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Essay on life and works of franz kafka
Essay on life and works of franz kafka
Franz kafka essayss
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In Franz Kafka’s The Trial, Josef K. is guilty; his crime is that he does not accept his own humanity. This crime is not obvious throughout the novel, but rather becomes gradually and implicitly apparent to the reader. Again and again, despite his own doubts and various shortcomings, K. denies his guilt, which is, in essence, to deny his very humanity. It is for this crime that the Law seeks him, for if he would only accept the guilt inherent in being human (and, by so doing, his humanity itself), both he and the Law could move on.
Ironically, this is in part both an existential and Christian interpretation of The Trial. The idea that to be human is to be guilty arises from both Christian and existential ideology. The Christian concept stems from a Biblical interpretation that essentially states: When Adam ate from the Tree of Knowledge and fell from innocence, his sin was subsequently inherited by all of mankind from the moment they were born. This is called Original Sin, and the Christian belief is that the only way humans are redeemed from this sin and avoid Hell is, firstly, through Jesus Christ’s sacrifice of Himself and, secondly, through the adoption of Christ’s teachings. The Original Sin doctrine is important in The Trial because the story takes place in an increasingly Christian nationalist Germany, in which the prevalent Christian ideology permeated, at least on a subconscious level, nearly every aspect of everyday life and society. The idea that every human was born with Original Sin would have undoubtedly influenced K.’s and the Law’s perception of guilt in relation to his trial. K. himself even notes the ability of the court to “[pull] some profound guilt from somewhere where there was originally none at a...
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... reason the engagement should not work out happily when resumed. But, like K., though he thought he was aware of and owned up to his own faults, he was still convicted for his denial and the engagement was again broken off.
The Trial is Kafka’s exploration of the most extreme consequences of denying one’s own guilt and thus one’s own humanity. In some senses, it serves as a warning, or a sort of parable of its own, and in others it is simply an expression of anguish. The story serves to warn against thinking so highly of oneself that we only interpret infractions of the outright law as guilt. If we are to be truly innocent and humble beings, we must recognize our own innate guilt as human and accept it. If we do not, we will constantly be obsessed by our “state of apparent acquittals."
Kafka, Franz. The Trial. Trans. Breon Mitchell. New York: Schocken, 1998.
The Metamorphosis by Franz Kafka is the story of Gregor Samsa, his turning into a bug, and his ultimate death. In the beginning of the novel Gregor wakes up as a bug and struggles to become used to his new body. Gregor is locked in his room and late for work; he is the only one who works in his family, so it is important that he shows up and earns money to pay off his parents debts. His office manager shows up wondering where he has been and everyone is shocked to see Gregor’s transformation when he finally makes his way out of his room. Upon seeing him, his father shoves him forcefully back into the room, scraping Gregor’s back. Grete, Gregor’s sister, is his primary caretaker throughout the book and she makes certain he is receiving the food he wants and is the only one to clean his room for him. Gregor’s mother and father do not pay much attention to him at all throughout the book. The mother occasionally checks on him, but can barely stand the sight of him. Eventually, Grete starts working and stops taking care of him too, leaving Gregor all by himself. Betrayal is evident in The Metamorphosis and contributes to
Kafka’s In the Penal Colony is a story about the use of torture tools which cause death sentences into effect, within 12 hours of torment and the convicted, in the end dies. Lets regard the roots of this subject and its idea of hope....
Two classical themes in literature are concealed guilt and confessed guilt and in many instances the reader sees the affects of these on individuals. In the examination and exploration of The Scarlet Letter and Macbeth the necessary comparison for both is provided. The guilt in The Scarlet Letter is seen in the minds and outward appearance of each main character, Hester Prynne and Arthur Dimmesdale. In Macbeth the readers sees an obvious guilt in the main character, Macbeth.
