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In Tennessee Williams’ play A Streetcar Named Desire, he evaluates Blanche’s struggle to accept reality. Williams brings to the attention of the audience that Blanche has psychological issues; therefore, she cannot decipher between fact and fiction, or is it her choice to deny reality? Blanche DuBois, Williams’ most famous Southern belle finally resolves a lifetime of psychological conflicts (Rusinko 2738). Blanche tries to live a life of both desire and decorum (Riddel 17), thus driving her to insanity. Sigmund Freud would characterize Blanche’s psychological problem as id v. ego and superego (Riddel 17). The id is the primitive and instinctive component of personality. The ego develops in order to mediate between the unrealistic id and the external real world. The superego incorporates the values and morals of society which are learned from one's parents and others (McLeod). Williams psychological approach to his characters is most evident in the character of Blanche DuBois. Blanche is both a representative and victim of a tradition that taught her attractiveness, virtue, and gentility lead to happiness (Corrigan 56). The time period that Blanche grew up in forced her to think that she was to have a sense of poise and grace. She should never let anyone think that she was anything less than a lady. Blanche represents the Southern traditions; therefore, she was expected to be a woman of eloquence (Bigsby 45). However, once Blanche leaves Belle Reve her image is completely destroyed. Williams portrays Blanche as a Southern woman who cannot find herself or grip reality due to this illusion she has created. Blanche needs reassurance that she is beautiful to due her insecure nature brought on by the passing of her husband. She tries... ... middle of paper ... ... Alvin B. "Truth and Dramatic Mode in A Streetcar Named Desire." Modern Critical Views Tennessee Williams. By Harold Bloom. New York: Chelsea House, 1987. 9-11. Print. McLeod, Saul. "Id Ego and Superego." Simply Psychology. Simply Psychology, 2008. Web. 26 Jan. 2014. O'Connor, Jacqueline. "Babbling Lunatics: Language and Madness." Bloom's Modern Critical Views: Tennessee Williams. By Harold Bloom. New York: Infobase, 2007. 11-26. Print. Riddel, Joseph N. "A Streetcar Named Desire-Nietzche Descending." Modern Critical Views Tennessee Williams. Ed. Harold Bloom. New York: Chelsea House, 1987. 13-22. Print. Rusinko, Susan. “A Streetcar Named Desire.” Magill’s Survey of American Literature. Ed. Steven G. Kellman. rev. ed. Vol.6. Pasadena, Ca.: Salem Press, Inc., 2007. 2734-2739. Print. Williams, Tennessee. A Streetcar Named Desire. New York: New Directions, 1947. Print.
McGlinn addresses the third dialectic taking hold of Blanche: illusion versus reality. McGlinn points out that, like all the women in Williams’s plays between 1940 and 1950, Blanche “refuses to accept the reality of her life and attempts to live under illusion.” [Tharpe, 513]. Although McGlinn is accurate in noting Blanche’s conflict between gentility and promiscuity, the result of which is “self-defeat instead of survival” [Tharpe, 513], she fails to see that Blanche lives in both illusion and reality simultaneously, and it is this dialectic that is the slow poison which destroys her. This death-instinct gives us the fourth and last dialectic in Blanche: her struggle between death and desire.”
Williams, Tennessee. "A Streetcar Named Desire." The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2007. 2337-2398.
Blanche was awfully spoiled as a young girl. She lived in a huge house named Belle Reve, where servants would wait on her every want and need. This led her to never experience any hardships or adversity as a child. She had no previous experience of when she was forced to deal with any difficulties. She just had other people to take care of them for her. This is why, as an adult, Blanche doesn’t know how to overcome adve...
Williams, Tennessee. “A Streetcar Named Desire”. The Theater of Tennessee Williams. Vol. I. New York: New Directions, 1971.
