Idealism, or Seeing Life Through Rose Coloured Blinders
Viewing the world through rose coloured glasses will undeniably allow one to believe that they can never fail, and that all the universe exists solely to actualize their hopes and dreams -- but at what price? While idealism is among the most powerful of driving forces towards progress and innovation on earth, it can often lead one to forget to assess whether or not their dreams are safe, or even practical. Nella Larsen and F. Scott Fitzgerald in their novels “Passing” and “The Great Gatsby”, both explore great tragedies caused by main characters having their heads too far into a dream to understand that their lifestyles are neither realistic nor safe. Characters in both novels are living
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Hence is the subject matter of Nella Larsen’s “Passing”. In the short yet entirely poignant novel, protagonist Irene Redfield finds herself encircled in the ring of deceit and idealistic views belonging to Clare Kendry. Clare is a woman who has decided to “pass” as a means of achieving a life more luxurious than that of a black woman in her society. This choice is risky alone, paired with superficial reasoning, makes for a potentially volatile situation if not handled with delicate precaution and constant awareness. Clare is, however, a frivolous and self destructive character who we see throughout the novel as being someone who does not give a second thought towards the trace she leaves on the world so much as she gets what she wants. In a conversation about having children, Clare speaks about how she “nearly died of terror the whole nine months before [her daughter,] Margery was born for fear that she might be dark. Thank goodness, she turned out alright” (Larsen 27). In this scene, Irene, Clare and Gertrude, a childhood friend of theirs, are talking about the fact that there is no predicting how dark or light a black child’s skin may be upon birth; meaning that the risk of her secret being revealed was made dangerously precarious as a result of her recklessness. The danger she has put herself in but has willingly chosen to …show more content…
Following a particularly emotionally strenuous encounter between he and Gatsby, Tom recommends that the whole group (Gatsby, himself, Nick Carraway, Daisy and Jordan Baker), head downtown, but insists that the two men swap cars. Daisy and Gatsby, who have unknowingly been suspected of their affair by Tom take off and, drunkenly, run over a woman who has run out into the street. Daisy’s hands were on the wheel. When the husband of the deceased woman inquires what really happened to Tom, as she was killed with his car. Tom blames Gatsby, and why should he not? As far as Tom knew, Gatsby was a frivolous, careless and untrustworthy man-- and all of this as a result of Gatsby’s own actions. Gatsby lives a gaudy and attention-seeking life solely for the recognition of one woman, he blatantly lies about his past and does not believe that he will be caught, and made passes at Tom’s wife right in front of him. A mix of retribution and mistaken identity take George Wilson, the woman’s wife, to Gatsby’s home, where he patiently awaits a phone call from Daisy-- presumably professing her love for him or something of the like-- that will never come. Gatsby is shot by Wilson, believing until the very end that his forbidden fruit was not lethal, and that he possessed the innate right to all of his greatest desires. It is remarked by Nick that Gatsby “paid a high price for living too long with a single dream” (Fitzgerald 163);
The first impression that the reader gets of Gatsby is Jay’s initial explanation of him. Nick describes Gatsby as having an “extraordinary gift for hope” (2) or the ability to always be hopeful for the best outcome. This “ability” directly correlates to Gatsby 's platonic conception of himself and the world. Gatsby’s gift was not that he was able to see the best out of the worst situation but rather assume that the best situation would always occur for him. This “ability” lead Gatsby to take many risks especially the risk of believing that Daisy had only loved him. Gatsby also hopes that Daisy would call him back, leaving the phone lines open for Daisy when swimming in his pool. These acts only further lead to Gatsby becoming enemies with Tom, who gave Gatsby’s life up to Myrtle’s husband whose final act was shooting
In the end, the differences between Clare Kendry and Irene Redfield are overshadowed by their similarities revealing that their relationships are just as significant as the issue of passing. Nella Larsen's Passing successfully deals with the plight of the "tragic mulatto," and the complexities of human relationships. Her literary contribution is significant because of her ability to confidently handle a sensitive racial issue while also exploring the ramifications of this issue on human relationships. IT is clear that Larsen meant to include both the social and psychological aspects of passing in her novel. Because of this, Passing remains a novel that is clearly representative of the Harlem Renaissance.
