A Red, Red Rose
Love by definition is “an intense feeling of deep affection” (Webster’s Dictionary). In “A Red, Red Rose” by Robert Burns, the use of imagery, similes, metaphors, and even hyperboles (extreme exaggeration) conveys this message to the readers. Burns, a Scottish decadent, uses his countries dialect and an upbeat iambic meter to show his happiness for his newfound love. Although some critics of “A Red, Red Rose” prefer to believe that Burns wrote the poem on his deathbed, the reference to the newness and giddiness he feels send a message of endless possibilities for his love. Several examples throughout the poem will support the theory, that Burns is not dying, but actually just starting to live a new and exciting life.
In the opening stanza, the reader immediately gets an idea of Burns feeling happiness for the possibilities of a new love. The use of comma between the two reeds is putting emphasis on the romantic feeling that a single red rose represents. In line two he compares his feelings to a rose “That’s newly sprung in June:” which allows the reader to envision...
The common factor found within these two poems were in fact, metaphors. The writers Waddington and Tennyson both apply them to accentuate crucial opinions that influence love relations. In the third stanza, line one Waddington writes, “late as last autumn…”, however in the beginning of the poem he had written, “Late as last summer”. Therefore, autumn is a metaphor for different phases of life; spring represents childhood, summer is young adulthood and in this case autumn represents the middle age as winter would be death. Metaphorically speaking, as the season changed from a blissful summer to a dry autumn, so did their relationship. And we can all agree that as long as the clock remains to tick, time can change everything, even love. In Tennyson’s poem the fourth stanza, line two it mentions, “A shinning furrow, as thy thoughts in me”. This charmingly written metaphor refers to the author and his significant other. Tennyson uses a farmer’s tractor which produces furrows on the ground to relate to his sense since this person has had furrows of her thoughts leave a shining trace in his mind.
Randy Ramal explains that "Traditionally, the relationship between love and self-deception has been interpreted to suggest that people often deceive themselves about love in order to fulfill a deep need in them to give meaning to their lives. This interpretation is often invoked to explain, on the one hand, why people who are in love might claim otherwise and, on the other hand, why those who are not in love at all convince themselves of the opposite." Clara fell in love with Robert for his artistry in music but soon she deceived herself in believing she was still alive. The speaker in the poems Robert says about Clara, "I know you always / cross the distance/to which you have dedicated your life" (Morelli Larcoix p.63). Clara has dedicated her life to Robert through marriage and must stay with him. Even with the problems Robert is going through she must stay with him. In order to stay happy she must live a beautiful deception she created for herself, which is that she is still in love with
Love is a feeling, emotion, or act which is freely given; it cannot be boxed or held as a possession. The first view of the lover (gardener) is that of someone very attentive and well qualified. But the lover seems to be excessively caring for (over watering) the loved one (the rose) since he is ". . . tending it with more than loving care, . . ." (2). His actions reflect a smothering love, one that will often cause love to wither and die.&nbs...
In William Faulkner 's short story "A Rose for Emily", Faulkner brings attention to an elderly woman, Miss Emily in small-town Jefferson. Miss Emily was left with nothing but the house she had always lived in when her father passed away. With the death of her father, Emily 's life changes. The story is divided into five sections and begins with Miss Emily 's funeral, then switches over to talk about the new modern ideas and the requirements for Miss Emily. Miss Emily came from a wealthy family whom the colonel pardoned from paying their taxes. When new government officials came into office, they insisted Miss Emily pay her taxes, and she refused. This was not the only complaint townspeople had about Emily. The townspeople had multiple complaints about Miss
It is said that Millay's later work is more of a mirror image of her life. This particular poem was written 1931, when she was thirty-nine. Unlike some of her earlier work this is not a humorous poem. It is very deep and meaningful.
Some may say love is just an emotion while others may say it is a living and breathing creature. Songs and poems have been written about love for hundreds and thousands of years. Love has been around since the beginning of time, whether someone believes in the Big Bang or Adam and Eve. Without love, there wouldn’t be a world like it is known today. But with love, comes pain with it. Both William Shakespeare and Max Martin know and knew this. Both ingenious poets wrote love songs of pain and suffering as well as blossoming, newfound love. The eccentric ideal is both writers were born centuries apart. How could both know that love and pain work hand in hand when they were born 407 years apart? Love must never change then. Love survives and stays its original self through the hundreds and thousands of years it has been thriving. Though centuries apart, William Shakespeare and Max Martin share the same view on love whether i...
