Junot Diaz’s “Otravida, Otravez” postulates a perspective of life where one’s present and future always reflects their past in some way. Diaz incorporates symbolic figures to convey how a person’s past can be carried into the future. Diaz’s use of symbolic figures includes the dirty sheets washed by Yasmin, the letters sent by Virta to Ramon, and the young girl who begins working with Yasmin at the hospital. These symbolic figures and situations remind the readers that the past will always play a major role in one’s present. Additionally, Diaz’s word choice, where Spanish words appear in many different parts of the reading, suggests that indirectly, one’s past habits are not easily broken. Yasmin works at St. Peter’s Hospital in the laundry room. The dirty sheets that she washes are symbolic of this idea that the past is inescapable. For instance, Yasmin says, “I never see the sick; they visit me through the stains and marks they leave on the sheets… a lot of times the stains are too deep and I have to throw these linens in the special hamper” (55). Through this symbolic representation, the author suggests the idea that the past is embedded in one’s life in the same way that the stains are embedded in the linens. With this symbolic representation, Diaz also reveals that the past is difficult to erase even after great effort, in this case, the special hamper which “gets incinerated” (55). The symbolic representation of the sheets is further emphasized when Diaz writes, “I hold up the blue hospital sheets in front of me and close my eyes, but the bloodstains float in the darkness in front of me” (67). This phrase addresses a different perspective of the overall idea that the past in inescapable. In this example, we are led to bel... ... middle of paper ... ...s country when attempting to leave their past behind. “Sida” represents a disease that is inescapable similar to the inescapable past of these people, and thus of all people. Junot Diaz’s “Otravida, Otravez” depicts a perspective of life where one’s present and future always reflects their past in some way. Diaz’s representation of symbolic figures, convey how a person’s past can be carried into the future. Diaz’s use of symbolic figures includes the dirty sheets washed by Yasmin, the letters sent by Virta to Ramon, and the young girl who begins working with Yasmin at the hospital. These symbolic figures and situations remind the readers that the past will always play a major role in one’s present. Additionally, Diaz’s word choice, where Spanish words appear in many different parts of the reading, suggests that indirectly, one’s past habits are not easily broken.
The past dictates who we are in a current moment, and affects who we might become in the future. Every decision people make in lives has an influence on future, regardless of how minimal or large it is. Some decisions people decide to make can have dire consequences that will follow them for the rest of the life. Moreover, even though if someone would want to leave any memories from past behind, however it will always be by his side. Specific memories will urge emotional responses that bring mind back to the past and person have no choose but to relieve those emotions and memories again. Nonetheless, certain events change people and make them who they are, but at the same time, some wrong choices made past haunts us. This essay will discuss the role of the past in novel Maestro, that was written by Australian author Peter Goldsworthy in 1989 and also in Tan Shaun's story Stick Figures which was included in book called "Tales from outer suburbia" and published in 2008.
As a young child, Rodriguez finds comfort and safety in his noisy home full of Spanish sounds. Spanish, is his family's' intimate language that comforts Rodriguez by surrounding him in a web built by the family love and security which is conveyed using the Spanish language. "I recognize you as someone close, like no one outside. You belong with us, in the family, Ricardo.? When the nuns came to the Rodriquez?s house one Saturday morning, the nuns informed the parents that it would be best if they spoke English. Torn with a new since of confusion, his home is turned upside down. His sacred family language, now banished from the home, transforms his web into isolation from his parents. "There was a new silence in the home.? Rodriguez is resentful that it is quiet at the dinner table, or that he can't communicate with his parents about his day as clearly as before. He is heartbroken when he overhears his mother and father speaking Spanish together but suddenly stop when they see Rodriguez. Thi...
Where are the memories of our pasts held? In scrapbooks full of photographs, or perhaps written on the pages of a locked diary? Picture though, something as simple and ordinary as a closet full of clothes. Think about its contents, where they have been worn, what they have been through, the stories attached to each item. The nameless protagonist of Diane Schoemperlen’s short story Red Plaid Shirt does this as she recalls a snippet of her past life with each article of clothing she picks up. Red plaid shirt, blue sweatshirt, brown cashmere sweater, yellow evening gown, black leather jacket…each item has a tale of its very own, and when combined they reveal the full story of the main character’s life.