All humans have dreams and goals for their future that they wish to someday turn into reality. Dreams are different for every person, and some dreams are greater and grander than others, but they are all similar in that humans live for dreams because humans innately crave a better tomorrow. While many people do achieve their ultimate goals within their lifetimes, some people have unattainable dreams that are destined for failure. Two quintessential American novels, The Great Gatsby and the Catcher in the Rye, recount the stories of two hopeful young men with lofty plans, Jay Gatsby and Holden Caulfield. Both of these utopian young men possess impossible, unreachable dreams; Gatsby desires to rewind his life so that he may enjoy it with his beloved Daisy instead of losing her while at war, and Holden wishes for time to halt altogether so that he must not face the challenge of growing up and becoming an adult in a cruel society. Through the example of both of their tragic stories, it is evident that humans often rely too heavily on dreams, and when these vital dreams fail because of corrupt societies, they lose touch with reality and fall into despair and defeat.
In the novel, Passing, Nella Larsen presents two women, Clare and Irene who originate from the black community; however still yearn for an assured identity for themselves. Clare and Irene are childhood friends who even though being part black, are able to pass as white folk. Irene continues to be part of the black community and is considered a black woman, however this is on a superficial level. When it comes to her advantage, Irene occasionally passes as white. Clare on the other hand passes as a white woman; her lifestyle changed completely as to white standards and in. Although both women are in a dilemma regarding their true racial identity, they both wish to live as both black and white. Throughout the book, both women attempt to achieve an integrated identity, however fail do to so. Their failure in attempting to live a life both as black suggests and supports the idea that a person can only have one race as either black or white, not both.
Though, Clare enjoy passing and its benefit, she long to associate with people of colour. As Clare pulls toward her white life, she is simultaneously pushing away her black identity.Consequently, her longing for blackness becomes a desperate craving to be a part of the black community. She is ultimately substituting Irene’s company for the overall black culture that she misses. Clare passing over and having a deep desire to be among blacks again proves this unconscious draw that she has to her former race.
...s appealing it is not without consequence. Clare, and those who choose to pass, are not free to embrace their whole identity and will always remain a threat to those they come in contact. Clare exemplified the archetypal character of the tragic mulatto, as she bought tragedy to her own life and all those she came in contact. Clare’s presence forced Irene to contend with feelings of internalized racism, and thus feelings of inferiority. Through diction, tone, and imagery Larsen makes it luminous to readers that "passing" may seem glamorous, however, the sacrifice one makes to do so is not without consequences for themselves and those they care about. Larsen does not allow her readers to perch on the belief that once a member of the dominate group ones life is not without pain and suffering. Every action, even those that seem to make life easier, have consequences.