Love has many definitions and can be interpreted in many different ways. William Maxwell demonstrates this in his story “Love”. Maxwell opens up his story with a positive outlook on “Love” by saying, “Miss Vera Brown, she wrote on the blackboard, letter by letter in flawlessly oval palmer method. Our teacher for fifth grade. The name might as well have been graven in stone” (1). By the end of the story, the students “love” for their teachers no longer has a positive meaning, because of a turn in events that leads to a tragic ending. One could claim that throughout the story, Maxwell uses short descriptive sentences with added details that foreshadow the tragic ending.
Concerning the contextualization of A Rose of Family as a sign of the times of women at that point, where cultural norms of women lead to a life in domestication. The recognition of the rose here as it is carefully placed in the title of the piece as well bears significance to the physical rose and what it meant to the young women in the South during the 1800s (Kurtz 40). Roses are generally given as tokens of love and affection by males to females. There are even remnants of it today where young lads also profess their love to women with roses; women still see it as an act of endearment towards them.
Will's beloved is "more lovely and more temperate (18.2)" than a summer's day; "the tenth Muse (38.9);" "'Fair,' 'kind,' and 'true' (105.9);" the sun that shines "with all triumphant splendor (33.10)." We've heard all this before. This idealization of the loved one is perhaps the most common, traditional feature of love poetry. Taken to its logical conclusion, however, idealized love has some surprising implications.
Love has the power to do anything. Love can heal and love can hurt. Love is something that is indescribable and difficult to understand. Love is a feeling that cannot be accurately expressed by a word. In the poem “The Rain” by Robert Creeley, the experience of love is painted and explored through a metaphor. The speaker in the poem compares love to rain and he explains how he wants love to be like rain. Love is a beautiful concept and through the abstract comparison to rain a person is assisted in developing a concrete understanding of what love is. True beauty is illuminated by true love and vice versa. In other words, the beauty of love and all that it entails is something true.
In William Faulkner's "A Rose for Emily," Miss Emily Grierson is a lonely old woman, living a life void of all love and affection; although the rose only directly appears in the title, the rose surfaces throughout the story as a symbol. In contemporary times, the rose also symbolizes emotions like love and friendship. The rose symbolizes dreams of romances and lovers. These dreams belong to women, who like Emily Grierson, have yet to experience true love for themselves.
The rose is very fragile and needs constant care. Love is not a matter of choice; it is a matter of consequence; indeed, it is a matter of survival. Men must learn to love one another or expire. Love is what gives life meaning. The little prince's love for his rose is so important to him that his love gives the author's life purpose and direction.
In today’s music, we see ballads such as Burns being played over the radio. When I see Burn’s ballad It reminds me of how Aretha Franklin uses a rose, in her song “A Rose is still a Rose”. They both have similar style, being that love songs are still sung in a ballad format. The differences in Burn’s ballad and Aretha’s song is their symbolism of the rose. Burn’s symbolism is the rose as new found romance; and Aretha’s symbolism of it is a young girl when she states, “Cause a rose is Baby, girl, you’re still a flower”. (Franklin,
On a literal level, this poem is bashing true love. This is made apparent throughout the poem. The speaker states things like “listen to them laughing-it’s an insult” and “it’s obviously a plot behind the human race’s back”. It is apparent that the speaker doesn’t have a positive opinion about true love. They even so far as to claim that it an outrage to justice and that it “disrupts our painstakingly erected principles”. This poem is about how true love is just illusion; especially to those people that never find it.
'A Red, Red Rose', was first published in 1794 in A Selection of Scots Songs, edited by Peter Urbani. Written in ballad stanzas, the verse - read today as a poem – pieces together conventional ideas and images of love in a way that transcends the "low" or non-literary sources from which the poem is drawn. In it, the speaker compares his love first with a blooming rose in spring and then with a melody "sweetly play'd in tune." If these similes seem the typical fodder for love-song lyricists, the second and third stanzas introduce the subtler and more complex implications of time. In trying to quantify his feelings - and in searching for the perfect metaphor to describe the "eternal" nature of his love - the speaker inevitably comes up against love's greatest limitation, "the sands o' life." This image of the hour-glass forces the reader to reassess of the poem's first and loveliest image: A "red, red rose" is itself an object of an hour, "newly sprung" only "in June" and afterward subject to the decay of time. This treatment of time and beauty predicts the work of the later Romantic poets, who took Burns's work as an important influence.