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Significance of a doll house
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Henrik Ibsen, author of one of the greatest drama plays A Doll House, is said this piece of work is a feminist play. Feminism is defined as a “collection of movements aimed at defining, establishing and defending equal political, economic, and social rights and equal opportunities for women”, according to Dictionary.com. Did Ibsen produce A Doll House to be a feminist play?
No matter what or how much propaganda feminist have made toward A Doll House, Ibsen, never wanted to produce a play concerning women’s rights, but that is very arguable. R.M. Adams explains, in an article which commemorates the half century of Ibsen’s death, “A Doll House represents a woman imbued with the idea of becoming a person, but it fails to propose anything categorical about women becoming people.” (1773). In fact “A Doll House is no more about women’s rights than Shakespeare’s Richard II is about the divine right of Kings, or Ghosts about syphilis… its theme is the need of every individual to find out the kind of person he or she is and to strive to become that person.” (1772). When Nora decided to leave Torvald at the end of the play she finally will have the opportunity to find the kind of person she truly is, and is no longer trapped by society as a subservient homemaking wife. However Helmer is also alongside Nora in being trapped by society as a dominate provider husband.
To Ibsen, A Doll House is not a feminist but instead he viewed it as a humanist play. Which after reading the definition it is clear that humanist meaning a person having a strong interest in or concern for human welfare, values, and dignity although when looking at the definition of a feminist back at the begging both humanist and feminist almost basically have the same mean...
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...ton Anthology. 475-77. Print
"Humanist | Define Humanist at Dictionary.com." Dictionary.com | Find the Meanings and Definitions of Words at Dictionary.com. Web. 18 Oct. 2011. .
Shmoop Editorial Team. “A Doll House.” Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 18 Oct. 2011
Templeton, Joan. “Is A Doll House a Feminist Text?” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martin’s, 2011. 1772-73. Print.
Tufts, Carol Strongin. “A Psychoanalytic Reading of Nora” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martin’s, 2011. 1767-69. Print.
Witham, Barry., and John Lutterbie. “A Marxist Approach to A Doll House” The Bedford Introduction to Literature. Ed. Michael Meyer. 9th ed. Boston: Bedford/St. Martin’s, 2011. 1767-69. Print.
Ibsen, Henrik. "A Doll House." The Bedford Introduction to Literature: Reading, Thinking, and Writing. By Michael Meyer. 9th ed. Boston: Bedford of St. Martin's, 2011. 1709-757. Print.
“A Doll House.” Literature: A Portable Anthology. Ed. Janet E. Gardner, Beverly Lawn, Jack Ridl, and Peter Schakel. Third edition. New York: Bedford/St. Martin’s, 2013. 850-908. Print.
Rogers, Katharine M. (1985): ‘‘A Doll House in a Course on Women in Literature,’’ in Approaches to Teaching Ibsen’s A Doll House, Shafer, Yvonne (ed.). New York: Modern Language Association, p.82.
Weintraub, Stanley. ""Doll's House" Metaphor Foreshadowed in Victorian Fiction." Nineteenth-Century Fiction 13: 67-69. Web. 6 Jan. 2011.
Phylogeny versus misogyny, arguable one of the greatest binary oppositions in a work of literature, is present in Henrik Ibsen’s 1879 Norwegian play A Doll’s House. The title itself suggests a misogynist view, while the work mainly consists of feminist ideology, as Ibsen was a supporter of the female as an independent, rather than a dependent on a male. Nora knew herself that her husband did not fully respect her, and this became a major conflict in the play as Nora progressively became more self-reliant in the play. Ibsen created Nora to give an example for all women, showing that they are more than what their husbands make of them. The misogynistic views in the play can be seen through Nora’s husband Torvald, due to the fact that he believed, as the majority of males did at the time, that women were not equal to them socially. This opposition caused a major conflict between the couple that progressed throughout the stage production.
The main character of A Doll's House, Nora Helmer, is constantly challenged in the play as she endeavors to be the perfect wife for her husband, Torvald, and to live according to the rules and expectations set by him. Ibsen uses symbols throughout the play to emphasize how women were seen and treated by men during the Victorian era in Norway. Even now during our modern era women are still seen as subservient to men and all men have a lesson to learn that women can be so much more than just mere "dolls" in a "dollhouse". They have values, ambitions, dreams, individuality, a place in society where they can express themselves and live meaningful lives. Will there ever be a time in the future where women will be treated as equals to men?
SparkNotes Editors. “SparkNote on A Doll’s House”. SparkNotes LLC. 2002. SparkNotes.com. 20 Mar 2011. http://Sparknotes.com/lit/dollhouse/themes.html.
Ibsen, Henrik. The Project Gutenberg EBook of a Doll's House. [EBook #2542]. The Project Gutenberg, 13 Dec. 2008. Web. 14 Mar. 2011. .
Now, this construction certainly arises from what is in the play, and I don't wish to dismiss it out of hand. However, today I would like to raise some serious question about or qualifications to it. I want to do so because this vision of A Doll's House has always struck me as oversimple, as, in some sense, seriously reductive, an approach that removes from the play much of its complexity and almost all its mystery and power.
Ibsen, Henrik. A Doll's House. Literature and Ourselves. 2nd Ed. Ed. by Gloria Henderson, Bill Day, and Sandra Waller. New York: Longman, 1997
In its historical context A Doll’s House was a radical play which forced its audience to question the gender roles which are constructed by society and make them think about how their own lives are a performance for Victorian society.
I say this because there is no doubt that A Doll's House has long been seen as a landmark in our century's most important social struggle, the fight against the dehumanizing oppression of women, particularly in the middle-class family. Nora's final exit away from all her traditional social obligations is the most famous dramatic statement in fictional depictions of this struggle, and it helped to turn Ibsen (with or without his consent) into an applauded or vilified champion of women's rights and this play into a vital statement which feminists have repeatedly invoked to further their cause. So in reading responses to and interpretations of this play, one frequently comes across statements like the following:
Ibsen, Henrik. A Doll House. Lives Through Literature: A Thematic Anthology. Ed. Helane Levine Keating et al. 2nd ed. New Jersey: Prentice Hall, 1995. 782-838.
"Realism and the Significance of A Doll's House." Wikispaces.com. Ed. Tangient LLC. Wikispaces, 2011. Web. 8 Apr. 2011. .
A Doll's House by Henrik Ibsen, is a play that was written ahead of its time. In this play Ibsen tackles women's rights as a matter of importance. Throughout this time period it was neglected. A Doll's House was written during the movement of Naturalism, which commonly reflected society. Ibsen acknowledges the fact that in 19th century life the role of the woman was to stay at home, raise the children and attend to her husband. Nora Helmer is the character in A Doll House who plays the 19th woman and is portrayed as a victim. Michael Meyers said of Henrik Ibsen's plays: "The common denominator in many of Ibsen's dramas is his interest in individuals struggling for and authentic identity in the face of tyrannical social conventions. This conflict often results in his characters' being divided between a sense of duty to themselves and their responsibility to others."(1563) All of the aspects of this quote can be applied to the play A Doll House, in Nora Helmer's character, who throughout much of the play is oppressed, presents an inauthentic identity to the audience and throughout the play attempts to discovery her authentic identity.