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femininity social construction
representation of gender issues in Media
gender in our society
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In our scene from Middle of the Night, There are two characters; Betty and Marilyn. My character Betty is in her room getting ready for a date when Marilyn walks in. Marilyn is a very close friend of Betty’s and has been for six years. Betty and Marilyn seem like the kind of friends who are close because they are in similar circumstances. They are both married woman in their mid twenties who go shopping for their family’s together and talk about marital gossip. Their friendship is almost effortless because it is so natural and apart of their daily routine. Betty and Marilyn probably see each other every day however, because Betty is now considering a divorce and dating a new man, her daily routine has been thrown out of balance. In our scene, It feel’s like Marilyn has not seen Betty in two or three days. She also already knows about Betty’s situation and has talked to her about it before. This is why in our scene when Marilyn comes to see Betty, the first too things she says to her are, “well, how do you feel”, and “What’s new”. Betty knew that Marilyn was not going to approve of her decision and that there was a very slim chance of convincing her. Betty has been avoiding this conversation.
This inevitable conversation that is our scene take’s place in Betty’s Bedroom in her mother’s apartment. Betty has moved back home because of her marital strife. Betty’s family seems to be of an upper middle socioeconomic status however; this is still a bedroom in a city apartment so the space is probably limited. Betty and Marilyn are completely alone in a closed off environment. Betty even asks Marilyn to close the door when she comes in so we know that they have complete privacy. Although this is Betty’s bedroom and it is obvious that Mar...
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... make since why she would tell Betty’s mother one thing and then Betty another until the Crisis of our scene when Marilyn reveals that she is not happy with her own marriage. Marilyn empathizes with Betty because she knows what it feels like to be stuck in a loveless marriage. At the same time, she can’t just let her best friend get a divorce because then how could she justify herself staying in a loveless marriage. Marilyn tries to convince Betty to not get a divorce because that’s the path that she chose. Betty sees that Marilyn is unhappy and yet is still trying to convince her to stay with an unhappy marriage. It’s apparent to both of them that they are unhappy in their marriages; the question is what to do about it. Because everyone including her best friend is telling Betty that divorce is not the answer, Betty fears that her choice might not be the right one.
In response to your question for chapter five of Essentials, I found two poems that I loved, so I hope you don't mind if I evaluate both in response to your question. Dark Emperor & Other Poems of the Night, as well as The New Kid on the Block, both present an impressive collection of poems that use different ideas and concepts as a way to appeal to readers. Of these, two of my favorite poems I stumbled upon while reading were Welcome to the Night on page 6 of Dark Emperor, and My Sister Is a Sissy located on page 138 of The New Kid on the Block. Looking at the criteria for evaluating poems for use with children, I have included my observations below.
In the short story, “The Painted Door”, John and Ann are a married couple, who have been together for seven years, and yet despite this fact, they still have trouble communicating. Ann wishes, from the very beginning of the story, that John would stay at home with her rather than go to check on his father. However, rather than expressing these sentiments exactly, she acts very cold towards him and insists that she’ll be perfectly fine, trying to guilt him into staying. Though it works, as John offers to stay with her rather than visiting his father’s farm, Ann decides to instead push away her feelings of spite and loneliness and allows him to leave, despite worrying about his safety and how she’s going to cope while John is gone. This is the
Wade states, “America and Jimmy turn out to be just another, gentler, form of silencing (15).” The moment when Jimmy passes away embarks the new beginning of Winnie living on her own. She becomes the figure of the household, working tremendously hard to raise her two children. Winnie is portrayed as an independent woman. Although Winnie speaks broken ungrammatical English, Pearl still finds “it her duty to listen to her mother (6).” Hence, Winnie finds it difficult verbally express her past to her daughter. Nonetheless, she ultimately discloses that Pearl is the result of Wen Fu’s rape not a symbol of Jimmie’s love. Wade believes that “Winnie has power in her speech to change the reality of others, she also allows others to shape her reality (17).” Pearl thinks of her mother as a fighter, who witnessed the pain of Wen Fu’s existence in her characteristics, her temper and behavior matched with his quite often. This allows restrained Pearl to open up about her multiple sclerosis condition. By speaking what is on her own mind, she motivates Winnie to no longer hold back upon what she is afraid to reveal. She promotes awareness develops the confident side Pearl to talk more by giving her the statue of the Kitchen God’s wife, who was originally forgotten and voiceless after her husband a mistress. Due to the fact that she has faced many hardships in her life, Winnie gives Pearl the statue and tells her: “She is telling you to speak. She will listen (17-18).” She describes the Kitchen God’s wife as “Lady Sorrow Free, happiness winning over bitterness, no regrets in the world (18).” Wade uncovers that the name change of the Kitchen God’s wife “not only restores Guo’s identity, but symbolizes both Winnie’s and Pearl’s final restoration as well (18).” Both women are not mind-readers, through the means of delivering
She allows her mother to control her and make decisions for her. During their conversation, she asks her mom if she should marry Mr. Jones even if she does not love him. Her mother does not seem to care until Helen mentions that he is Vice-President of the company. Her mother says that she should marry him whether she loves him or not because he will be able to take care of her and Helen. They continue to discuss how Helen can marry this man that she doesn’t like so she will never have to work again and he can support her mother, or she can say no at the risk of losing her job and not being able to support her mother anymore. Helen ties in how life is making her “feel like I’m stifling!” (591). Again, I feel this is another representation of Helen not being able to handle the pressures of society. Helen can’t talk about important decisions she has to make without feeling claustrophobic and blowing up by saying things like “I’ll kill you!” (592). I think she blows up because her mother is always nagging her and she can’t handle it in that moment anymore, especially since it is a conversation about
Gloria Naylor steps aside and lets the characters do her work for her. Love has the unfortunate nature of being objective and the best way to tell love stories is from every point of view. How else can one understand from the outside? On page one she starts with Cocoa telling her side of things and on twenty-two; here comes George’s side. And it continues on like this, back and forth, telling both sides of certain events through the fog that is each character’s own perception of things. This is a brilliant manipulation of point of views and one of the saving features of the book. The reader’s attention is caught when they have to re-associate themselves to a new point of view. In the ultimate representation of what love is this point of view switch is used to show likeness of thought between Ophelia and George toward the end of the novel. The words “OUR WORST FIGHT EVER'; appear twice in the novel. Once at the beginning of Cocoa’s account of the event and again at the beginning of George’s (Naylor 230-232). Even in their most disagreeable moment, when it all boils down they both see it the same, the blowout to end all blowouts. Argue as they did, argue as they may, in the end they were one person of one mind, just what a marriage should be. A slightly different form of this same technique is used to give example of the mother-daughter love relationship between Mama Day and Cocoa.
