Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm. Her lasting career was not given to her easily, therefore, creating an inspiring story full of hardships and success. Ever since she was a little girl, her dream was to become a successful and famous dancer. In New York City, when she was trying to fulfill her dream, she was unable to find a job in the theatre department. Instead of being discouraged, she decided to make something good come from it. She choreographed her own routines, created her own costumes, and organized solo recitals for audiences to enjoy. This event led her to the biggest adventure in her life that would later impact the world. She was invited to return back to London to pursue her education in the performing arts, so that she could further improve her talents that would make up her entire career. During one of her returns to the United States, Agnes de Mille included exquisite choreograph... ... middle of paper ... ...Agnes De Mille - ABT." Agnes De Mille - ABT. N.p., n.d. Web. 01 Oct. 2013. "Agnes De Mille | IBDB: The Official Source for Broadway Information." Agnes De Mille | IBDB: The Official Source for Broadway Information. N.p., n.d. Web. 01 Oct. 2013. "Agnes De Mille :: Rodgers & Hammerstein :: Bio Details." Agnes De Mille :: Rodgers & Hammerstein :: Bio Details. N.p., n.d. Web. 01 Oct. 2013. "Agnes De Mille." Nytb.org. N.p., n.d. Web. 1 Oct. 2013. "Agnes De Mille." PBS. PBS, n.d. Web. 01 Oct. 2013. "Agnes De Mille Quotes." BrainyQuote. Xplore, n.d. Web. 01 Oct. 2013. "Agnes DeMille Dances - Biography." Agnes DeMille Dances - Biography. N.p., n.d. Web. 01 Oct. 2013. "Agnes DeMille." The John F. Kennedy Center for the Performing Arts. N.p., n.d. Web. 01 Oct. 2013. "Rodgers and Hammerstein'sOklahoma!" Rodgers and Hammerstein's Oklahoma! N.p., n.d. Web. 01 Oct. 2013.
As child, Margaret was raised primarily by her mother and grandmother; her father had been taken hostage in Dijon, Burgundy when she was only a few years old. With her mother in charge of her education, Margaret was able to study with the same tutors who taught her brothers until the age of fift...
Pellegrini, Ann. “The Plays of Paula Vogel.” A Companion to Twentieth-Century American Drama. Ed. David Krasner. Malden, MA: Blackwell, 2005. 473-84.
Stempel, Larry. Showtime: A History of the Broadway Musical Theater. New York: W. W. Norton & Company, Inc., 2010.
Her parents who at that time could not understand the choices she made are very happy for their daughter and what she has accomplish. When she left her home at the middle of a fight and never went back. She said,” I had to make my own way” and then lived in a Manhattan dance studio where she was training. Then she got an apartment with some friends in Manhattan Hell’s Kitchen. Since the time she move out of her home she started her showbiz career as a dancer in stage musicals and most notably in her tour to Golden musicals of Broadway and in a Japanese tour. Then she audition to be a fly girl in Fox’s hit comedy “In living Colors,” she beat out 2,000 other contenders in a nation wide competition. Then she cracked into Hollywood and she wanted to make a transition to acting, but she followed Color producer Keenan Ivory Wayans advice to stay with the show for a while before making any attempt to move on.
The partnership of Richard Rodgers and Oscar Hammerstein was made possible by Richard Rodgers’ partner, Hart, becoming increasingly difficult to get back to work. Rodgers wished to adapt the play Green Grow the Lilacs into a musical, but Hart wasn’t interested in the show. So, Rodgers took Oscar Hammerstein up on his offer to collaborate on a project. That project turned out to be the successful musical Oklahoma!
On a Wednesday night I saw Texas State Theatre and Dance Department's performance of A Chorus Line. The main plot of the musical entails the audition of 17 dancers for several Broadway roles on the chorus line. However, during their auditions the director Zach asks for personal stories of each dancer's life. Though the plot of this musical is seemingly simple in its twist on the traditional audition, it explores themes that reveal the human experience, the search for individuality, and the sense of self.
Adele Ratignolle, a women of pure beauty and perfection, depicts someone that every man at the time wants to marry. Within the
After her death, it was revealed that Du Maurier had an extramarital affair with actress Gertrude Lawrence and professed an attraction to Ellen Doubleday, the wife of her American publisher. According to her biographer, Margaret Forster, Du Maurier viewed herself as two distinct individuals: first, a wife and mother, and second, a lover (comprised of male energy) which inspired her creative process (“The” 2)
Wells, E A. (2011) West Side Story Cultural Perspectives on an American musical. Maryland: Scarecrow Press, Inc.
Madame Geoffrin Was a French enlightment in (1699-1777) who was born in France. She was the first child of bourgeois who was later named Pierre rodet. At a young age her mother died from giving birth to her brother. When that happened she was sent to live with her grandmother Madame Chemineau on the rue Saint-Honoré. She was Known for the salon on the rue saint honor`e. In her salon she had an aristocratic view of political and social matters. She was devoted to the management and organization of her salon. She held dinners at her salon twice weekly. Monday’s were for artists. Wednesdays were reserved for men of letters. She hosted influential philosophers of her time. She expressed the quality of politeness, and helped to continue intellectual
Mark Twain, an American author and humorist, once said, “There are five kinds of actresses: bad actresses, fair actresses, good actresses, great actresses – then there is Sarah Bernhardt,” (qtd in Polchin 35). Throughout her childhood and teenage years there were many life events that had occurred. However, the events that I have stated I believe were the major turning points of her life. Sarah was an amazing woman, she loved her family and she loved who she was. Even through all the ups and downs that she had with her family, living in pensions and convents, she still had hope for her life. She never gave up on her dreams even when she felt like she no longer wanted to be in the theatre. Sarah Bernhardt was known to be the best and most famous French actress in the whole world (Polchin 35).
Kenrick, John. Musical Theatre A History. New York: The Continuum International Publishing Group, 2008. Print.
Many newspaper articles described her background in acting and her ongoing work as a teacher and director. However, she was careful not to appear as if she wished to take the spotlight for herself. Her characterization as a bright and interesting person “in her own right”—as she absolutely was—had the dual effect of highlighting her individuality and of making her insistence that her husband was her first priority seem all the more striking and
Edna seeks occupational freedom in art, but lacks sufficient courage to become a true artist. As Edna awakens to her selfhood and sensuality, she also awakens to art. Originally, Edna “dabbled” with sketching “in an unprofessional way” (Chopin 543). She could only imitate, although poorly (Dyer 89). She attempts to sketch Adèle Ratignolle, but the picture “bore no resemblance” to its subject. After her awakening experience in Grand Isle, Edna begins to view her art as an occupation (Dyer 85). She tells Mademoiselle Reisz that she is “becoming an artist” (Chopin 584). Women traditionally viewed art as a hobby, but to Edna, it was much more important than that. Painting symbolizes Edna’s independence; through art, she breaks free from her society’s mold.
... is the star of London, the “fascinating young actress of the Comedie Francaise” who “glided through republican, revolutionary, bloodthirsty Paris like a comet with a trail behind her of all that was most distinguished, most interesting, in intellectual Europe.” Marguerite is the conventional picture of a fascinating young socialite.