Ethnocentrism in Avatar by James Cameron
One of the major themes of the film Avatar is colonialism. Colonialism is the establishment of economic and political control over an area (Lundberg, 2015). In the film, Avatar, colonialism could be seen by the humans trying to take over Pandora for its resources, also known as “unobtainium”. Jake Sully, the main lead acts as a handicap ex-marine, task to infiltrate the place in his given avatar suit, to assist the military in blending into Pandora. This helps the military to gain an upper hand in colonising Pandora. However, Jake Sully unknowingly fall in love with one of the Na’vis, the natives of Pandora. In this essay, the Avatar film shows ethnocentrism and romanticism being displayed.
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There are countless similarities as well as differences between chapter 12 of “Creating America: A History of the United States” by McDougal Littell and the movie “Avatar”. Among the topics of “Avatar” and chapter 12 that share similarities and differences is why the whites wanted the Native American’s land, and why the humans wanted the land of the Na’vi people. Also, how the Natives tried to adjust. Furthermore, how the natives resisted. These are just a few examples of many that show both how different and at the same time how similar “Avatar” is to chapter 12.
In the short story “Blackness” by Jamaica Kincaid, the narrator’s consciousness develops through a process of realization that she does not have to fully embrace the ideology imposed on her by the colonizers nor fully deny her authentic heritage. First, the narrator utilizes the metaphor, “blackness,” representing the colonization of her country that simultaneously envelops her own being. Her consciousness then is unaware of her own nature; she is in isolation and “all purpose… as if [she] were the single survivor of [her] species” (472). This annihilation of her ancient culture shows how “blackness” replaced her own culture with the ideology of the colonizers. Then, the narrator’s understanding shifts along with the influence of the colonizers
Throughout time, many people feel as if they have lost their connection to their cultural from outside influences and numerous disruptions. Disruptions to one’s cultural can be seen in the Picture book The Rabbits by john Marsden and Shaun tan which is an an allegory of the invasion of Australia. Another example is the film avatar by James Cameron. The creators of these works are expressing the effect of man on nature and disruption it brings upon the cultural of the indigenous people who are the traditional owners of the land.
Post-colonialism is a discourse draped in history. In one point in time or another, European colonialism dominated most non-European lands since the end of the Renaissance. Naturally, colonialists depicted the cultures of non-Europeans incorrectly and inferior. Traditionally, the canon has misappropriated and misrepresented these cultures, but also the Western academia has yet to teach us the valuable and basic lessons that allow true representations to develop. Partly in response, Post-colonialism arose. Though this term is a broad one, Post-colonialists generally agree on certain key principles. They understand that colonialism exploits the dominated people or country in one way or another, evoking inequalities. Examples of past inequalities include “genocide, economic exploitation, cultural decimation and political exclusion…” (Loomba 9-10). They abhor traditional colonialism but also believe that every people, through the context of their own cultures, have something to contribute to our understanding of human nature (Loomba 1-20). This is the theme that Lewis prescribes in his, self described, “satirical fantasy”, Out of the Silent Planet (Of Other 77).
Whether it be the primal or indigenous beliefs of the na’vi or the the violent, mechanical, and greedy nature of the mining company a lot of the element of the movie reflect element of religious stereotypes of the time. First, we can look at the similarities between the na’vi people and the cultures
Anthropology is the study of the development of humankind within their different cultures. When one looks inside a culture, they can see the true aspects and meanings behind a societies behavior and traits. By following the principle that is cultural relativism, one can also determine that no culture truly surpasses another culture, and that each society has key differences that are important to its culture and location. This is a method that can also be seen in many intriguing films from this semester, one in particular being The Emerald Forest. Throughout this essay, this film will be analyzed around one character who greatly represents what it means to truly immerse oneself into a different culture to gain a new perspective, and many key terms in anthropology will be explored through 4 different films from the semester.
The song lyrics above are from the soundtrack of the film Menace II Society and correspond directly to the hardships that people are given when growing up in the ghetto and when surrounded by a life of violence. Because they know nothing other than this aggressive and brutal way of life, they continue this violent cycle and rarely break away to begin a new way of life.
The definition of the cultural imperialism in the Cambridge dictionary is simply as one “culture of a large and powerful country, organization, etc. having a great influence on another less powerful country." Yet to get the real and important meaning of cultural imperialism, we have to know more than its basic dictionary definition.
