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Comment on the two major characters in the novel A Tale of Two Cities
Tale of two cities characters
Tale of two cities characters
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“It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to, than I have ever known.” Book 3, Chapter 15, Page 361 [last page in the chapter]
Discovering the principal characters in any novel and observing how they relate to one another provides a person with hours of enjoyment. The very idea that a writer can with words create a world in which these characters can grow and mature in any way the author desires should remind the reader that, in many ways, their lives are nothing more than the shadows of the master author’s design. Charles Dickens, without a doubt, spun words into spools of yarn that he could use to create wonderful, inspiring and sometimes very dark individuals. It is one of these wonderful enduring creations that have captured the minds of more than a few of his readers. From the pages of “A Tale of Two Cities” Dickens develops Sydney Carton as man of many sorrows yet a man who threads his way through the hearts and minds of those who would best be served by his love for Lucie. The goal of this paper is to introduce the reader to the hero of this epic novel. In his last words Sydney Carton sums up what many hope for but few realize “It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to, than I have ever known.” Book 3, Chapter 15, Page 361 [last page in the chapter]
A number of writers have attempted to help the readers of Charles Dickens’ novel understand the role of Sydney Carton. He has been written about as being a picture of Jesus Christ who takes the place of Charles Darnay at the guillotine. And perhaps they have a point. But, if the critics of the novel would remember, it is his love for Luci...
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...ings greater comfort to Carton than knowing that he gives to Lucie the one thing that he had wanted to give her all along, the one thing that he had which had seen the depths of apathy and the splendor of love.
Charles Dickens failed in his own life and marriage. Dickens found in Carton the person he wanted to be. Somewhere in Carton lived Charles Dickens. Somewhere in the novel Dickens found the redemption he desired so desperately.
Lucie’s love of life and her calm intelligent love for others are huge in her ability to bring the best out in a person. Those around her are headed for greatness as she has this greatness in her. Dickens uses Lucie to speak volumes into the lives of those around her. She is the one who directs the lives of others. If it were not for Lucie, there would be no Sydney Carton, and there would be no hope for Charles Dickens.
Towards the middle of the book, A Tale of Two Cities, Carton professes his love for Lucie and he says "'For you, and for any dear to you, I would do anything. I would embrace any sacrifice for you and for those dear to you. And when you see your own bright beauty springing up anew at your feet, think now and then that there is a man who would give his life, to keep a life you love beside you.'" He means that he would do anything for her, because he loves her so very much. He tells Josh Barsad that he is going to marry miss Manette, but then he backs out of it.
It is very important to include Stryver’s love for Lucie in this novel. Through Stryver’s love we see a comparison of Charles, and Cartons love for Lucie. Stryver wants to marry Lucie for all the wrong reasons. He wants her to be his trophy wife, who can help with his professional business work. Stryver doesn’t really love Lucie. While Charles on the other hand has a deep real love for Lucie. As does Carton, who will do anything for her. Carton wants all the goodness in the world and save it to give to Lucie. Cartons love isn’t known to everyone; he doesn’t think of himself worthy enough for her, so he doesn’t try hard enough. Both Charles and Carton’s love is completely unselfish. They both want the best for Lucie. While Stryver’s Love isn’t even real love.
Sidney Carton’s conversation with Lucie Manette is an example of foreshadowing. Mr. Carton confesses to Lucie that he loves her and also states, “ For you, and any dear to you, I would do anything” (Dickens 117). Even though Carton does not distinctly know that he will be sacrificing his life, this phrase foreshadows the ending of the novel, which requires Mr. Carton sacrificing himself to save Darnay. In the chapter when Mr. Carton and Charles Darnay are switching places, Sidney Carton has Darnay write to Lucie, “’I am thankful that the time has come, when I can prove them. That I do so is no subject for regret or grief’” (Dickens 273). Mr. Carton does something for Lucie like he previously stated he would. At the end of the novel, Sidney Carton feels like he achieved and fulfilled his purpose in life by saving Darnay for Lucie.