His collection Cuentos de amor, de locura y de muerte he explores three complex themes which have ties to the primality of human nature, often showing how they can interlink with each other and in fact be causal or consequential. The scenery for the stories is often familiar, basic almost, so as not to take away from the events which occur. In ‘Una Estacion de Amor’, the love between Octavio and Lidia is entirely idealised and too good to be true, pure in a way that one cannot find in the real world. Quiroga uses this immaculacy to then contrast it in the second act with the harsh reality of life which crushes the previously surface level love story which the reader was originally given. He touches frequently on the topic of drug addiction and morphine abuse, and in this story it is particularly jarring, as having been given a timelapse one is able to see the effects it has on one’s psyche and entire life- an additional dash of pathos is that Lidia herself has taken on her mother’s addiction. Another trope which Piglia notes is that a short story always tells two stories. This is exemplified in ‘Los Ojos Oscuros’, in which Zapiola tells another man of the unfortunate story of how he met Maria. Though the two stories are told in different timeframes, one in the present and one in the past, what is interesting is how at the end the lines between the two merge as it seems that history may repeat itself. In this
Under the orders of her husband, the narrator is moved to a house far from society in the country, where she is locked into an upstairs room. This environment serves not as an inspiration for mental health, but as an element of repression. The locked door and barred windows serve to physically restrain her: “the windows are barred for little children, and there are rings and things in the walls.” The narrator is affected not only by the physical restraints but also by being exposed to the room’s yellow wallpaper which is dreadful and fosters only negative creativity. “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions.”
The film uses instances of flashback to reveal what happened in Argentina during 1970-1980s, as such most of what “El Secreto De Sus Ojos” (The Secret in Their Eyes). Depicts about that period in Argentina’s history is borrowed from memory. In this film, the influence of memory is captured through certain crucial events, characters as well as their imagination. Since these historical events are narrated from memory, they reflect the passage of time and as such underline the social political transition that this country has undergone.
Valle’s most significant contribution to the Spanish theatre is his invention of the literary style of esperpento, which is best represented in one of his most famous plays, Luces de Bohemia. Valle created esperpento with the aim of representing the harsh realities of Spanish twentieth century society through the concave lens of grotesque deformation, so that he could present the lives of the Spaniards in the light of mockery and absurdity. During his writing of Luces de Bohemia, the Spanish society has been brought to a halt, along with the lack of political progress and social improvement, therefore this concerning political situation has influenced and steered Valle towards his literary evolution, the exaggerated grotesque, which he though was the only suitable way to represent the shocking reality and problems of Spain. In this way, he could alarm the people to terminate their complacent acceptance of this reality and he could also produce a distancing effect which renders the reader immune to the play’s purpose, thus making the artistic experience more tolerable. His experience in the killing fields was what made him t...
Demetria Martínez’s Mother Tongue is divided into five sections and an epilogue. The first three parts of the text present Mary/ María’s, the narrator, recollection of the time when she was nineteen and met José Luis, a refuge from El Salvador, for the first time. The forth and fifth parts, chronologically, go back to her tragic experience when she was seven years old and then her trip to El Salvador with her son, the fruit of her romance with José Luis, twenty years after she met José Luis. And finally the epilogue consists a letter from José Luis to Mary/ María after her trip to El Salvador. The essay traces the development of Mother Tongue’s principal protagonists, María/ Mary. With a close reading of the text, I argue how the forth chapter, namely the domestic abuse scene, functions as a pivotal point in the Mother Tongue as it helps her to define herself.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
In Ernesto Sabato’s The Tunnel, dreams reveal Juan Pablo Castel’s obscure and conflicting personality. Castel has lived a life of isolation, despair, and one that has been both solitary and lonesome. His existence becomes meaningful when a young lady named Maria takes notice of an abstract window within one of his paintings. Maria becomes his obsession; he seeks solace and refuge through her. Castel’s dreams unveil his true motivations for obsessing over Maria; they help to display his need for meaning, love, affection and attention. His dreams symbolize his ambiguous and construed emotions as well as foreshadow upcoming events in his life. By making the dreams complex and enigmatic, Sabato is able to mimic Castel’s mindset. Through this ulterior reality, Castel is able to escape, rationalize, and realize his multiple problems.
