Literature is both shaped by our culture and shapes it. Because of this it is an effective representation of the culture of a time. One can tell how people were affected by the events of the times by how it comes through in their writing. Aldous Huxley's Brave New World is a prime example of this. The work was targeted at people in a post WWI world. This is a time between WWI and WWII where the world is still shocked by how rapidly the science of war had advanced. People also continue to be appalled with the mass death of a World War caused by such technology and therefore yearn for a more stable world. Because of this yearning, they attempt to create a more stable environment for themselves. Most people had lost faith in the institutions they came to know because those institutions caused the War. Therefore the League of Nations was founded in 1919 only 13 years before “Brave New World” was published in 1932.
Like Brave New World the themes in literature at the time were dark; they were usually lonely. The time was about people fighting for something against a world that has lost its absolute values. There is no happy ending through good fortune or a hero or heroine coming to the rescue; one is what one makes of one’s self. Another reoccurring theme is an aversion to war. That stems from some of the historical aspects of the time.
Ethics in the modern period were very situational and there was no absolute set of moral standards that held true in every situation. The moral expectation is different at times of war then at times of peace. Massive loss of life in WWI in Britain caused a theme of destruction through technology to appear in many works of the time.
All of these themes are present in Aldous Huxley'...
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Clareson, Thomas D. "The Classic: Aldous Huxley's 'Brave New World'." Extrapolation 3.1 (Dec. 1961): 33-40. Rpt. in Contemporary Literary Criticism. Ed. Carolyn Riley. Vol. 1. Detroit: Gale Research, 1973. Literature Resource Center. Web. 10 May. 2011.
Firchow, Peter Edgerly. "The End of Utopia: A Study of Aldous Huxley's “Brave New World”." The End of Utopia: A Study of Aldous Huxley's 'Brave New World,'. Bucknell University Press, 1984. Rpt. in Contemporary Literary Criticism. Ed. James P. Draper and Jennifer Allison Brostrom. Vol. 79. Detroit: Gale Research, 1994. Literature Resource Center. Web. 10 May. 2011.
“Twenty-seven years later, in this third quarter of the twentieth century A.D., and long before the end of the first century A.F., I feel a good deal less optimistic than I did when I was writing Brave New World. The prophecies made in 1931 are coming true much sooner than I thought they would.” Resting anxiously and awaiting the Final Revolution in his psychedelic afterlife, Aldous Huxley still echos an invaluable wisdom to the generations of today and the future. The prophecies he made in Brave New World, written in 1931, are some of the most compelling ever made through the medium of fictional prose narrative. The previous pessimistic postulation though was not made in his opus, but rather it is from Huxley 's non-fiction work Brave New World Revisited, written in 1958, in which he concluded
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Zamyatin's We, George Orwell's 1984, and Aldous Huxley's Brave New World." Extrapolation 48.2 (2007): 314-39. Literature Resources from Gale. Web. 24 Feb. 2014.
“Throughout the centuries there were men who took first steps down new roads armed with nothing but their own vision,” professes Howard Roark, attempting to validate his expression of identity while prosecuting himself during the trial of the Cortlandt Homes (Rand 678). The futuristic society within Aldous Huxley’s 1932 dystopian novel, Brave New World, introduces a paucity in the freedom of the individuals, through a lack in the way the society is allowed to think, to the submission of the actions of the individuals, to the conformity in the overall daily lives. Born in Surrey, England in 1894, Huxley was born into a society in which technological advancements were held in high praise and with full excitement. Striving to one day become
Woodcock, George. "Brave New World: Overview." Reference Guide to English Literature. Ed. D. L. Kirkpatrick. 2nd ed. Chicago: St. James Press, 1991. Literature Resource Center. Web. 25 Mar. 2011.
Brave New World by Aldous Huxley is written with the idea of a totalitarian society that has complete social stability. Huxley demonstrates how a stable world deprives a person of their individuality, something that was also lost in Anthem by Ayn Rand. Brave New World exemplifies the great sacrifice needed to achieve such a stable world. This novel envisions a world where the government has complete control over people in its mission for social stability and conformity. The outcome of this is that the government has created a society with no love, freedom, creativity, and the human desire for happiness.
Aldous Huxley’s Brave New World portrays a society in which science has clearly taken over. This was an idea of what the future could hold for humankind. Is it true that Huxley’s prediction may be correct? Although there are many examples of Huxley’s theories in our society, there is reason to believe that his predictions will not hold true for the future of society.
Carver, Raymond. Cathedral. “The Norton Introduction to Literature.” New York: W.W Norton &, 2014. Print.
Alduos Huxley, in his science fiction novel Brave New World written in 1932, presents a horrifying view of a possible future in which comfort and happiness replace hard work and incentive as society's priorities. Mustapha Mond and John the Savage are the symbolic characters in the book with clashing views. Taking place in a London of the future, the people of Utopia mindlessly enjoy having no individuality. In Brave New World, Huxley's distortion of religion, human relationships and psychological training are very effective and contrast sharply with the literary realism found in the Savage Reservation. Huxley uses Brave New World to send out a message to the general public warning our society not to be so bent on the happiness and comfort that comes with scientific advancements.
McMichael, Charles T., "Aldous Huxley's 'Island': The Final Vision," in Studies in the Literary Imagination. Vol. 1, No. 2, April, 1968.
Although the end of World War II brought immense joy to the world, it was a turning point for American literature. Though the war was over, it was like starting over for America as it donned a new post war era. Authors and poets used their stories and characters to portray the grim era of that time and many of them reflected a guilt and disillusionment in the American dream. Though various writers had their own ideas of what the new post war America would shape out to be, not all had positive outlooks. It was a time of change as the United States was beginning its foray to the forefront of being the new cultural center and world power. Not only did a new generation come out of the war, but its ethnic, regional, and social character was
...production, and Shakespearian writing and Biblical/religious texts, he successfully creates meaning and pushes his agenda of the fact that total government control is devastating, and the inner human drive to be an individual can never be suppressed, which attacks the rising Socialist and Fascist societies of the time. This makes the novel Brave New World more than just a great novel to read. It makes it a socio-political masterpiece that makes people value their own human rights.
The time period after the war lead to a new world of literature. Preceding World War I, people viewed war as courageous and patriotic. The realities of World War I led the formally traditional
There were quite a few changes made from Aldous Huxley’s, Brave New World to turn it into a “made for TV” movie. The first major change most people noticed was Bernard Marx’s attitude. In the book he was very shy and timid toward the opposite sex, he was also very cynical about their utopian lifestyle. In the movie Bernard was a regular Casanova. He had no shyness towards anyone. A second major deviation the movie made form the book was when Bernard exposed the existing director of Hatcheries and Conditioning, Bernard himself was moved up to this position. In the book the author doesn’t even mention who takes over the position. The biggest change between the two was Lenina, Bernard’s girlfriend becomes pregnant and has the baby. The screenwriters must have made this up because the author doesn’t even mention it. The differences between the book and the movie both helped it and hurt it.
McConnell, Frank. The Modern Novel in America, Regnery, revised edition,1963, pg. 814. Rpt. In World Literature Criticism.