Sydney’s execution seems to allow him to forgive and redeem himself for his past wrongdoings. In his final actions (such as the reassurance of the weaver girl and the Bible quotation), Carton appears to better himself as a person in his last moments of personhood. In addition, Sydney potentially improves the life of future generations by giving up his own. He is motivated by the thought his love, Lucie, and Darnay having a child of his namesake, and pledges that his loyalty and death will mean betterment for thousands of good people. This is supported by the following quote: “I see him [Darnay’s child] winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away.” (pg. ) Carton’s choice could either be seen as a noble rebirth, Christ-like in its execution, or a final self-indulgent act of fatalism. However, Dickens certainly seems to think that he is nothing less than a
Rebirth, a prominent idea in Christianity and Western thought, is often associated with rejuvenation and second chances. The idea of a second birth is both a baptism and a change in identity— all of which figure prominently in Charles Dickens’s novel, A Tale of Two Cities. Two characters, Dr. Manette and Sydney Carton, both go through the process of rebirth and a change of identity. The process of birth is in nature a responsibility of the female, in both Dr. Manette’s case and Sydney Carton’s they are reborn through the actions they do for Lucie— whose name is telling in itself, meaning light/daylight all symbolic of something new/God the light and the way. Resurrection is a reoccurring theme which can be seen through the actions of Dr. Manette and Sydney Carton.
When Carton is being taken to the guillotine, he meets a young seamstress who was imprisoned with Darnay. She soon discovers that Carton is not actually Darnay, ““Are you dying for him?” she whispered. “And his wife and child. Hush! Yes.”” (Dickens 365). Caron is asked by the seamstress if he is sacrificing himself for Darnay. Carton replies that he is, but also for Darnay’s wife and child, Lucie and little Lucie. This shows why Carton is sacrificing himself. Carton, though he is saving Darnay’s life, is ultimately giving his life to save Lucie and her child, as well as the future children she and Darnay will have. His love for Lucie is the true reason he commits such an act of self-violence. Sydney Carton’s sacrifice is heroic because he willingly gives his life to save Darnay’s and to preserve the happiness of his family (Keck). Carton is ultimately driven by his love for the Manette family, and his desire to protect them and the love they have for one another. Though Sydney Carton is seemingly a failure, “his redeeming grace is his love for Lucie, which persuades him to sacrifice himself so that she and her family can escape” (Plot Summary). Again, this shows that Carton’s sacrifice is driven by the love he holds for Lucie. Everything Carton told Lucie he would do for her and her family has ultimately
Lucie Manette is a compassionate and benevolent character that aids in the resurrection of Sydney Carton and Dr. Manette. At the beginning of the book Lucie is only 17, but maturity beyond her age is reflected in her character. She is the ideal Victorian lady, perfect in every way. Lucie is gorgeous, with long, beautiful golden hair. She is very positive and unselfish, always willing to help others. Her wonderfully kind and sympathetic nature causes the men to fall in love with her. She doesn't look down upon anyone and sees the best in who some may see the worst. These qualities in Lucy are what make possible the resurrections of Sydney Carton and Dr. Manette's lives.
Dickens responded to this "dog-eat-dog" social climate by writing A Tale of Two Cities as a vehicle to reform society. He intends to fortify Christian values within English culture, such as self-sacrifice and kindness, in a time when he feels these values are threatened and sometimes completely overlooked. In this essay, I will show how Dickens interweaves his moral agenda of Christian values into the novel by using contrasts, symbols, and the motif of doubles as well as the evolution of Sydney Carton into a Christ-like figure with the goal of inspiring the reader to the point of evolving into an ethically "good" human being.
