Anyone with genuine interest in literature, has heard about the recent leakage of Three Stories, a collection of three short stories written by famous American writer, J. D. Salinger. While I do not support the fact, that those are now known to general public despite author’s wishes for the stories not to be published until 50 years after his death, I cannot say, that I wasn’t thrilled when I heard they leaked. I will only focus on one of the three stories here, namely The Ocean Full of Bowling Balls, precursor to the famed The Catcher in the Rye, taking place on the day of Allie’s death. More specifically I will be dealing with the meaning and symbolism behind the phrase “bowling ball” in the text.
Wikipedia gives us following definition of a bowling ball: “A bowling ball is a piece of sporting equipment used to hit bowling pins in the sport of bowling. Ten-pin bowling balls are typically hard spheres with three holes drilled in them, one each for the ring and middle fingers, and one for the thumb.”
It is a sporting equipment and as such we can easily connect it with fun and competition, it also has holes drilled for the fingers, which leads to a better grip, more control. On the other hand, it is heavy, thus it is something that wants to get away from you, it is hard to hold control of it, it needs those holes drilled if we want to somewhat control it.
We first meet this phrase in the title, “The Ocean Full of Bowling Balls”. Ocean is in itself something light, relaxing, but bowling balls here immediately present themselves as heavy. It would be impossible to swim in ocean were it filled with bowling balls. If we connect the previously mentioned aspect of the heavy things being hard to control, such ocean would be even mor...
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...he bowling balls, simply answers: “Yeah, Vincent.”
This final use of the phrase and the simple Holden’s answer appears to be of no significance at the first sight. Yet this very answer is quite important. It could be shown either as agreeance or as resignation. Resignation at the fact, that the ocean just has to be full of bowling balls. One cannot change this, it is simple law of nature.
If we look back to the title now, it is fairly clear, that the ocean full of bowling balls presents polar opposites. It presents both life and death, and the bowling balls present all the joys of life and all its burdens. At the same time they also portray the relief from the burdens of life and cruel separation from the joys the life brings us. No matter how hard we try, we can’t escape the ocean, for it presents both, life and death. We can only try to swim or resign and drown.
Strauch, Carl F. “Kings in the Back Row: Meaning through Structure-A Reading of Salinger's `The Catcher in the Rye’.” Wisconsin Studies in Contemporary Literature. Winter, (1961). 5-30. Literature Resource Center. New York Public Library. Web. 24 April 2008.
Transition: First, I want to talk about the equipment used in the game of bowling.
...ht some "terrible stories." By bringing to light these "terrible stories" a poet in effect slays the "angels" that kept her from writing. Every author has his/her own "angel" to slay. Lucille Clifton sees past the fear she has about what she might write about using her gift of poetry to "slay her angel."
The ocean is mysterious to mankind. The unfathomable vastness of the ocean intrigues humanity into exploring it. In life, the immense possibilities that lie in the future compel us to reach for the stars. In the poem “The Story” by Karen Connelly, an individual willingly swims into deep waters even though they are fearful of what may exist in the waters. The swimmer later finds out that their fears were foolish, which illustrates the human tendency to venture into the unknown. The theme conveyed in this poem is that life is like a rough, uncertain, uncontrollable ocean that we must find get through with experience.
When reading Robert Hayden’s poem The Diver, the reader is immediately thrown into the unknown. A few lines into the poem, the reader can start to understand that we are underwater.
Mr. Antolini is the subject of irony because he is actually a “catcher,” even though he is a different kind of catcher from the one Holden imagines. Holden believes that he has already fallen over the cliff into the dissatisfaction that automatically goes together with adulthood. He felt the world has let him slip trough the cracks alone and unassisted. Therefor...