When he first meets Daisy, Gatsby becomes infatuated with his idea of her, or rather, the false persona that she creates of herself. In fact, Gatsby reveals that “she was the first ‘nice’ girl he had ever known” (155). Gatsby was so impressed with Daisy mainly because of her wealth and her status; it is what he wants. However, Daisy chooses Tom Buchanan over Gatsby, solely because of his social status. As a result, Gatsby revolves his whole life around her: he becomes wealthy, creates a new image of himself, and buys a house across the bay from Daisy. For instance, he fabricates lies about how “ [he is] the son of some wealthy people in the middle-west” (69) and how “ [he] was brought up in America but educated at Oxford” (69) in order to impress her. These lies end up altering others’ perspectives of him - not necessarily in a positive way - and impacting his life as a whole. Daisy unwittingly transforms Gatsby into a picture-perfect image of the 1920s: lavish parties, showy cars, and a false illusion of the attainment of the American Dream. Despite Gatsby’s newfound wealth and success, he never fully accomplishes his dream: to get Daisy. Gatsby’s final act for the sake of Daisy has no impact on her feelings towards him. When Gatsby claims that he crashed into Myrtle and killed her, Daisy carelessly lets him do so, which ultimately results in his death. To make
At the hotel gathering, Gatsby struggles to persuade Daisy to confront her husband and she responds with “Oh, you want too much! . . . I did love him once--but I loved you too” (Fitzgerald 132). Daisy desperately tries to satisfy Gatsby but his imagination blocks his mind to such a degree that it eliminates his chances of learning how to comprehend reality. After Myrtle’s murder, Nick advises Gatsby to leave town but instead he realizes that “[Gatsby] wouldn’t consider it. He couldn’t possibly leave Daisy until he knew what she was going to do. He was clutching at some last hope and I couldn’t bear to shake him free” (Fitzgerald 148). No matter how hard Nick attempts to help him make the better choice, Gatsby continues to skew his priorities like a juvenile. Unfortunately for Gatsby, Daisy stays with Tom, a more secure and experienced adult, leaving Gatsby alone. As Gatsby’s life loses his vitality, he obviously needs learn how to act like an adult and survive in the world; but unable to accomplish this, Wilson kills him soon
Even though at first when they finally got together after all those years and everything seem great and romantic but good things always come to an end. The affair effected Gatsby in his life by having him back the old love he first had for Daisy even hoping for a lifetime future together. His dream is very much vivid about his romantic hopes about Daisy in his mind, “There must have been moments even that afternoon when Daisy tumbled short of his dreams, not through her own fault, but because of the colossal vitality of his illusion” (95). He seems to be falling deeper in love with her even maybe more than the love she really had for him even though through the end of the chapters her love that she claims to have for him seemed not truly. In New York, the truth comes out more about she feels about Gatsby by being questioned and feeling guilty when Tom gets to the fact that she loves him and not Gatsby but Gatsby rejects his sayings and tells Daisy to say how she truly feel about him. Over all the excitement, Daisy tells how she truly feel about the whole love affair, “I did love him once but I loved you too” (132). It is possible that the leading of Gatsby’s death was caused from Tom’s jealousy of his wife’s confessed love for Gatsby. Tom would had told Wilson that Gatsby was the driver of the car that killed Myrtle and her secret
No two people are going to share the exact same goals, and while many people’s dreams run along the same pathways towards security, money, love, and companionship, the route by which to get there and the destination should be left entirely to the dreamer. By creating an institution such as the American Dream, goals become oversimplified. The American dream boils happiness down into two or three facets, which everyone seems to try desperately to conform to, but people cannot be told what to like. As conformists, though, everyone will attempt to seem perfectly happy with a lot they never chose as they live a dream they never wanted. Nothing showcases this more clearly than the rampant unhappiness of the characters in The Great Gatsby. None of the people the world would consider ‘successful’ end the novel happy; instead they are left either emotionally hollow or entirely dead. Their failure at achieving real and true happiness is F. Scott Fitzgerald’s way of criticizing the relentless pursuit of a phony American
Through the use of symbolism and critique, F. Scott Fitzgerald is able to elucidate the lifestyles and dreams of variously natured people of the 1920s in his novel, The Great Gatsby. He uses specific characters to signify diverse groups of people, each with their own version of the “American Dream.” Mostly all of the poor dream of transforming from “rags to riches”, while some members of the upper class use other people as their motivators. In any case, no matter how obsessed someone may be about their “American Dream”, Fitzgerald reasons that they are all implausible to attain.
