A Streetcar Named Desire by Tennessee Williams

In Tennessee Williams’ 1947 play, “A Streetcar Named Desire,” Stella and Stanley Kowalski live in the heart of poor, urban New Orleans in a one-story flat very different from the prestigious home Stella came from. This prestige is alive and well inside Stella’s lady-like sister, Blanche Du Bois. Over the course of Blanche’s life, she has experienced many tragedies that deeply affected her, such as the death of her gay husband, the downward spiral in her mental health that followed, and most recently the loss of her wealth and therefore social status. She constructs a proverbial lampshade to mask her pain and to control the last part of her world that she is able to, the image she projects into the world for herself and others to see. The brooding prince of William Shakespeare’s “Hamlet” chooses a very similar way of coping with the hand life has dealt him. When his mother remarries his uncle only a month after his father’s passing, the ghost of Hamlet’s father visits the young prince demanding avengement. These events cause Hamlet to try to replace the old lampshade that helped him cope with reality by changing his own image and fooling himself and others into thinking he’s crazy. An examination of both plays reveals that the importance of subjective truths and the way in which Blanche and Hamlet use them to cope transcends the context of both plays.
Blanche’s lampshade is the filter for all the harsh realities of life that she would rather not deal with. In a scene with Stanley’s friend Mitch, Blanche tells Mitch to cover up a light bulb with a Chinese lampshade, “I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action” (1837). In this scene Blanche blatantly tells the other characters and the a...

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...e becomes a misanthrope who considers suicide and withdraws from the company of others. Through these fictional characters, the readers can understand the importance of choosing the healthy ways to cope with terrible events that happen in their lives instead of the dysfunctional ways that the characters chose.

Works Cited
Galloway, Shirley. “Last Stop: Blanche’s Breakdown.” Shirlsite. Cyberpat,1993. Web. 6 May 2014.
Langley, Travis. “The Psychodynamic Duo: Freud and Jung on Batman and Robin.” Henderson State University. Henderson State University, 2011. Web. 10 May 2014.
Shakespeare, William. “Hamlet.” The Norton Introduction to Literature. Ed. Kelly J. Mays. 11th ed. New York: Norton, 2013.1709-1804. Print.
Williams, Tennessee. “A Streetcar Named Desire.” The Norton Introduction to Literature. Ed. Kelly J. Mays. 11th ed. New York: Norton, 2013.1815-1881. Print.