Humans feel obligated to do certain things. It makes them feel good, or worthwhile. If these responsibilities are not met or to the obligator's own standards then guilt comes upon them. In The Metamorphosis, by Franz Kafka, Gregor's self-condemnation keeps him trapped. Gregor is enslaved to his family. Therefore Gregor's guilt emerges from the families' burden.
The use of the jury in some trials shows how the everyday atmosphere is brought into the courtroom. Jurors have a part in deciding the outcomes of cases and as a collective decide the extent of the harm in the case. They apply socially accepted norms to the courtroom when determining the enforceable situation of the alleged criminal (Garfinkel: 104). A juror is asked to be a blank slate when entering the courtroom. However, what needs to taken into consideration is the fact that each individual carries his or her own values, bias and beliefs in any situation. They decide to what extent the case at hand goes against the standards of the normal individual. The definition of normal in this case is subjected to the context in which the event is
... of Kafka’s The Trial and brings to light some of the frightening realities of the legal system during the early to mid 20th century. Whether it is the inaccessible court or lawyers, or the complete disregard for evidence and documentation. Even if some of the fault lies in the accused for not understanding the system, many trials in this period reflected poor practices of justice particularly so in the case of Bukharin and Dreyfus. Kafka’s work truly encapsulates the legal system both before and after The Trial was written incredibly effectively. It gives a clear idea as to the how miscarriages of justice can occur and what changes had to be made to the legal system in order resolve these issues. It is perhaps arguable that the courts today still face some of these issues and that Kafka’s work is still relevant in determining some of our legal principles today.
There are many different factors that play a role in shaping one’s life. Two of these, family and society, are expressed by Leo Tolstoy and Franz Kafka. Tolstoy’s novella The Death Of Ivan Ilyich draws attention to the quality of Ivan Ilyich’s life. Although he has a life the whole community aspires to, he becomes aware of the hypocrisies and imperfections that accompany it. Similarly, Kafka’s The Metamorphosis focuses on the ostracized life of Gregor Samsa who continuously seeks the approval of his family, but somehow always ends up letting them down. Ivan Ilyich in Tolstoy’s The Death of Ivan Ilyich and Gregor Samsa in Kafka’s The Metamorphosis both experience extreme alienation from their families, and thereby shed light on the nightmarish quality of their existence.
Guilty or not guilty? This the key question during the murder trial of a young man accused of fatally stabbing his father. The play 12 Angry Men, by Reginald Rose, introduces to the audience twelve members of a jury made up of contrasting men from various backgrounds. One of the most critical elements of the play is how the personalities and experiences of these men influence their initial majority vote of guilty. Three of the most influential members include juror #3, juror #10, and juror #11. Their past experiences and personal bias determine their thoughts and opinions on the case. Therefore, how a person feels inside is reflected in his/her thoughts, opinions, and behavior.
John Proctor is, at first, willing to offer up a false confession that his life may be spared. Inevitably, John Proctor possesses that fateful attribute known to fall fatal to many human beings - pride. While he has, indeed, been ashamed of his many sins throughout his life, Proctor's soul still clings to his pride and his good name, however soiled it may have become. On the morning scheduled for his execution, Proctor wrestles with the realization that one more sin so heaped upon the rest in his life will make precious little difference in the end; "I cannot mount the gibbet like a saint. It is a fraud. I am not that man.... My honesty is broke... I am no good man. Nothing's spoiled by giving them this lie." (126) He attempts to calm his pride by telling himself that the other accused witches who will not give false testimony to save themselves from the gallows have every right to do so; they led lives free of blame. He, however, he tells himself, did no such thing; what right has he to hang among the righteous? "Let them that never lied die now to keep their souls. It is pretense for me, a vanity that will nor blind God nor keep my children out of the wind." (126) Thus the conviction first reached by John Proctor is to save his life rather than to throw it away in mock martyrdom.