Tom suspects that Gatsby and Daisy are having a relationship, but has no evidence to prove it. However, whenever Tom would leave the room, Daisy would immediately run into Gatsby’s arms to show her affection. To their dismay, Tom sees this: “She had told him that she loved him, and Tom Buchanan saw” (Fitzgerald 126). This leads to a confrontation between Gatsby and Tom, where Gatsby boldly declares that “Your wife [Daisy] doesn’t love you …She’s never loved you. She loves me” (Fitzgerald 139). Gatsby feels untouchable, and his confidence in Daisy’s love for him allows him to declare this to Tom. However, Tom slowly gains control of Daisy, reminding her of the experiences they shared together. Realizing this, Gatsby becomes desperate, and attempts to force Daisy into saying things she doesn’t believe, but Daisy tells Gatsby the truth: “’Even alone I can’t say I never loved Tom… It wouldn’t be true’” (Fitzgerald 142). Gatsby is delusional because his only thought is proving to Tom that Daisy doesn’t love him, and fails to realize that he is slowly losing Daisy. He is once again so absorbed by Daisy that he fails to realize what is going on around him. Even after Daisy runs over a woman murdering her in cold blood, Gatsby is willing to take the blame for her, and states “of course I’ll say [to the police] I was [driving]” (Fitzgerard 154). Gatsby still loves Daisy after she commits murder, which is a testament to his obsession and delusion over her. Gatsby is willing to go to prison and lose everything because Gatsby still believes that Daisy loves him despite Tom proving
Her sequence of lies leads George Wilson to believe, senselessly, that this was all Gatsby’s fault. The shame of the affair eventually compels Wilson to shoot Gatsby and then commit suicide. Daisy, could have owned up to her mistakes and saved Gatsby’s life, but for Daisy Fay Buchanan, self-preservation is far more valuable than personal merit. This in fact proves “the greatest villain in the Great Gatsby is in fact Daisy herself, for her wanton lifestyle and selfish desires eventually lead to Gatsby’s death, and she has no regards for the lives she destroys” (Rosk 47). Nevertheless, Nick Carraway sees right through her disturbing ways and reflects upon the Buchanan’s. After Nick ponders a thought he muttered “They are careless people Tom and Daisy- they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they made” (Fitzgerald 170). Many people see Daisy Buchanan as a poised, pure, and elegant woman who is happily married; however, few like her cousin, Nick Carraway, suffer from knowing her true self: careless, deceptive, and selfish. Daisy is able to use money to get her out of every situation she runs
The novel The Great Gatsby displays deceitfulness in many of its characters. The deceit brings many of the characters to their downfall. Gatsby had the greatest downfall of them all due to the fact it took his life. In The Great Gatsby , “ Gatsby goes to spectacular lengths to try to achieve what Nick calls ‘his incorruptible dream’ to recapture the past by getting Daisy Buchannan love” (Sutton). Gatsby always had an infatuation with Daisy, Jordan Baker said,”Gatsby bought that house so that Daisy would be just across the bay” (Fitzgerald 83). Gatsby and Daisy did have a past together. While Jordan was golfing, “The Officer looked at Daisy while she was speaking in a way that every young girl wants to be looked at sometime[…]His name was Jay Gatsby and I didn’t lay eyes on him for over four years-even after I’d met him in long island I didn’t realize it was the same man” (Fitzgerald 80). Daisy is now in an abusive relationship with Tom Buchannan, “Nick Carraway attends a small publicly blames Tom for the bruise on her knuckle” (Sutton). When they meet again Gatsby showers Daisy with love and affection, wanting her to leave her husband Tom, but she does not want to in their society. Tom and Gatsby get into an argument and tom tells Daisy about Gatsby’s bootlegging that brought him to his riches. Tom yelled, “He a...
While in a New York City hotel room one evening late in the summer with Nick, Daisy, Tom, and Gatsby, there is a massive confrontation during which Tom exposes Gatsby's corrupt business dealings. Jay and Daisy leave to drive back to Long Island together with her driving Gatsby's car "to calm her down" when she accidentally hits and kills Tom's mistress. The car doesn't stop after the accident and speeds on towards Long Island. Gatsby's charm has faded with his exposed corruption. While Nick goes off to work in New York City the next day, the dead woman's vengeful husband, told that it had been Gatsby's car that killed his wife by a vengeful Tom Buchanan, shoots Gatsby to death in his own swimming pool and then kills himself.