vision of the future. Orwell describes a world so extreme that a question comes to mind, asking what would encourage him to write such a novel. 1984 took place in the future, but it seemed like it was happening in the past. George Orwell was born in 1903 and died in 1950; he has seen the horrific tides of World War ² and Ï. As I got deeper into this novel I began to see similar events of world history built into 1984.
1984 is a dystopian novel set inn Airstrip One, which used to be Britian. Oceania is always at war with another superpower, and their main goal is to achieve the most power throughout their world. The main character is Winston Smith, a man who works for the party and is supposed to change history to match what the party has told him. Winston lives in a society where he is constantly listened to and watched by telescreens and microphones to make sure he is enthusiastic about hate, and to make sure he doesn’t commit any crimes. Everywhere Winston goes he always sees posters that say, “Big Brother is Watching You.” Big Brother is the party leader that may or may not be real. The official language of Oceania, the country where Airstrip one is located, is Newspeak. Newspeak is the only language in Oceania that lessens it’s words each year so that it is harder for people to commit thoughtcrime. Winston is a dedicated worker, but often thinks about rebellion against Big Brother. Winston idolizes a man named O'Brien that he thinks is part of the Brotherhood, a terrorist group who constantly sabotages the party. Winston begins to like a woman named Juli...
Postmodernism movement started in the 1960’s, carrying on until present. James Morley defined the postmodernism movement as “a rejection of the sovereign autonomous individual with an emphasis upon anarchic collective anonymous experience.” In other words, postmodernism rejects what has been established and makes emphasis on combined revolutionary experiences. Postmodernism can be said it is the "derivate" of modernism; it follows most of the same ideas than modernism but resist the very idea of boundaries. According to our lecture notes “Dominant culture uses perception against others to maintain authority.”
In the novel 1984, Orwell produced a social critique on totalitarianism and a future dystopia that made the world pause and think about our past, present and future. When reading this novel we all must take the time to think of the possibility that Orwell's world could come to pass. Orwell presents the concepts of power, marginalization, and resistance through physical, psychological, sexual and political control of the people of Oceania. The reader experiences the emotional ride through the eyes of Winston Smith, who was born into the oppressive life under the rule of Ingsoc. Readers are encouraged through Winston to adopt a negative opinion on the idea of communist rule and the inherent dangers of totalitarianism. The psychological manipulation and physical control are explored through Winston's journey, and with Winston's resistance and ultimate downfall, the reader is able to fully appreciate O'Briens reasoning, "Power is not a means, it is an end."
In the beginning of the twentieth century, literature changed and focused on breaking away from the typical and predicate patterns of normal literature. Poets at this time took full advantage and stretched the idea of the mind’s conscience on how the world, mind, and language interact and contradict. Many authors, such as Fitzgerald, Steinbeck, and Twain, used the pain and anguish in first hand experiences to create and depict a new type of literature, modernism. In this time era, literature and art became a larger part of society and impacted more American lives than ever before. During the American modernism period of literature, authors, artists, and poets strived to create pieces of literature and art that challenged American traditions and tried to reinvent it, used new ways of communication, such as the telephone and cinema, to demonstrate the new modern social norms, and express the pain and suffering of the First World War.
Postmodernism is a vague term that can describe a variety of disciplines that include, architecture, art, music, film, fashion, literature…etc. (Klages). In the case of “Videotape”, postmodern literature would be the main focus or area of study. This type of literature emerged in the era that succeeded World War II and relies heavily on the use of techniques such as, fragmentation, the creation of paradoxes, and questionable protagonists. Furthermore, postmodern literature also exudes ambiguity and critical thinking where the focus is mainly on the reader and his/her experience of the work rather than the content and form. Building upon that, the selected passag...
Bertens, J. W., and Bertens, H. 1995. The idea of the post-modern: a history. London, Routledge.
To successfully answer the questions posed, a full analysis must be taken of the various ways in which history has been challenged by postmodernism. Both L. Stone...
McHale, Brian. “Afterword: Reconstructing Postmodernism.” Narrative 213 (2013): 357-364. Academic Search Complete. Web. 29 Oct. 2013.
“Beginning Theory: An Introduction to Literary and Cultural Theory” by Peter Barry is a book that presents literary and cultural theory in a systematic, simple and coherent way. The book provides clear explanations and demonstrations of 12 important critical and cultural theories, the main ones include: Structuralism, Post Structuralism, Post Modernism, Psychoanalytic Criticism, Feminism, Lesbian/gay criticism, Marxist criticism, New historicism, Postcolonial Criticism, Stylistics, Narratology and Ecocriticism. Each theory has been explained in a separate chapter and each chapter explains the principal ideas of the respective approach, talks about what that type of critic does, offers examples and puts forward questions to the reader.