Although it is assumed that most movies in social studies classes have no relevance to the content area, the movie “Avatar” is viewed in social studies and displays multiple examples of Imperialism, a content area of social studies. In Avatar, humans are colonizing a foreign planet named Pandora without any regard to the indigenous people, the Na’Vi with the sole intentions of obtaining unobtainium, a resource. This is just like how the British colonized foreign countries for their resources, such as Africa. The notion of colonizing other nations to require resources is a part of Imperialism and the movie portrayed it. Also, Colonel Miles Quaritch from Earth talked about how if the Na’Vi didn’t subdue to Earth or cooperate then war against them
In “Avatar”, the concept of cultural relativism is explored in numerous ways. The main character, Jake Sully, is a prime example of cultural relativism. As Jake submerges himself among the Na’vi and their culture, he begins to realize the culture, viewing it from the Na’vi perspective. After falling in love with a native, Neytiri, Jake realizes the innocence of the Na’vi and how they are simply trying to protect their homeland. He begins to understand the value in scared places to the Na’vi, most notably the Tree of Souls. Only after living with Na’vi and seeing the destruction of the military does Jake truly understand the value within the Na’vi people. Another prevalent film that conveys the theme of cultural relativism is “The Emerald Forest”. The son of Bill Markham, Tommy, is kidnapped at the start of the movie, spending the rest of his
Today colonialism is still active, known as Neocolonialism, which has devastating effects on global cultural groups. To begin, the term colonialism is defined in the dictionary as “control by one country over another and its people”. Throughout history colonialism has confounded and damaged numerous cultures and people. Indigenous people have undergone a series of massive modifications to their culture as well as spiritual beliefs and morals and obligations they’ve held since before the first coming of Western cultures. In regards to this, there are many concerns of loss of culture among several different groups.
This essay will be about a comparative study of the representation of colonialism as a positive or negative force. The texts that are being used are my core text ‘Heart of Darkness’ by Joseph Conrad and ‘Collected Poems’ by Rudyard Kipling. The partner text will be ‘Swami and Friends’ by R. K. Narayan.
Set on the planet Pandora, Avatar is a science-fiction story of a money-hungry corporation’s attempt to conquer and excavate the land of humanoids known as Na’Vi. Jake Sully is a paraplegic, who is sent to space to complete his deceased brother’s mission because they share the same genome, which is necessary to navigate the expensive avatar that had already been cloned. We learn that the avatar is basically a mind-transporter used to be a part of and learn about the Na’Vi community. During his first expedition in the land of the Na’Vi, Jake gets lost and encounters one of the main female members of the tribe who ends up taking him under her wing and teaches him the ways of a Omaticaya. From here, the movie continues to tell the story of Jake’s dilemma between the mission he started with his people and the allegiance he slowly pledged to the Omaticaya clan. After watching Avatar the day it came out in theaters, I easily decided that it was one of the most extraordinary movies I had ever seen. My opinion may seem invalid coming from an uncultured fourteen-year-old, but even after having recently re-watched the film, I feel this movie and its social commentary are remarkable. There were many aspects to this movie, some controversial, that made the movie exceptional: its new-aged cinematography, disputable portrayal of the indigenous peoples, oddly familiar plotline, and mostly its critique on colonization and civilization. After having watched Avatar for the sixth time, I have come to the conclusion that this film much more intricate than its critics and supporters acknowledge. There are multiple parallels between imperialism and...
Conrad's "Heart of Darkness" is, as Edward Said says, a story about European "acts of imperial mastery" (1503)-its methods, and the effects it has on human nature-and it is presumable that Conrad incorporates much of his own experience in the Congo and his opinions about imperialism into the story, as another recent critic also suggests: "he seems to approve of Marlow," the narrator (Achebe 1492). These revelations of the author are conveyed to the reader through Marlow's observations, descriptions, reactions, and statements. While "Heart of Darkness" is at times very critical of European imperialism, that criticism for the most part is directed at the false idealistic claims made about the enterprise and the inefficient and savage methods employed by the Belgians; the book does not question imperialism when undertaken competently, particularly by the British.
Margaret Atwood's novel 'Surfacing' demonstrates the complex question of identity for an English-speaking Canadian female. Identity, for the protagonist has become problematic because of her role as a victim of colonial forces. She has been colonized by men in the patriarchal society in which she grew up, by Americans and their cultural imperialism, or neo-colonialism as it has come to be known as, and the Euro-centric legacy that remains in her country although the physical presence of English and French rulers have gone. This collective colonial experience of the protagonist, and the analogous nature of imperial and feminist discourses, is succinctly described by Coral Ann Howells, quoted by Eleanora Rao in 'Strategies for Identity',