		Sydney Carton has been presented as the worthless human being. He was always drunk. He did not acquire any high social position. He was always alone and lonely. Nobody loved him and nobody respected him. "I care for no man on earth, and no man on earth cares for me" said Carton (page 99). However, Sydney Carton did never cause any harm to anybody, but actually helped the people around him. Sydney Carton was physically identical to Charles Darnay. When Darnay was being prosecuted for treason against the English government, Carton allowed Mr. Stryver (the lawyer Carton worked for) to reveal him "Look well upon that gentleman, my learned friend there, and then look well upon the prisoner. How say you? Are they very like each other?" said Stryver (page 86). "My lord inquired of Mr. Stryver, whether they were next to try Mr. Carton for treason? But Mr. Stryver replied no" (Page 86). The court then released Darnay. This was one of the ways Sydney Carton presented assistance to others, and that shows that he is a good person who does not mind helping other people. After the trial Carton and Darnay met with each other, and they had a talk. Mr. Carton had told Darnay that he hated him because Lucy loved him. Couple of months after this incident, Mr. Carton asked to meet with Mr. Darnay. Carton asked Darnay to forgive him for the previous incident and also asked him to be his friend. "Mr. Darnay, I wish we might be friends" said Carton (page 251) "On the drunken occasion in...
The most dynamic character in Charles Dickens, 'A Tale of Two Cities,' appears as Sydney Carton. First, Carton presents himself as a drunk, lazy attorney, who feels as though his life has no meaning. However, Carton as well as others know deep down that his life does have true meaning. Carton professes his love to Lucie Manette. Inexplicably, Carton becomes a changed man; this important turning point molds the remainder of the novel. After he exits the den, he finds his independence. When Sydney Carton becomes enlightened, he transforms into a Christ-like figure. He begins to shoulder his way through life.
both positive and negative traits that they hold. Sydney Carton in Charles Dickens’ A Tale
Dickens is often held to be among the greatest writers of the Victorian Age. Nonetheless, why are his works still relevant nearly two centuries later? One reason for this is clearly shown in Dickens’ A Tale of Two Cities. In the novel, he uses imagery to sway the readers’ sympathies. He may kindle empathy for the revolutionary peasants one moment and inspire feeling for the imprisoned aristocrats the next, making the book a more multi-sided work. Dickens uses imagery throughout the novel to manipulate the reader’s compassion in the peasants’ favor, in the nobles defense, and even for the book’s main villainess, Madame Defarge.
Lastly and most importantly would be Lucie’s elaborate expression of sentimentality in her constant fainting at the least sign of distress. However unbearable it might have seemed, the reader could not fully appreciate the significance of her character and why she was loved by so many equally sentimental; characters in the novel. When Lucie early on testifies at Darnay’s trial in the English court, she says, “He was kind, and good, and useful to my father. I hope,” and here she bursts into tears, “ I may not repay him by doing him harm here today.” Her deep sensitivity and generous nature shines through. And remember, when Lucie stands forlornly and devotedly at a place near the Paris prison in order for her husband, Darnay, to glimpse her and their child, it is clear that Dickens wanted to portray her as a loving, faithful, and sympathetic person.
From the beginning of the novel, Lucie is willing to make sacrifices to take care of her family and keep the bond between them strong. Lucie’s first life-altering sacrifice begins when she realizes that her father, thought to be dead, is alive. While discussing Lucie’s father, Mr. Lorry says to Lucie, “Your father has been taken to the house of an old servant in Paris, and we are going there: I, to identify him if I can: you, to restore him to life, love, duty, rest, comfort” (Dickens 29). Given this information from Mr. Lorry, Lucie recognizes that her jaded father needs her help in order to return to a normal life. This requires great sacrifice, but, later in the novel, Lucie also takes on the task of caring for the rest of her family. While quietly sitting in her house, listening to footsteps, Lucie is “Ever busily winding the golden thread that bound them all together, weaving the service of her happy influence through the tissue of all their lives, and making it predominate nowhere” (Dickens 216). Lucie’s “golden thread” is the single thing holding the family together, keeping peace and eliciting happiness through her sacrifices. She is able to bring her father out of madness an...
Characters who yearn for appreciation, the portrayal of a depressing ambiance, and the repetition of buried guilt are a few resemblances of the Masterpiece rendition of Great Expectations and Dickens’ novel. In both adaptations, many characters struggle with the loneliness and troubles of life. Although life’s issues differ from when the novel was written until now, the audience can still relate to the characters. This classic story has traveled through many era’s and the moral is still understandable to all people who have enjoyed the tale in its many different formats. It is especially relatable to those who have struggled to cope with the challenges of life.