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The End of Love and Acceptance of Loss in “Eveline” by James Joyce and “Hills Like White Elephants” by Ernest Hemingway
At least once in a lifetime, most people will experience the end of a love and have to deal with the difficulties of moving on. The end of a romance can occur either through choosing to leave your other half or being the one who is left. In the short stories “Eveline” by James Joyce and “Hills Like White Elephants” by Ernest Hemingway there are particularly good examples of the end of love and acceptance of loss. The end of a relationship should not be looked at as the end of the world, but as a chance to grow from the experience. The women in these stories both felt pain from their losses but in the words of Alfred Lord Tennyson, “tis' better to have loved and lost, than to have never loved at all”.
In the story “Eveline” by James Joyce, a young woman, Eveline, is torn between leaving for a new life in Buenos Aires with her fiancé, Frank, or staying home and taking care of her father. Although Eveline loves Frank, she knows that her father needs her. At home she knows everyone and everyone knows her, but in Buenos Aires there would only be Frank. “Frank was very kind, manly, [and] open-hearted” and Eveline knew that life with him would be wonderful and exciting but she also had a duty to her family (Joyce 659). “The promise to her mother, her promise to keep the home together as long as she could” was the only thing keeping Eveline from leaving (Joyce 660). Her father had a terrible mean streak and they fought constantly but now that he was growing old she knew she could not leave him. As Eveline and Frank waited at the dock for their boat these thoughts were going around and around in her head. At the las...
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...er this loss of love, but in the end we can hope they were able to move on. This is what should be taken from these stories; that although the end of love can be painful, it is important to move on and grow from these experiences.
Works Cited
Dilworth, Thomas. "THE NUMINA OF JOYCE'S 'EVELINE'." Studies in Short Fiction 15.4 (1978): 456.Academic Search Complete. EBSCO. Web. 24 Apr. 2011.
Hashmi, Nilofer. "HILLS LIKE WHITE ELEPHANTS": THE JILTING OF JIG." Hemingway Review 23.1 (2003): 72-83. Academic Search Complete. EBSCO. Web. 24 Apr. 2011
Joyce, James. "Eveline." 2009. Legacies. By Jan Z. Schmidt, Lynne Crockett, and Carley R. Bogarad. 4th ed. Wadsworth Cengage Learning. 658-61. Print.
Hemingway, Ernest. “Hills Like White Elephants.” Legacies. By Jan Z. Schmidt, Lynne Crockett, and Carley R. Bogarad. 4th ed. Wadsworth Cengage Learning. 664-67. Print.
Hills like White Elephants by Ernest Hemingway is a short story that deals with the idea of conformity and the conflict caused by internal desire and pressure from another party. The short story is very subtle, and often uses these subtleties in combination with incredible amounts of symbolism interlaced throughout the narrative to cause the reader to look and think deeper into the motives, values and convictions of the conflict between the two protagonists respective desires. When two parties are at an impasse of desire, the conviction of their opposing beliefs become increasingly unshakeable. This results in dissension due to the severe lack of understanding between the parties involved and furthermore, they refuse to be held responsible
Mays, Kelly J. "Hills like White Elephants." The Norton Introduction to Literature. 500 Fifth Avenue, New York, N.Y.: W. W. Norton & Company, Inc., 2013. 788-792. Print.
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
“The Hills Like White Elephants” is a short story that is about an American man and a girl called Jig. They are sitting at a table outside a train station, waiting for a train to Madrid. While they wait they order drinks and have a heated ongoing conversation over whether or not Jig will have an operation that would be of great significance to their relationship. “The Hills Like White Elephants” by Ernest Hemingway has two important symbols in the story, the hills and the drinks both of which help to give us a better understanding of what is going on between the American and his girl.
Rankin, Paul. Hemmingway’s “Hills Like White Elephants.” Explicator. 63.4 (Summer 2005): 234-237. Rpt. In Short Story Critisism. Ed. Jelena O. Krstovic. Vol. 117. Detroit: Gale, 234-237. Literature Resources from Gale. Gale. . 12 Jan. 2015.
Hemingway, Ernest. "Hills Like White Elephants." The Norton Introduction to Literature.Eds.Alison Booth, J. Paul Hunter, and Kelly J. Mays. Shorter 9th ed. New York: Norton, 2006.128-132
Burroway, Janet. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman, 2003. As Rpt. in Rankin, Paul "Hemingway's `Hills Like White Elephants'." Explicator, 63 (4) (Summer 2005): 234-37.
---, "Hills Like White Elephants." The Short Stories of Ernest Hemingway. New York: Charles Scribner?s Sons, 1953. 273-278.
James Joyce is the author of Dubliners, a compilation of Irish short stories that reflect on the feelings he associates with the city of Dublin, where he grew up in a large impoverished family. After he graduated from the University College, Dublin, Joyce went to live abroad in Paris, France. This action indicates a sense of entrapment that led to his desire to escape. The situations in his stories differ significantly, but each character within these stories experiences this sense of escape that Joyce had. In “An Encounter”, two boys make their first real move at being independent by skipping school to explore Dublin. In “Eveline”, the main character has a choice between taking care of her unstable father or leaving him to lead a new life with a man she has been seeing. In Joyce’s story, “The Dead,” a young man is thrown into deep human assessment, becomes unsure of who he is, and soon after is frightened of this newly discovered truth. The stories in Dubliners implicate this need for independence through characters in different situations and experiencing the feeling of entrapment.
Hemingway, Ernest. “Hills Like White Elephants.” Fiction 101: An Anthology of Short Fiction. James H. Pickering. Twelfth Edition. Pearson Education, Inc., 2010. 638-641
Renner, Stanley. "Moving to the Girl's Side of 'Hills Like White Elephants'." The Hemingway Review 15.1, 1995. 27-41.
Hemingway, Ernest. "Hills Like White Elephants." Perrine's Literature: Structure, Sound, and Sense. Ed. Thomas R. Arp and Greg Johnson. Boston: Thomson Wadsworth, 2006. 268-272.
Hemingway, Ernest. “Hills Like White Elephants.” Literature Approaches to Fiction, Poetry, and Drama. Ed. DiYanni, Robert. 2nd ed. New York. Mc Grew Hill. 2008. 400-03. Print.
The art, literature, and poetry of the early 20th century called for a disruption of social values. Modernism became the vague term to describe the shift. The characteristics of the term Modernism, all seek to free the restricted human spirit. It had no trust in the moral conventions and codes of the past. One of the examples of modernism, that breaks the conventions and traditions of literature prior to Modernism, is Ernest Hemingway’s short story “Hills Like White Elephants”. The short story uses plot, symbolism, setting, dialogue, and a new style of writing to allow human spirit to experiment with meaning and interpretation.
Hemingway, Ernest. “Hills Like White Elephants.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 113-117. Print.