As Irving Howe once observed, “The knowledge that makes us cherish innocence makes innocence unattainable.” In a dynamic society, innocence evades even the youngest members of our world; it evades even the nonexistent members of our world. J.D. Salinger explores this elusive innocence in his short story, "A Perfect Day for Bananafish." Distinct similarities appear between the main character, Seymour Glass, and Salinger including the World War II experience and attraction for younger, more innocent people (Salerno). Salinger conveys this through Seymour’s preference of a young girl’s company over his own wife's company. Throughout the story, “Salinger constantly draws attention to himself and his precocious intellect” (Daniel Moran). “A Perfect Day for Bananafish” revolves around an army veteran post-World War II who visits a beach resort with his wife but spends more time there with the young Sybil Carpenter. Using a historical context of World War II and portrayal of many different characters, Salinger effectively depicts the story of a man in a desperate search for innocence. In “A Perfect Day for Bananafish,” J.D. Salinger uses symbolism and figurative language to stress the concept of unattainable innocence.
Roemer, Danielle M. "The Personal Narrative and Salinger's Catcher in the Rye". Western Folklore 51 (1992): 5-10.
“The Open Boat” uses vivid metaphors to enhance both the magnificent, yet overwhelming nature of the sea. Crane successfully illustrated a situation that isolated the four men, encouraging them to use the elements of the sea that they do not understand. The four men are stranded and isolated, with no help except what they are
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
The human mind, only able to withstand so much pressure before losing control, is like a volcano. The harsh truths that accumulate throughout the course of one’s life can lead to devastation, the eruption of the mind’s volcano. American twentieth century author, J.D. Salinger, illustrates the devastating consequences caused by a buildup of emotions and a lack of communication in his short story, “A Perfect Day for Bananafish.” Salinger “has become, in biographer Ian Hamilton's phrase, ‘famous for not wanting to be famous’ ” (Stevick). In this short story, Salinger details the interactions of the main character, Seymour Glass, with Sybil Carpenter, a young girl. Through these interactions, Salinger provides the reader with a glimpse into Seymour’s unstable, troubled mind. Seymour’s demise shows the importance of true communication and the expression of such emotions. By releasing societal pressures and not allowing oneself to be plagued by materialistic ideals, one can truly achieve a stable state of mind. Through the use of symbolism, foreshadowing, and motif, J.D. Salinger's short story, “A Perfect Day for Bananafish,” communicates the theme that effective communication is often a monumental struggle.
Good “feel,” (high resilience), high abrasion resistance and high spin are the desirable quantities that offered by the modern ball compared to previous golf ball.
The human voyage into life is basically feeble, vulnerable, uncontrollable. Since the crew on a dangerous sea without hope are depicted as "the babes of the sea", it can be inferred that we are likely to be ignorant strangers in the universe. In addition to the danger we face, we have to also overcome the new challenges of the waves in the daily life. These waves are "most wrongfully and barbarously abrupt and tall", requiring "a new leap, and a leap." Therefore, the incessant troubles arising from human conditions often bring about unpredictable crises as "shipwrecks are apropos of nothing." The tiny "open boat", which characters desperately cling to, signifies the weak, helpless, and vulnerable conditions of human life since it is deprived of other protection due to the shipwreck. The "open boat" also accentuates the "open suggestion of hopelessness" amid the wild waves of life. The crew of the boat perceive their precarious fate as "preposterous" and "absurd" so much so that they can feel the "tragic" aspect and "coldness of the water." At this point, the question of why they are forced to be "dragged away" and to "nibble the sacred cheese of life" raises a meaningful issue over life itself. This pessimistic view of life reflects the helpless human condition as well as the limitation of human life.
This has helped it to become one of today 's most popular sports. The golf world has embraced the progression of the golf ball, and has yet to deem any particular ball unfair or unethical. Nothing has actually made a game-changing impact on ball technology since the invention of the rubber core, only minor improvements on a model that works well.
In this poem, the author tells of a lost love. In order to convey his overwhelming feelings, Heaney tries to describe his emotions through something familiar to everyone. He uses the sea as a metaphor for love, and is able to carry this metaphor throughout the poem. The metaphor is constructed of both obvious and connotative diction, which connect the sea and the emotions of love.