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Modern industry and movie
Film industry introduction
Modern film industry
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Quentin Tarantino is considered an American Film director, screenwriter, producer, and actor (Erlewine, Stephan). Tarantino is a man of talent who has contributed to film history with his creativity, knowledge, and motivation. Many people may be familiar with him because of his most recent movie, Django Unchained, which came out in 2012 ("Quentin Tarantino Awards and Nominations”). As a high school dropout, Tarantino has faced many challenges and has worked hard to overcome those challenges, becoming a successful man in the film industry contributing much to the film industry, audiences, and his fans. As a young boy, Quentin Tarantino had a passion for films. Quentin was an only child born in Knoxville, Tennessee on March 27th, 1963. He came from a family where his father was an actor, but his father had left the family before he was born. With his father out of the picture, Tarantino did not learn much about acting from his father, but from others around him. For example, his grandmother was a huge influence in Tarartino’s life because she would take him to the movies which enhanced “his creativity in unusual ways”. As Tarantino was growing up, he loved anything that had to do with films, comic books, and storytelling. Tarantino would write sad Mother’s day stories and give them to his mom as a Mother’s day gift where she would always die in the story. His mother, Connie Zastoupil would say, “It was enough to bring tears into a mother’s eye” (“Quentin Tarantino Biography”). As a child, he did not give much attention to school because he thought it was better use of his time focusing on something he was actually interested in. As foreseen, Tarantino eventually dropped out of high school working as an usher at a theatre. He soo... ... middle of paper ... ...ves were in that period of time or in that actual moment, feeling the extreme outbursts of violence when the scenes are going on. Each movie being different in itself makes his work breathtaking. Works Cited Erlewine, Stephan. "Quentin Tarantino." The New York Times. Baseline, n.d. Web. 15 Mar. 2014.. "Quentin Tarantino Awards and Nominations." MSN Entertainment. AMG, n.d. Web. 15 Mar. 2014. . "Quentin Tarantino Biography." Bio.com. A&E Networks Television, n.d. Web. 14 Mar. 2014. . Skike, Avan. "Storify." Storify. N.p., n.d. Web. 14 Mar. 2014. .
2. According to Sobchack, contemporary screen violence greatly differs than portrayals of violence in years past. Today, violent scenes are careless and lack significance because we as audiences have become calloused and desensitized to any acts of violence. She states that there is “no grace or benediction attached to violence. Indeed, its very intensity seems diminished” (Sobchack 432). Senseless violence, gruesome acts, and profound amounts of gore are prevalent in movies today, and because even this is not enough, it must be accompanied by loud blasts and noise, constantly moving scenes to keep audiences stimulated and large quantities of violence for viewers to enjoy what they are watching. Decades ago, it was the story that was engaging to audiences and filmmaking was an art.
Who would have thought that a brilliant career in filmmaking could have originated with a modest jar of Skippy Peanut Butter smeared on a neighbor’s window in a tiny Cincinnati suburb? One might not think that such an average boyhood prank could evolve a boy into a man who would become the most financially successful film director in history. Well, that is exactly where Leah Spielberg, Steven Spielberg’s mother, would trace her son’s initial entry into becoming one of our nation’s most creative storytellers. “His badness was so original,” she recalls (Stein 3).
Character development is an essential component to a successful film. This thorough and elaborate character development is a reason why diverse audiences are able to watch these films more than once. Joel and Ethan Coen, and Quentin Tarantino are all writers and directors that execute the theme of character driven films almost to perfection. The films O Brother, Where Art Thou, written and directed by the Coen Brothers, and Pulp Fiction, written and directed by Quentin Tarantino, exemplify this.
Essay #2: Citizen Kane Review Orson Welles’ production of Citizen Kane revolutionized filmmaking by mastering the art of using cutting edge techniques to make it one of the most revolutionary and groundbreaking films in the history of movies. Citizen Kane, released in 1941, is thought to be the single most revolutionary and groundbreaking film in the history of movies (Rotten Tomatoes). Welles used many techniques in the production of the film that were never even thought of before that point. In this way, the film Citizen Kane is an extremely innovative film and definitely pushes the limits of its genre at the time. Welles completely changed the course of the production of film by introducing a completely new way of writing, directing, and through his use of techniques.
At 23 years of age, Rodriguez knew he wanted to get started working on a film that would open doors for him. He knew the big directors such as Orson Welles and Steven Spielberg started in their twenties. Rodriguez states, “I’m twenty-three years old. Orson Welles made Citizen Kane when he was twenty-five. Spielberg made Jaws at twenty-six. So I’ve only got about two or three years to make by breakthrough film” (Rodriguez 23). The only problem was money. To earn the money to make his first film, Rodriguez became a human lab rat for Pharmaco Research Hospital in Austin, TX. There, he would lay the foundation for his trilogy of movies.
Django Unchained, directed by Quentin Tarantino’s is what you would call a spaghetti western. The name ‘spaghetti western’ originally was a term used to reduce the value of something. American westerns were considered to be on a higher scale than spaghetti westerns. Django Unchained is set in the American South, two years before the civil war, telling the story of the freed slave Django who goes on a killing spree in the name of revenge to rescue his wife Brunhilda from the cruel plantation master that owns her. I thought it was interesting how this movie made the freed slave one of the protagonist seeking revenge. The character, who allows Django to take revenge, is Dr. King Schultz a German-American dentist/bounty hunter. Through Django’s heroism and portrayal of masculinity, we are reminded of the traditional hero traits from the western movies of past. The movie Django Unchained conforms to these traditional standards of masculinity and heroism.
Spike Lee’s first student production, The Answer, was a short ten minute film which told of a young black screenwriter who rewrote D.W. Griffith’s The Birth of a Nation. The film was not well accepted among the faculty at New York University, stating Lee had not yet mastered “film grammar.” Lee went on to believe the faculty took offense to his criticisms towards the respected director’s stereotypical portrayals of black characters (1). For his final film project, Lee wrote, produced, and directed Joe’s Bed-Stuy Barbershop: We Cut Heads. The film won him the 1983 Student Academy Award for Best Director and the Lincoln Center chose the film as its first student production. The film was lo...
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
The Analysis of Quentin Tarantino as a Director The director I have chosen to look at is Quentin Tarantino. His films have achieved a cult ang global status and I dont think anyone is going to argue that he is not an auteur. I am more interested in examining his style and seeing how this makes him an auteur and if it has changed when he was receiving a higher budget. Tarantino was born in Noxville Tennessee on 27th march 1963. Tony
Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on
On this essay I will be focusing on Lars Von Trier background and biography. I will then list some of his major contributions to the art work, and his most famous works of art. I will include some interesting facts that have influenced him throughout his life and which I thought were important for his development as a filmmaker. Finally I will conclude the essay with my personal opinion of his character and overall art work.
despite him being my favorite director and I just watched it few weeks ago. By watching that film you can see his unique style and the technique he used to shot that film which is amazing.
In conclusion it is clear that Tarantino’s film is postmodern, and Jameson’s insightful essay stands in relation to Pulp Fiction much in the same way as a prophecy stands in relation to its fulfilment. The postmodernist Tarantino expresses in a full and technicolour form what Jameson the modernist had only partially understood in the more static arts of painting and architecture.
Due to the film’s quality and interest it became an award winning film. The film had excellent sound effects such as the battle scenes. The image quality was also outstanding; it used many different angles to depict the actor to make you feel involved in the scenes. In the action scenes the most common viewpoint used was a close up shot which allows the audience to see and feel the intensity of the scene. The second viewpoint mostly used was a tracking shot due to the actors c...
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.