A German philosopher named Friedrich Nietzsche once said, “I’m not upset that you lied to me, I’m upset that from now on I can’t believe you.” People lie. The Curious Incident of the Dog in the Nighttime (CIDN) by Mark Haddon addresses this by conveying a story based on the fact that each person lies about something. A boy named Christopher is faced with the challenge of discovering the truth about the death of a neighbor’s dog, his father’s secrets, and where his mom is. The variations as to why people tell lies are determined through how they feel it will affect those involved. Through these actions, we can see how our words negatively affect others and ruin our relationships. The main reasons people feel compelled to tell lies are because
In the novel in the heat of the night and in the movie remember the titans the two main characters, Virgil Tibbs and Herman Boone, where stuck in very similar situations, both being black men taking over a job from a white man and then being ridiculed for taking that job over. In this essay we will be looking at one of the similarities and differences that each of these 2 characters have and why they have those similarities and differences and what effect it had on the story.
What distinctive ideas are explored in your prescribed text? Explain how these ideas are developed throughout the text.
Next, by examining the symbols that Mason uses in this short story, the battle that is going on inside this marriage is revealed. Beginning with the dust ruffle that Mabel, Norma Jean’s mother, makes for her. This dust ruffle represents the hidden feelings and emotions that Norma Jean and Leroy keep from each other. One example is, the grief they feel over the death of their infant son, Randy. Even when Mabel brings up the death of another child, they only discuss Mabel’s intentions, but say nothing about the grief of losing their baby. Norma Jean tells Leroy that her mother, “ … just said that about the baby because …...
Specific settings were used in the movie It Happened One Night to add detail to the story and create a sense of reality on screen. Some of the characteristics that were focused on during the production of the movie were period, exterior or interior, size, and symbolic function. The period of the film was focused around the 1930s. In the beginning of the film when Peter and Ellie first board the bus to New York, there is a shot of the bus pulling out of the station that focuses on the license plate that clearly reads 1933. This gives an approximation of the time that the film is trying to reproduce. Towards the end of the movie when King Westley flies in on his autogiro for his wedding gives us a clue about the time this film was made. Autogiros were in use during
John Thompson works at one of the biggest lawyer companies in New York City. John is married to a woman named Alice. Alice is a very “stay to herself” woman. She feels as if she has to hide things from John. Alice and John both cheat each other out of everything and they don't feel like they have a very good relationship. Alice thinks John doesn’t “understand” her and her needs.
Introduction paragraph- end with thesis- In Shirley Jackson's short stories, ostensibly happy couples experience unusual encounters that force the wives to concede the truths about their marriages, and themselves that they have tried to ignore.
They are a mixed raced couple with three children, one that receives all their attention and who dies too young, while the other two children are in the background. Marilyn is an American with blonde hair and blue eyes in contrast to her husband, James, a first generation Chinese-American. Although they are from distinctly backgrounds, they are drawn to each other because of their differences. Ng writes, “Because more than anything, her mother had wanted to stand out; because more than anything, her father had wanted to blend in” (Everything 25). The way that they felt different in society, is why they married. Without fully discussing their wants and dreams about their future, or the problems that their children would face by being mixed race in the 1970s; they dove into a relationship. When Marilyn met James, she wanted to be a doctor. Marilyn wanted to be a doctor as a direct contrast to her own mother, a home ec teacher. Marilyn hated the fact that her mom was the epitome of a housewife. So because of the strain Marilyn felt she wanted to be the opposite of her mother, she wanted to defy odds and become a doctor; however, this dream was short lived because she ended up pregnant in college. She always felt as though a piece of her was void, so she tried to make her daughter Lydia live up to her dreams. Lydia was the child that her parents thought could accomplish their dreams. James saw Lydia as the child that can fit in
“Joanna:- Walter, would you move? Walter:- No, no. What? What did I say? Joanna:- I meant move, leave Stepford. Walter:- We just got to Stepford. Hey, are you that unhappy? Joanna:- Is it everything you expected? Walter:- Well...No. No,
As she stared out the window, she reminisced on her past. Her mind brought her back to the night of her mother’s death. Her mom was ill and on the verge of insanity when she promised her that “she would keep the home together as long as she could” (5). At the time women did not have much voice in their home, work, or commun...