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poetic devices in the poem Rape of the lock by Alexander pope
poetic devices in the poem Rape of the lock by Alexander pope
poetic devices in the poem Rape of the lock by Alexander pope
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Alexander Pope’s epic Rape of the Lock, is essentially a lampoon of traditional epic literature. It is teeming with comparisons between the main character Belinda’s actions, and Homer’s Achilles, Virgil’s Aeneid, and Greek mythology in general. Her character’s image is painted as vain and unconcerned with consequential matters, unlike that of Achilles’ character from Homer’s Iliad; however he was full of wrath and pride resembling that of Belinda’s traits. But, that is where most corresponding attributes end; the scales in which both play out as an epic are far from akin. Although her overall character seems to only be concerned with her charms, Pope consistently describes her in an almost hero like manner, and her quest has become to retrieve her most precious lock that she has lost. Throughout the poem her most trivial actions are glorified and exaggerated with comparisons to Greek heroes and wars, such as Achilles and the Trojan War, when in reality she is simply a vain woman who has lost a lock of her hair due to it’s unblemished beauty, and her quest for the seized lock is a matter that is completely frivolous and has no benefit in pursuing. Essentially that is what Pope is saying, that the high class woman of his time are petty, impractical, and vapid; he parodies Belinda’s actions with comparisons to the epic to drive that concept further.
In the first Canto of The Rape of the Lock, Ariel, her guardian Sylph, speaks to her in a dream, warning her of what is to come, while at the same time echoing Virgil’s Aeneid when the hero Aeneas is visiting the underworlds Elysian Fields:
Think not, when woman’s transient breath is fled,
That all her vanities at once are ...
... middle of paper ...
...e nature of events transpiring, she does not exalt herself; the maiden is compared to a hero, but can never be truly recognized as one.
Works Cited
Greenblatt, et al. The Norton Anthology of English Literature. New York: N.W.
Norton & Company. 2013. Print.
Cohen, Ralph. “The Reversal of Gender in "The Rape of the Lock." South Atlantic Bulletin, Vol. 37. No. 4 (Nov. 1972): Pages. 54-60. Web. 21 March 2014
Frost, William. The Rape of the Lock and Pope’s Homer. Modern Language Quarterly. Vol. 8. No. 3 (Sep47): Pages. 342-354. Web. 21 March 2014
Schaefer, Tatjana. “Sir Plume in Pope’s The Rape of the Lock: A Parody of Homer’s Ulysses.” A Quarterly Journal of Short Articles, Notes, and Reviews. Vol. 25. No. 2 (2012): Pages. 91–95. Web. 21 March 2014
Susan Brownmiller’s excerpt Against Our Will: Men, Women, and Rape written in 1975 explores rape. It argues that from the beginning of time men had an advantage over women because their genitalia can serve as a weapon, which, in turn, generates constant fear. “Rape provides a sufficient threat to keep all women in a constant state of intimidation, forever conscious of the knowledge that the biological tool must be held in awe for it may turn to weapon with sudden swiftness borne of harmful intent”(Brownmiller, 312). Females are subjected to the harsh reality of rape at a young age through fairytales such as Little Red Riding Hood. Stories like these emphasize how weak women are and how heroic, brave and strong men are. Susan Brownmiller believes that the way to destroy the idea that “you can’t thread a moving needle,” and “no women can be raped against her will” by spreading awareness about rape and how it is a moral wrongdoing and punishable under the
Pope, Alexander. "The Rape Of The Lock". In The Norton Anthology Of English Literature: The Major Authors . Ed. M.H. Abrams et al. 5th Ed. New York: Norton, 1987. 1108-1128
women and the people who have been misjudged and looked down upon.Minerva died a heroine
In terms of gender ideals of medieval society, the main characters in the story are very conventional. To begin with the story meshed nicely with the social conventions that Gayle Rubin explains in Traffic of Women. Accor...
To begin, in The Rape of the Lock, Alexander Pope uses satire to invoke a capricious, melancholy mood to illustrate the absurdity of fighting over the cutting of one's hair. Hidden inside this poem is a crafty criticism of the society that helps create the crisis over the stolen lock. A Society in which appearances ere more important to a person’s sense of identity, and treats the insignificant with utmost importance.
Irigaray, Luce. "This Sex Which Is Not One." Feminism: An Anthology of Literary Theory and Criticism. Ed. Robyn R. Warhol and Diane Price Herndle. New Brunswick, NJ: Rutgers UP, 1991.
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Challenging gender roles has been an arduous task. As Virginia Woolf notes, “For most of history, Anonymous was a woman.” The structure of history, particularly that of war, has placed women as useless in comparison to men and as having no purpose beyond pleasing their partner. Euripides, for example, places women in the aftermath of the Trojan War as helpless in the face of the victors. Moreover, Macawen’s adaptation of the tragedy Trojan Women and Evans’ Trojan Barbie both discuss the docile attitude of women after a period of war. Aristotle signals diction and plot, two of the six parts of tragedy, which interprets events through the language and the actions that take place. Through the use of diction and plot, both Macewen and Trojan Women and Trojan Barbie, both Macawen and Evans challenge gender roles through the character of Helen, shows she will do whatever it takes to survive an atmosphere of male dictated war.
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