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Literary criticism of the glass menagerie
Tennessee Williams: a portrait in laughter and lamentation
Literary analysis for the glass menagerie
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The Glass Menagerie is one of Tennessee Williams most famous play. A sort of autobiographical play that closely resembles Williams’s life before stardom.
The play occurs during the 1930’s before world war two, in an apartment in St. Louis. Where the three main characters reside and confront on a quotidian basis. Moreover, as well in which they live in their world of illusion.
Illusion and reality is practically what the play revolves around. The characters Tom, his sister Laura and mother Amanda are attached to an imaginary world in one way or another. Tom has become the head of the household ever since their father abandoned them. He’s an aspiring poet who works in a shoe warehouse. He’s unhappy with his life and the codependency of his mother and sister of him. Tom’s mom also is unhappy with her present. Being abandoned by her husband was too much of insolence to her. She constantly fantasizes about her past and youth. Meanwhile, Laura has been a failure in life, in school and hasn’t accomplished anything at all.
In The Glass Menagerie, the difference between appearance and...
The play has naturalistic conversation all the way through, to make it seem real, like you could be there. But it also has surreal elements; for example; the inspectors name is Inspector Goole. This sounds like a ghoul or a ghost. And at the end of the play, he disappears and his existence remains a mystery.
The masterful use of symbolism is delightfully ubiquitous in Tennessee Williams’ “The Glass Menagerie.” He uses a collection of dim, dark and shadowy symbols that constantly remind the audience of the lost opportunity each of these three characters continually experience. This symbolism is not only use to enlighten the audience to their neglected opportunities to shine, but it is also repeatedly utilized to reinforce the ways in which the characters try in vain to cross over turbulent waters into a world of light and clarity. It is thematically a wrenching story of life gone by, and the barren attempts to realize another reality that is made more poignant by symbolic language, objects, setting, lighting and music. The characters are trying to escape their own reality, and continue desperately to grasp at real life. The powerful use of symbolism in The Glass Menagerie exaggerates their missed opportunities, and their inability to step into a new reality. Through the use of symbolism, Williams continually illuminates the attempts of each character to break their bondage, and cross their own personal Rubicon into another reality. Because of his expert use of symbolism the audience can assuredly feel the full weight and impact of their imprisonment and actions.
Tennessee Williams is one the major writers of the mid-twentieth century. His work includes the plays, The Glass Menagerie and A Streetcar Named Desire. One theme of The Glass Menagerie is that hopeful aspirations are followed by inevitable disappointments. This theme is common throughout all of Williams' work and throughout his own life as well. It is shown through the use of symbols and characters.
In The Glass Menagerie, by Tennessee Williams, the glass menagerie is a clear and powerful metaphor for each of the four characters, Tom, Laura, Amanda, and the Gentleman Caller. It represents their lives, personality, emotions, and other important characteristics.
The Glass Menagerie first opened on March 31, 1945. It was the first big success of Tennessee Williams’ career. It is in many ways about the life of Tennessee Williams himself, as well as a play of fiction that he wrote. He says in the beginning, “I give you truth in the pleasant disguise of illusion'; (1147). The characters Tom, Laura, and Amanda are very much like Williams, his sister Rose, and his mother Edwina. We can see this very clearly when we look at the dialogue, and the relations between the action in the play and the actions in Tennessee Williams’ life.
In Tennessee William's play, The Glass Menagerie, the character of Laura is like a fragile piece of glass. The play is based around a fragile family and their difficulties coping with life.
The Glass Menagerie was set in a St. Louis apartment after the Great Depression. The Wingfields had old records and a typewriter to show connections between the play and the time period. The way of life influenced playwrights to write about real life subjects. Tennessee Williams was trying to communicate to everybody that everybody is unique in their own way, that’s what makes them beautiful on the inside. It is what is on the inside that counts.
The Glass Menagerie is an eposidic play written by Tennesse Williams reflecting the economic status and desperation of the American people in the 30s.He portrays three different characters going through these hardships of the real world,and choosing different ways to escape it.Amanada,the mother,escapes to the memories of the youth;Tom watches the movies to provide him with the adventure he lacks in his life;and laura runs to her glass menagerie.
In Williams, Tennessee’s play The Glass Menagerie, Amanda’s image of the southern lady is a very impressive. Facing the cruel reality, she depends on ever memories of the past as a powerful spiritual to look forward to the future, although her glory and beautiful time had become the past, she was the victim of the social change and the Great Depression, but she was a faithful of wife and a great mother’s image cannot be denied.
Firstly I would set this play in the 21st century so that a modern audience could relate to it. Algernon, one of the main characters in the play, would live in a luxury apartment in the centre of London, over looking the River Thames. His apartment would have a minimalist theme to it and would be influenced by aesthetic; for example he would have a piece of abstract art on the wall for no reason other than that he thinks it looks nice.
The Glass Menagerie by Tennessee Williams is a touching play about the lost dreams of a southern family and their struggle to escape reality. The play is a memory play and therefore very poetic in mood, setting, and dialogue. Tom Wingfield serves as the narrator as well as a character in the play. Tom lives with his Southern belle mother, Amanda, and his painfully shy sister, Laura. The action of the play revolves around Amanda's search to find Laura a "gentleman caller. The Glass Menagerie's plot closely mirrors actual events in the author's life. Because Williams related so well to the characters and situations, he was able to beautifully portray the play's theme through his creative use of symbolism.
An influential factor in Tennessee Williams's writing was his own personal experience. The Glass Menagerie is a play that originated in the memory of the author. Williams drew heavily on his own family experiences, describing the lives of his mother, sister, and himself. Many aspects of the play resemble some of Williams's past experiences during childhood. The apartment that Amanda, Laura, and Tom Wingfield share is in the middle of the city, and it is among many dark alleys with fire escapes. Tom and Laura do not like the dark atmosphere of their living conditions, and their mother tries to make it as pleasant as possible. This apartment is almost a mirror image of one of the apartments that the Williams family lived in St. Louis, Missouri (American Writers IV). Amanda Wingfield is a typical Southern belle who fantasizes about her seventeen gentlemen callers back in Blue Mountain. She regularly attends meetings of the Daughters of the American Revolution (DAR), which are important outlets for her social...
The characters of the play are in no way able to comprehend what may lie
In the story Laura, the sister of Tom, has a special glass menagerie that she entertains herself with. A glass menagerie is a collection of small, glassed shaped animals, that are usually put on a shelf as decoration. From the title of Williams story, it shows what the one of most important symbol in the play is, Laura’s glass menagerie.
written in between 384 and 222 BC, and his views were taken on by some