Throughout his novel, Don Quixote, Miguel Cervantes effectively uses the transformation of reality to critique and reflect societal and literary norms. In three distinct scenes, Don Quixote or his partner, Sancho, transform reality. Often they are met with other’s discontent. It is through the innkeeper scene, the windmill scene, the Benedictine friar scene, and Quixote’s deathbed scene that Cervantes contemplates revolutionary philosophies and literary techniques. The theme of reality transformation does not even stop there. Sometimes the transformations of reality scenes act as mimetic devices. Ultimately, Miguel Cervantes’ use of transformative scenes acts as a creative backdrop for deeper observations and critiques on seventeenth-century Spanish society.
Victor Martinez’s “Parrot in the Oven” is a novel that reflects the protagonist’s school days, his athletic activities, and family life. Victor Martinez experiences as a Mexican-American are the influences that induce him to produce such a literary work with figurative language that he receives naturally from his family. In his life, Martinez’s high school days and his teachers take important role as they motivate his to find opportunities that he can get as a son of a migrant worker. He presents his feeling and emotion for finding his identity and belongingness in his novel. As “Parrot in the Oven” is a coming-of-age story of a boy, the high school days and family life of the protagonist is explicitly presented. Everyone has unforgettable school days that made a great impact on the mind of the person. I can never forget about my school days and the sports activities I have participated, got victory, and met failures. I have learnt not only education, but also life, as does the protagonist of the novel. I would like to describe the high school days, athletic contests, and family matters of the protagonist, Manny Hernandez that is concentrated mostly on the chapters 7 and 8 of the “Parrot in the Oven.”
In “The Fortune Teller,” the author, Joaquim Maria Machado de Assis, uses symbolism to prove to one that an affair is not worth a person’s life. He uses the letter to symbolize hate between Villela and Camillo regarding the affair. This very ambiguous letter has terrified Camillo and put an end to his life. The letter enhances the theme of the short story by showing the anger and hate that Villela now had for Camillo. This hate is a focal point in the short story that leads to ending the affair along with Camillo and Rita’s life. Ultimately, the affair caused a large amount of tension between the three. However, the author was successful in grabbing the reader’s attention with the letter as the turning point of the short story.
Lope de Vega’s play touches upon several key components and ideas that were brought up in many of the other stories read throughout the semester. This included the role of gender and how men and women are viewed differently in the Spaniard town of Fuenteovejuna. Another topic included the importance of family, love, and relationships and their connection on loyalty, trust, and personal beliefs. The last major influence found in other literature and in Fuenteovejuna, were the political and religious references made throughout the play. Even though Lope de Vega didn’t make these views obvious, the reader could still pick up on their connotation and the references made towards these specific ideas. With all of this in mind, each of these components played an important role in each civilization read, and even over 1,000 years later it continues to be a social topic as well as a large part of the culture. The only difference a reader or scholar could make for this particular piece of literature is its authenticity and how it was based on a true event. Regardless, new views on power and how one obtain it become apparent through the dialogue between characters like Laurencia and the Commander.
This essay will focus on the relationship between time and human. The book cleverly portrays the characters individually and how they present time through age. Moccondo was distinguished out of the World. In Moccodo, there were some characters that showed how time changed their lives, such as Ursula, Colonel Auroliano Buindia, and Jose Arcadio Buindia. They tried to join the world, but there were some barriers that changed life of them by passing time. The characters were living in a simple life style, but their lives were changed since they got difficulty. In One Hundred Years of Solitude, time has different effects on all the characters due to the different reactions of the characters to the events. This essay will examine