During scene one, the audience is introduced to Blanche as Stella's sister, who is going to stay with her for a while. Blanch tries her best to act normal and hide her emotion from her sister, but breaks down at the end of scene one explaining to Stella how their old home, the Belle Reve, was "lost." It is inferred that the home had to be sold to cover the massive funeral expenses due to the many deaths of members of the Dubois family. As Blanche whines to her sister, "All of those deaths! The parade to the graveyard! Father, mother! Margaret, that dreadful way!" (21). The audience sees this poor aging woman, who has lost so many close to her, and now her home where she grew up. How could anyone look at her, and not feel the pain and suffering that she has to deal with by herself? Williams wants the audience to see what this woman has been through and why she is acting the way she is. Blanche's first love was also taken from her. It seems that everyone she loves is dead except for her sister. Death plays a crucial role in Blanche's depression and other mental irregularities. While these circumstances are probably enough for the audience to feel sympathy for Blanche, Williams takes it a step further when we see Blanche's...
Early in Blanche’s life before she arrived at the Kowalski’s residence, Blanche already led a life of promiscuity and alcoholism, which is exhibited when “she pours a half tumbler of whiskey and tosses it down.” Additionally, Blanche loses her job due to an inappropriate relationship with a student, and her excessive drinking throughout the play was triggered when she unknowingly married a homosexual man that later committed suicide after the discovery of his sexual preference. These events show who Blanche is as a person and how she operates in the world. She relies on her ability to act as an object of male sexual desire since her interactions with the males in the play always commence with flirtation. This is demonstrated when Blanche tells St...
From the first moment the Williams introduces Blanche, it is evident that she believes herself to be of a higher class, and this is shown with how uncomfortable she is around those of a lower class. When Blanche is shown an act of kindness from Eunice, “Why don’t you set down?” her response to this person of a lower class than herself is dismissive, “…I’d like to be left alone.” She instantly expects too much from a place called ‘Elysian Fields’. Blanche feels uneasy about being around those that are of a lower class, especially of those who she does not know, which is clear when she is reunited with her sister. She immediately becomes ostentatious in her actions, and begins to speak with “feverish vivacity”, “Stella, Oh Stella, Stella! Stella for Star!” Perhaps she is relieved to be with her sister once again, or it could be that she feels she now has someone to be dominant over, since she has little control over her own life. Blanche comes across as being very motherly towards Stella, “You messy child” in spite of the fact that Stella is soon to beco...
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.
A Streetcar Named Desire sets the decaying values of the antebellum South against those of the new America. The civil, kindly ways of Blanche’s past are a marked contrast to the rough, dynamic New Orleans inhabited by Stella and Stanley, which leads Tennessee Williams’s “tragedy of incomprehension” (qtd. in Alder, 48). The central protagonist, Blanche, has many flaws; she lies, is vain and deceitful, yet can be witty and sardonic. These multifaceted layers balance what Jessica Tandy, who played Blanche in the first stage production in 1947, “saw as her ‘pathetic elegance’ . . . ‘indomitable spirit and ‘innate tenderness’” (Alder 49). Through a connected sequence of vignettes, our performance presented a deconstruction of Blanche that revealed the lack of comprehension and understanding her different facets and personas created. Initially Blanche is aware of what she is doing and reveals
*Quotes from the play: Tennessee Williams, A Streetcar named Desire and Other Plays, Penguin Twentieth-Century, ISBN 0-14-018385-X
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
In conclusion, “A streetcar named Desire” in which a central character is flawed but nevertheless gains your admiration. Williams firstly effectively shows this through his use of characterization creating a contrast which leads to conflict thus bringing out sympathy and admiration. This conflict also draws the audience’s attention to Blanche’s flawed character. Secondly, Williams’ use of aspects of staging also draws out admiration for Blanche from the audience. Finally, Williams’ use of key scenes further relates to Blanche’s flaw and successfully extends the audience’s admiration for her
Written in 1947, A Streetcar Named Desire has always been considered one of Tennessee William’s most successful plays. One way for this can be found is the way Williams makes major use of symbols and colours as a dramatic technique.
Blanche consider herself as a Southern Belle, despite the changing of her status. Her life changed when she is facing financial difficulty and she has to pay for the cost of the funeral of her relatives.Blanche has lost Belle Reve