Franz Kafka’s famously translated novel The Trial was thought by many to be strongly influenced by his strong background and affiliations with theater and literature. Within the novel, Kafka refers to various types of the art form including, physical art, performing arts and acting, and the art of how a person moves and/or interacts with others. Critics have argued that Kafka’s background was the influence to the novel, while others strongly disagree. Was Kafka’s references to the performing arts within the novel his way of portraying life as a play, something that is scripted and planned out or was it simply the main character treating his situation as an unrealistic event and a joke?
The story, Metamorphosis, is an unusual story to say the least. The very first sentence one meets the main character, Gregor Samsa. This sentence really shows how different this story is when compared to other books in this class. Throughout the story the author, Franz Kafka, wants the reader to sympathize with Gregor. ‘When Gregor Samsa awoke one morning from troubled dreams, he found himself changed into a monstrous cockroach in his bed’ (87), is the first sentence, and already the author wants the reader to feel sympathy for Gregor. This is no dream either, he is really a bug, and Kafka makes sure there is no confusion. This is just one of many examples that I will discuss where Kafka wants the reader to sympathize with Gregor.
Neumann, Gerhard. "The Judgement, Letter to His Father, and the Bourgeois Family." Trans. Stanley Corngold. Reading Kafka. Ed. Mark Anderson. New York: Schocken, 1989. 215-28.
The trial portrays the absurdist ideal that absolute truth does not exist. This ideal destroys the very purpose of the trial, which seeks to place a rational explanation on Meursault’s senseless killing of the Arab. However, because there is no rational explanation for Meursault’s murder, the defense and prosecution merely end up constructing their own explanations. They each declare their statements to be the truth, but are all based on false assumptions. The prosecution itself is viewed as absurd. The prosecutor tries to persuade the jury that Meursault has no feelings or morals by asking Perez if “he had at least seen [Meursault] cry” (91). The prosecutor then continues to turn the crowd against Meursault when he asks him about his “liaison” with Marie right after his mother’s death. Though Meursault’s relationship with Marie and his lack of emotions at his mother’s funeral may seem unrelated to his murder, the prosecutor still manages to convince the crowd that they are connected to one another. The jury ends up convicting Meursault not because he killed a man, but because he didn't show the proper emotions after his mother ...
All in all, leading the criminals of Nuremberg to their morality, the Nuremberg Trials were a calamitous and brutal set of cases pointed towards men, who some were innocent. Even so, these individuals were dispatched by impassive military leaders in the name of the law. The trials and the executions led to an immense amount of genocide of the Jewish people, and felonies against mankind, all in the presence and aid of the venomous teachings of Adolf Hitler and the Nazi government.
Many people believe that The Judgement was the most autobiographical of Kafka's works. To provide a complete picture, one must analyse both. Franz Kafka was born into a Jewish family in 1883 in Prague, Bohemia. His father was Hermann Kafka, whose father was Jacob Kafka. Hermann Kafka worked in his father's butcher shop until he was able to fend for himself. A number of years later, he married the daughter of his employer, who owned a store. In short, he ‘married up’ to Julie Kafka. She was far more educated than her husband (especially considering that Herman had never received any schooling whatsoever). She later gave birth to Franz and 5 other children. Kafka was the oldest child of 2 brothers (Georg and Heinrich) and 3 sisters (Eli, Valli, and Ottla). The mother helped run his father's business, so she wasn’t at home often, like most others at the time. Just like in The Judgement, Franz Kafka’s relationship with his father is extremely dysfunctional. According to the European Graduate School, Hermann was seen as a “tyrannical figure in the household”. Kafka’s father Hermann, is represented as the antagonist in many of Kafka’s books, and tends to make life miserable for for the son figure (in the book and real life). Because Franz's father Hermann was raised in an impoverished environment, he valued hard work and dedication to his job. For Herman, it was very important to ensure his family had a good life. Franz’s mother Julie was similar; although she didn’t grow up in poverty, she also worked to support the family, leaving Franz with a governess. Due to the regular absences of his parents, Franz felt abandoned by them. Their high expectations only made him hate them more. Although an impartial observer would likely say that F...